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Final issue! In order to free Gwyneff from an evil knight, a champion must win three challenges!
When King Mancastle and his mighty vassals ride off on crusade, the women left behind are not at all put out—that's a lot less armor polishing for them to do. Of course, when the men get themselves eaten by a dragon and leave a curse that attracts monsters to the castle...well, the women take umbrage with that. Now the blacksmith's wife Merinor is King, Princess Aeve is the Captain, and the only remaining (and least capable) knight Sir Riddick is tasked with teaching the ladies of the castle how to fight, defend, build, and do all manner of noisy things the men had been doing while the women assumed they were just drunk. Novelist Delilah S. Dawson (Star Wars: The Perfect Weapon, As Wicked as She Wants, Wake of Vultures) brings her first original series to comics, and is joined by breakthrough illustrator Ashley A. Woods (Niobe: She Is Life) for a rollicking fantasy adventure featuring women reclaiming their lives on their terms.
The women of Ladycastle finally feel like they're ready to fight, just as the next wave of the curse hits and werewolves descend upon the castle for a howling good time!
The next wave of the curse descends upon Ladycastle: harpies!
It's opening night, but the Backstagers have gone so far past the barrier of no return that even the Stage Managers can't find them!
Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions--until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.