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This volume examines the progress of classical studies to the general history of ideas from 1650 to 1870.
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
“A truly remarkable forgotten chapter of European intellectual history, laid out with passion and integrity.” (The Wall Street Journal) The exploits of Alexander the Great were so remarkable that for centuries after his death the Macedonian ruler seemed a figure more of legend than of history. Thinkers of the European Enlightenment, searching for ancient models to understand contemporary affairs, were the first to critically interpret Alexander’s achievements. As Pierre Briant shows, in the minds of eighteenth-century intellectuals and philosophers, Alexander was the first European: a successful creator of empire who opened the door to new sources of trade and scientific knowledge, and an enlightened leader who brought the fruits of Western civilization to an oppressed and backward “Orient.” In France, Scotland, England, and Germany, Alexander the Great became an important point of reference in discourses from philosophy and history to political economy and geography. Voltaire, Montesquieu, and Robertson asked what lessons Alexander’s empire-building had to teach modern Europeans. They saw the ancient Macedonian as the embodiment of the rational and benevolent Western ruler, a historical model to be emulated as Western powers accelerated their colonial expansion into Asia, India, and the Middle East. “This important work. . . . confirms once more that the life-trajectory of the Macedonian conqueror remains an inexhaustible cultural resource.” —Sanjay Subrahmanyam, University of California, Los Angeles, author of Empires Between Islam and Christianity
"The Collections of the Romanovs celebrates the 300th anniversary of the founding of St. Petersburg by exploring the role of the Romanov dynasty as collectors of fine and decorative arts. The book investigates in particular the historic role of St. Petersburg as Russia's window to the West, and features the great masterworks of Western European art collected and prized by Romanov tsars, from Peter the Great (who ruled from 1721-25) to the last of the dynasty, Nicholas II (who ruled from 1874-1918). Included are masterpieces of painting, drawing, printmaking, porcelain, silver, and tapestry over one hundred works in all, drawn exclusively from the extraordinary collection of the State Hermitage Museum in St. Petersburg."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved