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The comprises of ten short stories which should appeal to the target audience not only in the Caribbean but in other parts of the world. There are many young people of West Indian origin living in North America, Europe and elsewhere who want to read original stories that enable them to identify with their roots.
Boundaries, borderlines, limits on the one hand and rites of passage, contact zones, in-between spaces on the other have attracted renewed interest in a broad variety of cultural discourses after a long period of decenterings and delimitations in numerous fields of social, psychological, and intellectual life. Anthropological dimensions of the subject and its multifarious ways of world-making represent the central challenge among the concerns of the humanities. The role of literature and the arts in the formation of cultural and personal identities, theoretical and political approaches to the relation between self and other, the familiar and the foreign, have become key issues in literary and cultural studies; forms of expressivity and expression and question of mediation as well as new enquiries into ethics have characterized the intellectual energies of the past decade. The aim of Borderlands is to represent a variety of approaches to questions of border crossing and boundary transgression; approaches from different angles and different disciplines, but all converging in their own way on the post-colonial paradigm. Topics discussed include globalization, cartography and ontology, transitional identity, ecocritical sensibility, questions of the application of post-coloniality, gender and sexuality, and attitudes towards space and place. As well as studies of the cinema of the settler colonies, the films of Neil Jordan, and 'Othering' in Canadian sports journalism, there are treatments of the Nigerian novel, South African prison memoirs, and African women's writing. Authors examined include Elizabeth Bowen, Bruce Chatwin, Mohamed Choukri, Nuruddin Farah, Jamaica Kincaid, Pauline Melville, Bharati Mukherjee, Michael Ondaatje, and Leslie Marmon Silko.
This remarkable new dictionary represents the first attempt in some four centuries to record the state of development of English as used across the entire Caribbean region.
This interdisciplinary volume investigates com-munity in postcolonial language situations, texts, and media. In actual and imagined communities, membership assumes shared features – values, linguistic codes, geographical origin, gender, sexuality, ethnicity, religion, professional interests and practices. How is membership in such communities constructed, manifested, tested or contested? What new forms have emerged in the wake of globalization, translocation, and digital media? Contributions in linguistic, literary, and cultural studies explore the role of communication, narratives, memory, and trauma in processes of (un)belonging. One section treats communication and the speech community. Here, linguistic contribu-tions investigate the concept of the native speaker in World Englishes, in socio-cultural communities identified by styles of verbal duelling, in diaspora communities, physical and digital, where identification with formerly stigmatized linguistic codes acquires new currency. Divisions and alignments in digital communities are at stake in postcolonial African countries like Cameroon where identification with ex-colonizer and ex-colonized is a hot issue. Finally, discourse communities also exist in such traditional media as newspapers (e.g., the Indian tabloid in English). In a section devoted to narrative and narration, the focus is on literary perspectives – post-colonial memory, trauma, and identity in Caribbean literary works by David Chariandy and Pauline Melville and in Australian Aboriginal fiction; narratives of banditry in colonial India; xenophobia and urban space in South Africa; human–animal community crossings and anthropomorphism in Life of Pi. A third section, on linguistic crossings in transnational music styles in global and Ugandan music industries, examines language, style, and belonging in music cultures. The volume closes with a controversial debate on the agendas of academic/non-academic and postcolonial/Western communities with regard to homophobia in Jamaican dancehall culture. CONTRIBUTORS Eric A. Anchimbe, Susan Arndt, Roman Bartosch, Carolyn Cooper, Daria Dayter, Dagmar Deuber, Tobias Döring, Stephanie Hackert, Caroline Koegler, Stephan Laqué, Andrea Moll, Susanne Mühleisen, Jochen Petzold, Katja Sarkowsky, Britta Schneider, Anne Schröder, Jude Ssempuuma, Robert JC Young
South America's often overlooked English-speaking country lies far off the well-trodden tourist path. Guyana is the ideal destination for the discerning visitor seeking adventure. Within its vast interior, the Guiana Shield (one of the four pristine tropical rainforests left in the world) converges with the Amazon Basin, creating a unique geography composed of coastal waters, mangroves, marshes, savannas, mountains and tropical rainforests.Bordered by Venezuela, Brazil, Suriname and the Atlantic Ocean, the lively locals - a melting pot of East Indian and African descendants, peppered with Chinese, Europeans and Amerindians - create a culture decidedly more Caribbean than Latin.
Discover how sugar—white gold—changed the world and how coolie indentureship replaced slavery through trickery and kidnapping. Against the backdrop of plantation life, the author, a master of innovative historical fiction, lures the reader into a world of intrigue, adventure, and romance. Caught up in this grand scheme, thugs snatch Raja away from his pretty wife and herd him to join the hundreds of thousands before and after him onto a sailing ship in Calcutta headed to the distant colony of British Guiana. The year is 1869. When the British fail to return Raja to his homeland, he makes good as a free man in the new colony. In his old age, he returns to his native home. Will he relight the spark of a once beautiful romance? Does he find solace in the Old World or the New?