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Nancy loves a good mystery. That’s why she, Bess, and George are volunteering at Persimmon Woods Pioneer Village, a living history museum of the 1830s. Nancy’s heard that a lot of weird things have been happening there, like the eerie sightings of the Lantern Lady­ the ghost of an original settler. But as soon as Nancy starts investigating, she learns that even though the workers at Persimmon Woods are in costume, the danger isn’t an act. Someone has concocted a cunning scheme to destroy the village—and if Nancy doesn’t find the culprit, she could become history, too.
Lady With a Lantern is an eye-opener for anyone who was neither patient nor staff in “the big mental” hospital. Kay Parley was both and she can light the way. The author uses journal, narrative and short story to convey a range of emotion from despair and violence to hope and fun. She provides an understanding of the variety of creative therapies used when the Saskatchewan Hospital at Weyburn was named the most improved mental hospital in North America. There will be times you’ll feel lucky you weren’t there and there will be times you’ll wish you were. You get a clear sense that the hallmark of psychiatry is the unpredictable. Kay Parley has written an entertaining and valuable piece of Saskatchewan history which has too often been neglected and misunderstood.
The second Ladies of Lantern Street novel from Amanda Quick explores the crimes, passions and paranormal secrets of Victorian London. Under the plain gray skirts of Miss Beatrice Lockwood’s gown, a pistol waits at the ready. For Beatrice is a paid companion on a secret mission—and with a secret past—and she must be prepared to fight for her life at any moment. Yet she is thrown oddly off guard by the fierce-looking man who joins her in foiling a crime outside a fancy ball—and then disappears into the shadows, leaving only his card. His name is Joshua Gage, and he claims to know Beatrice’s employers. Beyond that, he is an enigma with a hypnotically calm voice and an ebony-and-steel cane. . . . Joshua, who carries out clandestine investigations for the Crown, is equally intrigued. He has a personal interest in Miss Lockwood, a suspected thief and murderer, not to mention a fraudster who claims to have psychical powers. The quest to discover her whereabouts has pulled him away from his mournful impulses to hurl himself into the sea—and engaged his curiosity about the real Beatrice Lockwood, whose spirit, he suspects, is not as delicate as her face and figure. He does know one thing, though: This flame-haired beauty was present the night Roland Fleming died at the Academy of the Occult. Guilty or not, she is his guide to a trail of blood and blackmail, mesmerism and madness—a path that will lead both of them into the clutches of a killer who calls himself the Bone Man. . . .
Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.
This fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction.