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'Here, even if I had a thousand dollar in my pocket, I know of no sight which could arouse in me the feeling of ecstasy' Looking back to Henry Miller's bohemian life in 1930s Paris, when he was an obscure, penniless writer, Quiet Days in Clichy is a love letter to a city. As he describes nocturnal wanderings through shabby Montmartre streets, cafés and bars, sexual liaisons and volatile love affairs, Miller brilliantly evokes a period that would shape his entire life and oeuvre. 'His writing is flamboyant, torrential, chaotic, treacherous, and dangerous' Anaïs Nin
The first full-scale literary trial in Britain's history - re-counted by the ever-charming and inimitable Sybille Bedford.
SOON TO BE A MAJOR MOTION PICTURE STARRING THE CROWN’S EMMA CORRIN AND UNBROKEN’S JACK O’CONNELL Introduction by Kathryn Harrison Inspired by the long-standing affair between D. H. Lawrence’s German wife and an Italian peasant, Lady Chatterley’s Lover follows the intense passions of Constance Chatterley. Trapped in an unhappy marriage to an aristocratic mine owner whose war wounds have left him paralyzed and impotent, Constance enters into a liaison with the gamekeeper Mellors. Frank Kermode called the book D. H. Lawrence’s “great achievement,” Anaïs Nin described it as “his best novel,” and Archibald MacLeish hailed it as “one of the most important works of fiction of the century.” Along with an incisive Introduction by Kathryn Harrison, this Modern Library edition includes the transcript of the judge’s decision in the famous 1959 obscenity trial that allowed Lady Chatterley’s Lover to be published in the United States.
Madame Bovary (1856) is considered the French writer Gustave Flaubert’s masterpiece. The story focuses on a doctor’s wife, Emma Bovary, who has adulterous affairs and lives beyond her means. When it was first serialized in “La Rue de Paris”, the novel was attacked for obscenity by public prosecutors. The resulting trial made the story notorious. After Flaubert’s acquittal, Madame Bovary became a bestseller. As a provocative tale of passion and self-delusions, Madame Bovary remains a milestone in European fiction. Madame Bovary has been adapted into several movies, like the 1949 version, directed by Vincente Minelli, and the most recent, directed by Sophie Barthes (2014). See the movie. Read the book. Madame Bovary integrates the collection “Classics of World Literature”, developed by Atlântico Press, a publisher company present in the global editorial market, since 1992.
For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity, Scandinavian, Celtic, and Oriental fables and myths, and the age of chivalry have been known. The forerunner of such interpreters as Edith Hamilton and Robert Graves, Thomas Bulfinch wanted to make these stories available to the general reader. A series of private notes to himself grew into one of the single most useful and concise guides to literature and mythology. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and The Legends of Charlemagne or The Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood.
In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. In 1960, thirty years after D. H. Lawrence's death, Penguin moved to publish his most provocative novel Lady Chatterley's Lover for the first time. What followed was the most significant literary obscenity trial of the twentieth century, as Penguin called upon a string of expert witnesses including E. M. Forster and Sir Allen Lane to triumphantly defend the book's literary merit, in a case that compellingly reflected the changing face of contemporary society.
This is the story of Lady Constance Chatterley, or ‘Connie’, her loveless marriage to Sir Clifford Chatterley, a man rendered both physically and emotionally crippled and impotent by the First World War, and her love affair with their gamekeeper, Mellors, a unique character who has deliberately retreated from opportunities for social and economic advancement and returned to his working class roots. The story is completely character-driven, which is why its grand themes of the immutability of the class divide, the dangers of championing the mind over the body and the fundamental human need for true ‘connexion’ with other human beings are almost never jarring.