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LCRW 42. After all this time, here’s the answer? Or: a fabulous and topical new novella from Sarah Langan with a few more delights added. This is the latest issue of our twice-annual zine — 25% of subscribers (not too many in warmer climes) choose the chocolate version — in which we have fictions, poetries, a cooking column (extra useful in these times), and sometimes a few odd other things. Peace! Lady Churchill’s Rosebud Wristlet issue number 42, November 2020. ISSN 1544-7782. Ebook ISBN: 9781618731791. Text: Bodoni Book. Titles: Imprint MT Shadow. LCRW is (usually) published in June and November by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 · [email protected] · smallbeerpress.com/lcrw. twitter.com/smallbeerpress · Subscriptions: $20/4 issues. Please make checks to Small Beer Press. Library & institutional subscriptions are available through EBSCO. LCRW is available as a DRM-free ebook through weightlessbooks.com, &c. Contents © 2020 the authors. All rights reserved. Thank you authors, artists, and readers. In reasons to celebrate Frances Rowat's "Ink, and Breath, and Spring" (LCRW 40) will be reprinted in Rich Horton’s The Year’s Best Science Fiction and Fantasy, 2020 Edition; Sarah Pinsker’s collection Sooner or Later Everything Falls into the Sea: Stories is a World Fantasy Award finalist and is back at the printer. Nathan Ballingrud's collection North American Lake Monsters is being re-released in a TV tie-in edition for the new Hulu series based on it, Monsterland. Please send submissions (we are always especially seeking weird and interesting work from women writers and writers of color), guideline requests, &c. to the address above. No Justice: No Peace. About these Authors Sarah Langan holds an MS in Environmental Toxicology from NYU and an MFA from Columbia University, and is a three-time recipient of the Bram Stoker Award. She’s the author of three previous novels, including The Keeper, a New York Times Editor’s Pick, and Good Neighbors, forthcoming from Atria in 2021. Vandana Singh was born and raised mostly in New Delhi, India and currently lives in the United States near Boston, where she professes physics and writes. Her short stories have appeared in numerous venues and several Best of Year anthologies including the Best American Science Fiction & Fantasy and she is a recipient of the Carl Brandon Parallax award. She is the author of the ALA Notable book Younguncle Comes to Town and the short story collections The Woman Who Thought She Was a Planet and Other Stories and Ambiguity Machines and Other Stories.
Four score and three issues ago this zine did not exist. Two score and three issues ago LCRW popped into being just like the big bang — but with less burning hot plasma and fewer planets forming. The formation included a twice-yearly space for fiction, poetry, and later, when the spinning slowed enough not to spill everything, a cooking column from Nicole Kimberling. Contributor Bios for LCRW 43: Alisa Alering lives in Indiana where she reports on innovations in science and technology. Her rather unscientific fiction has appeared in Podcastle, Clockwork Phoenix IV, and Flash Fiction Online, among others and has been recognized by the Italo Calvino Prize. She is currently at work on a novel about two sisters prepping for the apocalypse in 1980s Appalachia. Leah Bobet is a novelist, editor, and critic whose novels have won the Sunburst, Copper Cylinder, and Aurora Awards, been selected for the Ontario Library Association’s Best Bets program, and shortlisted for the Cybils and the Andre Norton Award. Her short fiction has appeared in multiple Year’s Best anthologies and been transformed into choral work, and is taught in high school and university classrooms in Canada, Australia, and the US. She is guest poetry editor for Reckoning: creative writing on environmental justice‘s 2021 issue. She lives in Toronto, where she makes jam, builds civic engagement spaces, and plants both tomatoes and trees. Visit her at leahbobet.com. Erica Clashe lives in Minneapolis with her cat, Ommie. She’s a professional gay auntie. This is her first published work. Find her at ericaclashe.com. Gillian Daniels writes, works, and haunts the streets of the Boston area in Massachusetts. She grew up in Cleveland, Ohio and left shortly after attending the 2011 Clarion Science Fiction and Fantasy Workshop. Since then, her poetry and short fiction have appeared in Strange Horizons, Apex Magazine, and Beneath Ceaseless Skies, among more than twenty-five other publications. She serves as custodian to one (1) ginger cat who likes to chew the corners of her books when she doesn’t feed him breakfast right away. Kathleen Jennings is a writer and illustrator based in Brisbane, Australia. Her Australian Gothic debut Flyaway (Tor.com) and her poetry debut Travelogues: Vignettes from Trains in Motion (Brain Jar Press) were published in 2020. She has won two Ditmars for her short stories and been shortlisted for the Eugie Foster Memorial Awards. As an illustrator (this story began as a series of pictures exhibited at Light Grey Art Lab, Minneapolis), she has been shortlisted four times for the World Fantasy Awards, as well as once for the Hugos and the Locus Awards, and has won several Ditmars. Jim Marino’s stories are published or forthcoming in Apex Magazine and the Alaska Quarterly Review, and his short humor has appeared on McSweeney’s Internet Tendency. He makes his living teaching Shakespeare. Zack Moss is a writer of weird fiction with an MFA from Western Washington University. His stories have appeared in Alimentum: the Literature of Food, The Crambo, and Zymbol, among a few others. Quinn Ramsay is a graduate of the University of Glasgow. His prose and poetry have been published in Paragraphiti, From Glasgow to Saturn, Santa Clara Review, The Magnolia Review, and Gemini, among others. He has been a recipient of the Amy M. Young Award in Creative Writing, and a co-editor and designer for Williwaw: an Anthology of the Marvellous. Jessy Randall’s poems, stories, and other things have appeared in Analog, Asimov’s, Lady Churchill’s Rosebud Wristlet, and Strange Horizons. Her most recent book is How to Tell If You Are Human: Diagram Poems. She is a librarian at Colorado College and her website is http://bit.ly/JessyRandall. Joanne Rixon lives in the shadow of an active volcano with a rescue chihuahua named after a dinosaur, and is an organizer with the North Seattle Science Fiction and Fantasy Writers Meetup. Her poetry has appeared in GlitterShip, her book reviews in the Seattle Times and the Cascadia Subduction Zone Literary Quarterly, and her short speculative fiction in venues including Terraform, Fireside, and Liminal Stories. You can find her yelling about poetry and politics on twitter @JoanneRixon Anne Sheldon is a librarian and storyteller in Silver Spring, MD. Her work has appeared in Cascadia Subduction Zone, The Lyric, Lady Churchill’s Rosebud Wristlet, and other magazines. Aqueduct Press has published two books of her verse, The Adventures of the Faithful Counselor and The Bone Spindle. Lady Churchill’s Rosebud Wristlet issue number 43, June 2021. ISSN 1544-7782. Ebook ISBN: 9781618731968. Print edition text: Bodoni Book. Titles: Imprint MT Shadow. LCRW is (usually) published in June and November by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 · smallbeerpress.com/lcrw. twitter.com/smallbeerpress Subscriptions: $24/4 issues. More options available, including chocolate, of course. Library & institutional subscriptions: EBSCO. LCRW is available as a DRM-free ebook through weightlessbooks.com, &c. Contents © 2021 the authors. All rights reserved. Cover illustration “Black-and-White Monkey” © 2021 by Catherine Byun (catherinebyun.com). Thank you authors, artists, and readers. In reasons to celebrate Elwin Cotman’s collection Dance on Saturday was a Philip K. Dick Award finalist. Please send submissions (we are always especially seeking weird and interesting work from women writers and writers of color), guideline requests, &c. to the address above.
LCRW IIL or 4 x 1 x 2 x 3 x 2 x 1 or more properly XLVIII. Aimed for May, came out in September. A little disturbing, a little comforting, a little collection of imagined places to while away the days. Published in this leapyear.Editing: accomplished. Stories: gathered. Design partaken of. Proofing? Yes. Printing: c/o Paradise Copies. Ebook: This is it. Distribution: DRM-free at Weightless Books and DRM'd everywhere else. Read by 10.2 million people every million years or so. R.I.P. Howard Waldrop, oh we enjoyed knowing and working (if never fishing) with you. Celebrating: Anya Johanna DeNiro’s OKPsyche is a Subjective Chaos Kind of Award finalist; Sarah Pinsker’s Lost Places (& Small Beer) were Locus Award finalists; Naomi Mitchison was Readercon’s Memorial Guest of Honor. Ink: Gavin J. Grant Spaces: Kelly Link. Lady Churchill’s Rosebud Wristlet 48. Aimed for May, came out in September 2024. ISSN 1544-7782. Ebook ISBN: 9781618731227. LCRW is (usually) published in June & November by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 | [email protected] | smallbeerpress.com/lcrw. Print version text: New Caledonia LT Std; Titles: Imprint MT Shadow; printed by Paradise Copies. Thanks, Valerie. Subscriptions: $24/4 print issues (see page 52 of the print edition or below for options). By mail: please make checks out to Small Beer Press. Only surreal ingredients. Library & institutional subscriptions: EBSCO. LCRW is available as a DRM-free ebook through the lovely weightlessbooks.com, &c. Contents © 2024 the authors. All rights reserved. Cover illustration “Castle Panther” © 2024 Gessica Maio All rights reserved. Please send fiction and poetry submissions (especially weird and interesting work from women writers and writers of color), guideline requests, &c. to the address above. Thanks again, authors, artists, readers. LCRW Subscriptions Ebook ~ $12.99 ~ 4 ebook issues ~ weightlessbooks.com/lcrw Print ~ $24 ~ 4 issues (sometimes even within the expected 2 years). Choc ~ $42 ~ as print no. 2 & a good chocolate bar each time. Littlely ~ $49 as Choc. & a random chapbook from our list. Reckoning ~ $59–89 ~ as Littlely & your choice of any combo of Reckoning 1-6. Cartwheels! ~ $1,000 ~ as Littlely & a $1,000 donation to Franciscan Hospital for Children. Everyone (hearts) you. Moonlight ~ $110 ~ as no. 2 & a Luna Moth Book Moon Moonlight Club membership.
LCRW 47, the May, the June, the July, the August, the September of this year issue. Made by Gavin J. Grant & Kelly Link. As in my LCRW 46 note, I am chronically ill and limited compared to the previous times. I’m still planning (hoping? how zine-esque of me) on two issues of this zine this year. But we have two books coming, Anya’s (OKPsyche) and Kij’s (The Privilege of the Happy Ending) — two writers from the Twin Cities, how unexpected — which is enough to keep me busy and then Kathleen Jennings’s January collection, Kindling. Then next February Random House is publishing Kelly’s huge immersive, amazing novel, The Book of Love. Can’t wait to see it out in the world. — Gavin ISSN 1544-7782. Ebook ISBN: 9781618732156. Text: Bodoni Book. Titles: Imprint MT Shadow. LCRW is (usually) published in June & November by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 | [email protected] |smallbeerpress.com/lcrw. Printed by Paradise Copies. Subscriptions: $24/4 issues (see page 26 or our website for options) — the chocolate option is very popular but the marmite option is gaining ground. Please make checks to Small Beer Press. Library & institutional subscriptions: EBSCO. LCRW is available as a DRM-free ebook through the lovely weightlessbooks.com, &c. Contents © 2023 the authors. All rights reserved. Cover illustration “Leo Moon” © 2023 Holly Link. All rights reserved. Celebrating: a UK edition of Zen Cho’s collection, Spirits Abroad. A World Fantasy nomination for the press. Redemption in Indigo being bought by Random House so that Karen Lord can have all her books under one roof. Starred reviews for new books from Anya DeNiro (OKPsyche) and Kij Johnson (The Privilege of the Happy Ending). Reprinting Angélica Gorodischer’s Kalpa Imperial and Sarah Rees Brennan’s In Other Lands. Please send fiction and poetry submissions (especially weird and interesting work from women writers and writers of color), guideline requests, &c. to the address above. Thanks again, authors, artists, readers.
What is on the inside? Short stories, four poems from Marge Piercy, and a cooking column because once I read a zine with a cooking column and loved it and I thought it would be fun and interesting to ask Nicole Kimberling to write one and I’ve been delighted to read her columns ever since. fiction Mark Rigney, True Songs of the Pennyrile Gillian Daniels, You’ll Never Get Away With This Jennifer Skogen, A Fear and a Wish Catherine Rockwood, Kleine Boot Rachel Ayers, Snow’s Kingdom A.B. Young, Terracotta Urn Chris Kammerud, Goodnight, My Love. Tonight’s the Night. Ellen Saunders, Baking a Traditional Funeral S.E. Clark, The Fisherman’s Braid poetry Marge Piercy, Four Poems nonfiction Nicole Kimberling, How to Provide Shelter From the World cover Christine Larsen, October —— Lady Churchill’s Rosebud Wristlet 46. December 2022. ISSN 1544-7782. Ebook ISBN: 9781618732101. Text: Bodoni Book. Titles: Imprint MT Shadow. LCRW is (usually) published in June and November [missing from these pages is something about the delay but it is so uninteresting: Gavin, writing this, is chronically ill, slow at everything, and looking at 2023 and hoping there’ll be an improvement] by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 · [email protected] · smallbeerpress.com/lcrw · twitter.com/smallbeerpress · Mastodon: mstdn.social/@gavinsmallbeerpress Printed at Paradise Copies · 413-585-0414. Subscriptions: $24/4 issues (see smallbeerpress.com/shopping/subscriptions or the print issue for options). Please make checks to Small Beer Press. Library & institutional subscriptions: EBSCO. LCRW is available as a DRM-free ebook through WeightlessBooks.com, &c. Contents © 2022 the authors. All rights reserved. Cover illustration © by Christine Larsen (christinelarsenillustration.com). About These Authors Rachel Ayers lives in Alaska, where she writes and hosts shows for Sweet Cheeks Cabaret, daydreams, and stares at mountains. She has a Master’s in Library and Information Science which comes in handy at odd hours. Her fiction has recently appeared in Metaphorosis and Radon Journal, and she is a regular contributor at Tor.com. She shares speculative poetry and flash fiction (and cat pictures) on her Patreon: patreon.com/richlayers. S.E. Clark is a writer and an artist living in a town outside of Boston, Massachusetts. Her work is often inspired by the places and people around the North Shore and examines the relationship between the fantastical and the mundane. She runs Aprilarium.com, a home for haunted and honeyed work, and has been published in several magazines including Weird Horror, The South Shore Review and The Drum Literary Magazine. This is her second time appearing in LCRW. Gillian Daniels’ poetry and short fiction have appeared in Nightmare Magazine, Strange Horizons, and Beneath Ceaseless Skies, among more than thirty other publications. She was born in Des Moines, Iowa, grew up in Greater Cleveland, Ohio, and she now writes, works, and haunts the streets in the Greater Boston area of Massachusetts. She also makes comics and zines, searches out little-known horror and indie movies, and definitely wants to see pictures of your cat. Chris Kammerud (chriskammerud.com) is a writer, teacher, and performer. Their work has been short-listed for the Calvino Prize and has appeared in, among other places, Strange Horizons, Phantom Drift, and Bourbon Penn. They are a graduate of the Clarion Science Fiction and Fantasy Writers’ Workshop. They live in Brooklyn. Nicole Kimberling has only just now started cooking dinner for guests again after almost two years without offering anyone except her wife a plate of food. She’s barely able to contain her excitement about it long enough to function in her day job as editor of Blind Eye Books. She also written several novels and even an audio drama podcast, Lauren Proves Magic is Real!, which, like her column in this zine, is also about food and cooking—just on the supernatural level. Christine Larson is a Harvey Award nominated cartoonist and illustrator. She has created art for comics, book covers, stories, posters and websites; working with clients such as Dark Horse, Image, IDW, BOOM! Studios, Simon & Schuster and Cartoon Network. An adjunct instructor at the University of the Arts, she teaches courses in sequential art and comics. Marge Piercy has published 20 poetry collections, most recently, On the Way Out, Turn Off the Light (Knopf, 2020); seventeen novels including Sex Wars. PM Press reissued Vida, Dance the Eagle to Sleep; they brought out short stories The Cost of Lunch, Etc and My Body, My Life. She has read at over 500 venues here and abroad. Mark Rigney is the author of Deaf Side Story: Deaf Sharks, Hearing Jets and a Classic American Musical (Gallaudet), and his stage plays have been produced in twenty-three U.S. states (including off-Broadway) plus Australia, Austria, Hong Kong, Nepal, and Canada. He is a member of the Dramatists Guild and a past winner of the John Gassner Playwriting Award, the Maxim Mazumdar New Play Prize, and the Panowski Playwriting Award (twice). His short stories have found print, in venues ranging from literary (Witness, The Best of the Bellevue Literary Review) to fantasy and horror (Lightspeed, Tales from the Magician’s Skull, Cemetery Dance, Wyldblood, Black Gate). When not adding to his extensive collection of antique brewery items, he maintains lively outposts at markrigney.net and at the New Play Exchange. Catherine Rockwood reads and edits for Reckoning Magazine, and reviews books for Strange Horizons. Her poetry chapbook, Endeavors to Obtain Perpetual Motion, is available from the Ethel Zine Press. Another mini-chapbook, And We Are Far from Shore: Poems for Our Flag Means Death, is forthcoming from Ethel in 2023. Ellen Saunders misses baking. She writes speculative fiction in the drippy part of the Pacific Northwest, sings in a women’s choir, serves as staff two three cats, and occasionally attempts to garden. She has been a member of Wordos in Eugene for more than a decade and has driven both of the more talented members of her older critique group into graduate school. Her work has been published in Daily Science Fiction and a ROAR anthology. You can find her avoiding revision by addictively tweeting at @ twitter.com/MulletBraid, a handle that should explain her lack of fashion sense. Jennifer Skogen is a writer from Washington state who is lucky enough to look at books all day as Managing Director of Book Buddy Media. She is the author of the young adult series, The Haunting of Grey Hills, with the first volume currently featured on Realm.fm. Her hobbies include tripping over her two cats (who totally trip her on purpose for sympathy treats, she has been gathering evidence), and going on long hikes with her husband. A.B. Young writes uncanny fiction for sad queers, a demogaphic they also often teach in their capacity as a high school Media teacher. Their very first story was published in LCRW and went on to receive a 2019 PEN/Robert J. Dau Short Story Prize for Emerging Writers. Since then, they have also been published in Baffling Magazine and Heroines Anthology.
There are no ghostly bumps in the night, no loud noises, no cheap shot surprises to knock you out your seat. Instead: stories and poetry — so much excellent poetry! — that knock all the dust off your edges, the pencil off your table, the crown off the monarchy.
The contents of this zine were produced under pressure but contain a short break and distraction from the everyday.
“Arctic Sky” tells of a young climate activist who discovers her own courage in the frozen depths of a Russian prison. “Palimpsest” is set on a bionic (living)space station that launches explorers into the farthest reaches of Time and Space. In “The Room on the Roof” an ancient culture meets modern mysteries with unexpected results. Our non-fiction title piece, “Utopias of the Third Kind,” is a first look at actual utopias that are responding to our looming dystopian nightmare. “Hunger” is a short story that finds both understanding and forgiveness for humankind’s original sin. Our Outspoken Interview and a bibliography round out this new collection.
This electronical edition was shot into the sky, bounced off the moon, and floated gently into the internet. There are names you may know and, excitingly, names you may not. This zine: always and forever a good read. Here: Two Poems. There: Three Poems of the Abyss. New fiction from Maria Romasco Moore, Leslie Wilber, Howard Waldrop, Izzy Wasserstein, and James Sallis — who returns to LCRW for the first time since LCRW #14. Nicole Kimberling's column "Sweet, Sweet Side Dish" might be about what you're thinking of, if you're thinking of eggplant. Those two, three, three — and then one more — poems are from Holly Day, Juan Martinez, Catherine Rockwood, and Michael Werner. We stretched out the backpages and included a bonus story from a collection we published within the last five years.
With the thirtieth issue, LCRW—the only zine named after Winston Churchill's mother—changes everything. We turn blue into tree. We make electricity solid. We publish stories that shake the world so hard it takes a left at Albuquerque and is never seen again. Fiction! Poetry! Dancing in the aisles. Chocolate is distributed in the streets. The world sighs, is remade.