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3 Page-Turners Under One Cover from Reader Favorite Michelle Griep! Can truth and love prevail when no one is as they appear? The Gentleman Smuggler’s Lady Cornish Coast, 1815 When a prim and proper governess returns to England from abroad, she expects to comfort her dying father—not fall in love with a smuggler. Will Helen Fletcher keep Isaac Seaton’s unusual secret? The Doctor’s Woman (A Carol Award Winner!) Dakota Territory, 1862 Emmy Nelson, daughter of a missionary doctor, and Dr. James Clark, city doctor aspiring to teach, find themselves working side by side at Fort Snelling during the Dakota Uprising. That is when the real clash of ideals begins. A House of Secrets St. Paul, Minnesota, 1890 Ladies Aide Chairman, Amanda Carston resolves to clean up St. Paul’s ramshackle housing, starting with the worst of the worst: a “haunted” house that’s secretly owned by her beau—a home that’s his only means of helping brothel girls escape from the hands of the city’s most infamous madam.
#1 New York Times bestselling author Stephanie Laurens immerses you in the simple joys of a long-ago country-village Christmas, featuring a grandmother, her grandchildren, her unwed son, a determined not-so-young lady, foreign diplomats, undercover guards, and agents of Napoleon! At Hartington Manor in the village of Little Moseley, Therese, Lady Osbaldestone, and her household are once again enjoying the company of her intrepid grandchildren, Jamie, George, and Lottie, when they are unexpectedly joined by her ladyship’s youngest and still-unwed son, also the children’s favorite uncle, Christopher. As the Foreign Office’s master intelligencer, Christopher has been ordered into hiding until the department can appropriately deal with the French agent spotted following him in London. Christopher chose to seek refuge in Little Moseley because it’s such a tiny village that anyone without a reason to be there stands out. Neither he nor his office-appointed bodyguard expect to encounter any dramas. Then Christopher spots a lady from London he believes has been hunting him with matrimonial intent. He can’t understand how she tracked him to the village, but determined to avoid her, he enlists the children’s help. The children discover their information-gathering skills are in high demand, and while engaging with the villagers as they usually do and taking part in the village’s traditional events, they do their best to learn what Miss Marion Sewell is up to. But upon reflection, Christopher realizes it’s unlikely the Marion he was so attracted to years before has changed all that much, and he starts to wonder if what she wants to tell him is actually something he might want to hear. Unfortunately, he has set wheels in motion that are not easy to redirect. Although Marion tries to approach him several times, he and she fail to make contact. Then just when it seems they will finally connect, a dangerous stranger lures Marion away. Fearing the worst, Christopher gives chase—trailed by his bodyguard, the children, and a small troop of helpful younger gentlemen. What they discover at nearby Parteger Hall is not at all what anyone expected, and as the action unfolds, the assembled company band together to protect a secret vital to the resolution of the war against Napoleon. Fourth in series. A novel of 81,000 words. A Christmas tale of intrigue, personal evolution, and love.
The women who wielded the real power behind the throne in Renaissance Italy, from a bestselling historian. This book is one of drama on a grand scale, a Renaissance epic, as Christendom emerged from the shadows of the calamitous 14th century. The sweeping tale involves inspired and corrupt monarchs, the finest thinkers, the most brilliant artists and the greatest beauties in Christendom. Here are the stories of its most remarkable women, who are all joined by birth, marriage and friendship and who ruled for a time in place of their men-folk: Lucrezia Turnabuoni (Queen Mother of Florence, the power behind the Medici throne), Clarice Orsini (Roman princess, feudal wife), Beatrice d'Este (Golden Girl of the Renaissance), Caterina Sforza (Lioness of the Romagna), Isabella d'Este (the Acquisitive Marchesa), Giulia Farnese ('la bella', the family asset), Isabella d'Aragona (the Weeping Duchess) and Lucrezia Borgia (the Virtuous Fury). The men play a secondary role in this grand saga; whenever possible the action is seen through the eyes of our heroines. These eight women experienced great riches, power and the warm smile of fortune, but they also knew banishment, poverty, the death of a husband or the loss of one or more of their children. As each of the chosen heroines comes to the fore in her turn, she is handed the baton by her 'sister', and Leonie Frieda recounts the role each woman played in the hundred-year drama that is THE DEADLY SISTERHOOD.
A Cross-Country Trip through Regency England Brings Intrigue, Rogues, and High Adventure The must-read conclusion to Michelle Griep’s Bow Street Runners Trilogy: Life couldn’t be better for Abigail Gilbert—but it’s been a long time coming. Having lived with a family who hated her, love is finally within reach. Abby sets off on a journey across England to marry one of the most prestigious gentleman bachelors in the land—until highwaymen upset her plans and threaten her life. Horse patrol captain Samuel Thatcher arrives just in time to save Abby. But to him she’s simply another victim in a job he’s come to despise. Tired of the dark side of humanity, he intends to buy land and retire. Abby pleads with him to escort her on the rest of her journey. He refuses until she offers him the thing he desperately needs to achieve his goal: money. Delivering her safely will earn him more than enough to settle into a quiet life. So begins an impossible trek for the cynical lawman and the proper lady. Each will be indelibly changed by the time they reach her betrothed, if they don’t kill one another first—or fall in love.
Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York for her first London season. But no sooner has Frances begun her new life than the Metropolitan police receive an anonymous letter implicating Frances in her husband's death. Frances assures Inspector Delaney of her innocence, but she's also keen to keep him from learning the scandalous circumstances of Reggie's demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily's behalf, and worrying if Reggie really was murdered, Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst and Frances must unmask the villain before Lily's season, and their lives, come to a most unseemly end.
What Can a London Opera Star and an Escaped Dartmoor Prisoner Have in Common? Opera star Maggie Lee escapes her opulent lifestyle when threatened by a powerful politician who aims to ruin her life. She runs off to the wilds of the moors to live in anonymity. All that changes the day she discovers a half-dead man near her house. Escaped convict Oliver Ward is on the run to prove his innocence, until he gets hurt and is taken in by Maggie. He discovers some jewels in her possession—the very same jewels that got him convicted. Together they hatch a plan to return the jewels, clearing Oliver’s name and hopefully maintaining Maggie’s anonymity.
Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.
When her father, besotted by a new wife, gambles away their fortune and the future for their stately family home, Lady Margery sets out to take the fashionable world by storm and ensnare a rich husband.
A still body on the beach. A beautiful gold-and-coral rose clutched in one hand. A scream slicing through the air. Mix these in with a handsome law professor, a student bent on revenge, a glamorous Hollywood starlet, and a secretive ebony-haired artist. Forced into the midst of this scenario, the PICS--Partners in Crime Solving--again join forces to solve horrendous crimes on the upscale island of Coronado, California, off the coast of San Diego. Cami Carrington, wealthy widow and resident of the island, and her friend, Kate Elfmon, from Boston, face myriad personal challenges along the way. How will Cami deal with the grief of her husband's recent murder? Will Kate make peace with the Boston computer software specialist who wants to marry her? Or will she turn to the charming law professor? Again the longtime friends employ charm, intellect, courage, and faith as they separate true clues from false information to solve another murder. Peggy is a Bible teacher, church librarian, international ladies' and youth events speaker, and award-winning member of the San Diego Christian Writers' Guild. Donna is married to Dr. David Jeremiah, founder of Turning Point Ministries and Pastor of Shadow Mountain Community Church. She is currently Executive Vice President of Turning Point Ministries [To left of Photo, turned vertically] Photo by Parker Photography, El Cajon, CA [Bottom of page, with space to imprint ISBN number] Donna and Peggy both reside in San Diego County with their husbands, David and Gene. Between them, they are the proud mothers of nine and doting grandmothers of twenty-three.
Romance is a delicate dance bound by rules and expectations in Regency England... Seven couples must navigate society’s gauntlet to secure the hand of true love.... Charity and Luke are strangers who were forced to marry three years ago. Adelaide and Walter share a love of music and disdain for elitism. Caroline and Henry are thrown together by three orphans. Helen and Isaac harbor his unlikely secret. Esther is empowered to choose between two men. Sophia is determined not to choose a man like Nash. Jamie and William face a daunting London season together. Will their faith grow and love prevail in a time when both were considered luxuries the elite could not afford?