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Builds an understanding of grammar with a thorough step-by-step approach. Provides a systematic framework for introducing, practising and recording key vocabulary. There are frequent opportunities for self study to complement core learning andf increase student confidence. Provides students with reading for enjoyment and a wide range of texts.
The Transnational publishes poetry and essays from authors from around the world. Texts which are published in the Transnational can dissolve existing boundaries or suggest new ones. They can make us question our beliefs, champion social justice and human rights, war and psychological violence, giving rise to provocative or soothing thoughts. The magazine is bilingual (English and German) . The Transnational is not commercial as well as financially and politically independent.
Much as Nietzsche has gained in popularity during the last century, his poetry still has not received the scholarly attention it deserves. On closer scrutiny, his aposiopetic style, along with the labyrinthine and self-referential nature of his writings, subtly hint toward the recurring and parallel presence of poetry in his writings. This fact cannot be ignored, and his poetry should therefore be included in any reading of Nietzsche. This study investigates Nietzsche's poetic output while simultaneously regarding him as a poet-philosopher. This reading allows juxtaposing all Nietzschean key concepts while avoiding the temptation to simplify Nietzsche by centering his thought on any particular one. The author ends by highlighting a hitherto neglected term that allows a simultaneous reading of Nietzschean keywords while also including the essential notions of movement, flux, and play.
The Birth of Tragedy has two different subtitles from two editions both published by Nietzsche; the first was "from the spirit of music" and the second "Hellenism or Pessimism". Composed from essays written from 1869-71, The Birth of Tragedy was first printed in Leipzig in 1872 under the title "Die Geburt der Tragödie aus dem Geiste der Musik”. In 1886, the same publisher printed a new new edition under the new title "Die Geburt der Tragödie oder Griechentum und Pessimismus" with a second preface "Versuch einer Selbstkritik” where Nietzsche criticizes his own work. Both prefaces from these two versions are included here. Here in his first major work, Nietzsche articulates a semi-Hegelian tragic dichotomy of pre-cosmogonic energy underlying all of human struggle made manifest most explicitly in Greek tragedy. For the Greeks understood most clearly the forces which were driving the ethos of their civilization, finding a balance between chaos and order. It is a suspiciously metaphysical description of the origins of human culture from a man who believed it was his purpose as a “world-historical” individual to destroy the lie of the existence of Metaphysics. For as much as he criticized German Critical and Idealistic Philosophy of German, he shared an unwavering admiration for the Greek Philosophers, nearly to the point of worship. This is a new translation into American English from the original manuscript of Nietzsche's 1869 "Die Geburt der Tragödie" / The Birth of Tragedy. The original German follows the English translation for reference.
Today, forty years after Timothy Leary's suggestion that hippies read Hermann Hesse while "turning on," Hesse is once again receiving attention: faced with ubiquitous materialism, war, and ecological disaster, we discover that these problems have found universal expression in the works of this master storyteller. Hesse explores perennial themes, from the simple to the transcendental. Because he knows of the awkwardness of adolescence and the pressures exerted on us to conform, his books hold special appeal for young readers and are taught widely. Yet he is equally relevant for older readers, writing about the torment of a psyche in despair, or our fear of the unknown. All these experiences are explored from the perspective of the individual self, for Hesse the repository of the divine and the sole entity to which we are accountable. This volume of new essays sheds light on his major works, including Siddhartha, Der Steppenwolf, and Das Glasperlenspiel, as well as Rohalde, Klingsors letzter Sommer, Klein und Wagner, and the poetry. Another six essays explore Hesse's interest in psychoanalysis, music, and eastern philosophy, the development of his political views, the influence of his painting on his writing, and the relationship between Hesse and Goethe. Contributors: Jefford Vahlbusch, Osman Durrani, Andreas Solbach, Ralph Freedman, Adrian Hsia, Stefan Höppner, Martin Swales, Frederick Lubich, Paul Bishop, Olaf Berwald, Kamakshi Murti, Marco Schickling, Volker Michels, Godela Weiss-Sussex, C. Immo Schneider, Hans-Joachim Hahn. Ingo Cornils is Senior Lecturer in German at the University of Leeds, UK.
Kant, Goethe, Schiller and other eighteenth-century German intellectuals loom large in the history of the humanities—both in terms of their individual achievements and their collective embodiment of the values that inform modern humanistic inquiry. Taking full account of the manifold challenges that the humanities face today, this volume recasts the question of their viability by tracing their long-disputed premises in German literature and philosophy. Through insightful analyses of key texts, Alexander Mathäs mounts a broad defense of the humanistic tradition, emphasizing its pursuit of a universal ethics and ability to render human experiences comprehensible through literary imagination.
Lycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.