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A SECRET LISTTo protect his loved ones and escape the dark fate of his brothers, a noted warrior abandons his identity. Hiding from relentless soldiers who want him dead, Brody MacCaulay vows to protect the woman he loves more than life, more than freedom, more than Scotland. But his presence throws her into danger. A VOW HONOREDTo escape an arranged marriage to an abusive noble, a Lowland Lady weds a stranger to save his life. But vows spoken do not make a marriage, especially when Megan MacMurry holds a different love inside her heart.A SACRIFICE MADEOutlawed, and with a price on his head, Brody condemns himself to a life of heartbreak without Megan. Wanting her desperately, knowing he can't have her, he heads alone to certain death...
In her years as a prominent women’s network executive in the golden city of Hollywood, Charlotte Darwin never has seen anything quite like Dirk Lord; a gorgeous, talented star of her top show, he seems poised on the brink of superstardom. And even when the release of a naughty movie from Dirk's past threatens his career, Charlotte stands by him—causing Dirk to realize that it is the everyday, sensible plus-sized intellectual Charlotte, and not his fickle co-star and ex-girlfriend Lorielle, that stands as his true leading lady. Yet can Dirk convince Charlotte that their love is truer and more passionate than any big screen romance?
If anyone told notorious thief Megan that she'd one day live in a royal palace with endless servants catering to her every need, she'd say he was crazy. But when this clever expert thief tries to liberate an expensive watch from a certain gentleman, she gets more than she bargained for.
A notorious jilt, Lady Serena Fairchild meets her match in Nicholas St. Ives, whom she knows only as Tom the serving man, and who in reality is a former soldier and well-known rake in flight from an irate Frenchman.
Lady Celine Wexham seems the model British subject. French by birth but enjoying life in 1813 as a widowed English countess, she is in the unique position of being able to help those in need--or to spy for the notorious Napoleon Bonaparte. When Rees Phillips of the British Foreign Office is sent to pose as the countess's butler and discover where her true loyalties lie, he is confident he will uncover the truth. But the longer he is in her fashionable townhouse in London's West End, the more his staunch loyalty to the Crown begins to waver as he falls under Lady Wexham's spell. Will he find the proof he needs? And if she is a spy after all, will he do the right thing? Ruth Axtell deftly creates a world where black and white burst into a confusion of colors and no one is who they seem. Readers will be hooked from the very first scene to the final page.
Megan thought she had read every book in her grandfather's extensive collection of fiction, until stumbling upon an unfamiliar title. Curious, she delves into the book, realizing that her own relationship with her boyfriend of four years parallels the story she is reading of Ambrose and Sebastian. Can a story of love between two men provide the answers to salvage her floundering relationship?This unusual tale is actually a period story wrapped inside of a contemporary storyline. The interior story includes actual places and events of 1890 Victorian London. One story follows the relationship of two men in Britain, the other story follows Megan and Chandler in upstate New York, USA. Not specifically defined as a romance novella, since this manuscript crosses genre specific lines: gay / hetero, period / contemporary, and even includes an alternate ending. Definitely not the traditional run-of-the-mill read, but a journey into alternative fiction.
In these seven stories, Peter Rouleau leads the reader on a waltz through the joy and heartbreak of modern life. Doug Faraday faces a challenge as daunting as the open sea: his first date. Reverend Daniel Keller is asked by a millionaire lobbyist to perform an exorcism. The problem? He's a Unitarian Universalist. Karen Ralston faces difficult choices when confronted with an unexpected pregnancy. Caroline Edwards and Sydney Barrett are from the same state but different worlds. Learn the history and secrets behind the speeches at their wedding. These characters and others await the pleasure of your company. You are cordially invited to Masquerade Ball! "[e]ach unique piece finds the reader intrigued and completely invested in all of the characters. There are unexpected twists and turns that will invariably have you laughing out loud one minute and wiping tears from your face the next...thoroughly enjoyable and engrossing." -OnlineBookClub.org
Adeline has been at the mercy of others her entire life: the aunt and uncle who constantly remind her she should be grateful they took her in after her parents died of a tragic illness. Her guardian in the city who constantly reminds her that she should be grateful they're giving her a coming of age in the city. The suitors who make it clear she should be grateful they're lowering themselves to even consider her. The only person who's ever made her feel wanted was Lisette, the maid she once fell in love with. The maid who fled in the night with stolen goods, including the pearls that were all Adeline had left of her mother. Then, while at yet another ball where she feels alone, out of place, and trapped between choosing happiness or doing what's expected of her, Adeline encounters the beautiful Lady Wisteria—whom Adeline knows better as the maid Lisette...
Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.