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Me instruyeron para un destino y entrenaron para matar, desenmascare a los traidores... !Monta y paga carajo, tu cabeza, el precio de mi venganza!
Dos muñecas, dos hermanas y una infancia compartida por necesidad y no por los lazos afectivos a que obliga la familia, son el pretexto para que Gabriela Fonseca nos introduzca a un mundo fantástico de amor en el mar y de tristeza y nostalgia en la tierra. Estas hermanas, dueñas de una recia personalidad, se ven completamente desbordadas cuando el amor llega a sus vidas dejando al desnudo sus almas.
* Written for preachers, teachers, and lay people * Scripture texts are from the two most commonly used Bibles in the Spanish-speaking world: Reina-Valera Revised (NRSV) and the Version Popular (Good News)
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
Early modern Spain has long been viewed as having a culture obsessed with honor, where a man resorted to violence when his or his wife's honor was threatened, especially through sexual disgrace. This book--the first to closely examine honor and interpersonal violence in the era--overturns this idea, arguing that the way Spanish men and women actually behaved was very different from the behavior depicted in dueling manuals, law books, and honor plays of the period. Drawing on criminal and other records to assess the character of violence among non-elite Spaniards, historian Scott K. Taylor finds that appealing to honor was a rhetorical strategy, and that insults, gestures, and violence were all part of a varied repertoire that allowed both men and women to decide how to dispute issues of truth and reputation.