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"La traduction trilingue propose à l'étudiant un apprentissage de la traduction pragmatique à visée professionnelle à partir de textes spécialisés (recette de cuisine, guide pour une randonnée, conseils d'installation d'un tuyau, article scientifique ...) et de textes à caractère général (écologie, immobilier, immigration, communication ...). Il accompagne l'étudiant dans sa révision lexicale, grammaticale et l'initie à une méthodologie raisonnée de la traduction pragmatique. La comparaison des deux traductions dans la langue cible avec leur appareil de notes facilite l'acquisition des compétences d'expression et de communication tout en évitant les interférences linguistiques. L'ouvrage privilégie l'apprentissage en autonomie : les textes en français sont suivis d'un lexique anglais-espagnol, d'une fiche de grammaire soulignant les ressemblances et les différences entre les trois langues et d'une fiche sur les techniques de traduction illustrées d'exemples. Chaque traduction est accompagnée de notes qui proposent des variantes ou des conseils de traduction. Structure de l'ouvrage Introduction avec des conseils de méthode 30 textes traduits. Un index des points grammaticaux. Un index des techniques de traduction. Repères documentaires."--Page 4 of cover.
This book is a study of the major events and publications in the world of translation in China and the West from its beginning in the legendary period to 2004, with special references to works published in Chinese and English. It covers a total of 72 countries/places and 1,000 works. All the events and activities in the field have been grouped into 22 areas or categories for easy referencing. This book is a valuable reference tool for all scholars working in the field of translation.
Great poets like Shelley and Goethe have made the claim that translating poems is impossible. And yet, poems are translated; not only that, but the metrical systems of English, French, Italian, German, Russian and Czech have been shaped by the translation of poems. Our poetic traditions are inspired by translations of Homer, Dante, Goethe and Baudelaire. How can we explain this paradox? James W. Underhill responds by offering an informed account of meter, rhythm, rhyme, and versification. But more than that, the author stresses that what is important in the poem—and what must be preserved in the translated poem—is the voice that emerges in the versification. Underhill’s book draws on the author’s translation experience from French, Czech and German. His comparative analysis of the versifications of French and English have enabled him to revise the key terms involved in translating the poetic voice and transposing the poem’s versification. The theories of versification from the Prague School of Linguistics, the French and Swiss schools of versification, and recent scholarship in metrics and rhythm in the UK and in the USA have been integrated into this synthetic but rigorously coherent approach to translating poems. The extensive glossary at the end of the book will prove useful for both students and teachers alike. And the detailed case studies on translating poems by Baudelaire and Emily Dickinson allow the author to categorize and appraise the various poetic and aesthetic strategies and theories that are brought to bear in translating Baudelaire into English, and Dickinson into French.