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The Neo-Kantian philosopher Cassirer and the psychoanalyst Lacan are two key figures in the so-called medial turn in philosophy: the notion that any form of access to reality is mediated by symbols (images, words, signifiers). This explains why the theories of both philosophers merit a description in their own unique idioms, as well as having their respective basic tenets compared. It will be argued that, rather surprisingly, these tenets turn out be complementary - actually correcting each other – based on their shared notion of man as an animal symbolicum. Its fruitfulness will be substantiated for a limited number of topics within the humanities: perception, language, politics and ethics, and mental disorder, all to be considered from this perspective.
Provides a reading of Cassirer's philosophy of symbolic forms in the context of contemporary continental philosophy.
This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career.
Recovering a lost world of the politics of science in Imperial Germany, Gregory B. Moynahan approaches the life and work of the philosopher and historian Ernst Cassirer (1874–1945) from a revisionist perspective, using this framework to redefine the origins of twentieth-century critical historicism and critical theory. The only text in English to focus on the first half of the polymath Cassirer’s career and his role in the Marburg School, this volume illuminates one of the most important – and in English, least-studied – reform movements in Imperial Germany.
This book is intended to contribute towards a justification of the human sciences. Its basic phenomenological assuption is that man is an interpreting being, in the domains of experience, desire and freedom of will. An elaboration is offered from the perspectives of psychopathology, psychoanlysis and law.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works.
Focusing on the aesthetic representation of trauma, George Smith outlines the nexus points between poetics and hermeneutics and shows how a particular kind of thinker, the artist-philosopher, practices interpretation in an entirely different way from traditional hermeneutics. Taking a transhistorical and global view, Smith engages artists, writers, and thinkers from Western and non-Western periods, regions, and cultures. Thus, we see that poetic hermeneutics reconstitutes philosophy and art as hybridizations of art and science, the artist and the philosopher, subject and object. In turn, the artist-philosopher's poetic-hermeneutic reconstitution of philosophy and art is meant to transform human consciousness. This book will be of interest to artists and scholars working in studio practice, art history, aesthetics, philosophy, cultural studies, history of ideas, history of consciousness, psychoanalytic studies, myth studies, literary studies, and creative writing.
Architecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the architectures of hiding. Looking at and beyond the intentions and agency that architects possess, architectural spaces lend themselves as apparatuses for various forms of hiding and un(hiding). The examples explored in this book and the creative works presented in the interviews enclosed in the interludes of this publication cover a broad range of geographic and cultural contexts, discursively disclosing hidden aspects of architectural meaning. The book investigates the imaginative intrigue of concealing and revealing in design processes, along with moral responsibilities and ethical dilemmas inherent in crafting concealment through the making and reception of architecture.
Designed for novices as well as students of psychology and literary criticism, these systematic lectures do much to clarify Lacan's groundbreaking work on the birth of the subject and its links with Freud's theory of drives. Moreover, they answer some of the criticisms that have been leveled at Lacan by forms of psychoanalysis unable or unwilling to incorporate his ideas.
This book presents a collection of authoritative contributions on the concept of time in early twentieth-century philosophy. It is structured in the form of a thematic atlas: each section is accompanied by relevant elementary logic maps that reproduce in a “spatial” form the directionalities (arguments and/or discourses) reported on in the text. The book is divided into three main sections, the first of which covers phenomenology and the perception of time by analyzing the works of Bergson, Husserl, Sartre, Merleau-Ponty, Deleuze, Guattari and Derrida. The second section focuses on the language and conceptualization of time, examining the works of Cassirer, Wittgenstein, Heidegger, Lacan, Ricoeur and Foucault, while the last section addresses the science and logic of time as they appear in the works of Guillaume, Einstein, Reichenbach, Prigogine and Barbour. The purpose of the book is threefold: to provide readers with a comprehensive overview of the concept of time in early twentieth-century philosophy; to show how conceptual reasoning can be supported by accompanying linguistic and spatial representations; and to stimulate novel research in the humanistic field concerning the complex role of graphic representations in the comprehension of concepts.