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This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen–year ride through the heart of the counterculture—a journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self–imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist–anarchists who had assumed as their task nothing less than the re–creation of the nation's political and social soul, Coyote and his companions soon became power players. In prose both graphic and unsentimental, Coyote reveals the corrosive side of love that was once called "free"; the anxieties and occasional terrors of late–night, drug–fueled visits of biker gangs looking to party; and his own quest for the next high. His road through revolution brought him to adulthood and to his major role as a political strategist: from radical communard to the chairman of the California Arts Council, from a street theater apprentice to a motion–picture star.
The untold stories behind the 50 greatest movies never made, illustrated by 50 new and original posters For most films, it’s a long, strange road from concept to screen, and sometimes those roads lead to dead ends. In Underexposed! The 50 Greatest Movies Never Made, screenwriter and filmmaker Joshua Hull guides readers through development hell. With humor and reverence, Hull details the speed bumps and roadblocks that kept these films from ever reaching the silver screen. From the misguided and rejected, like Stanley Kubrick’s Lord of the Rings starring the Beatles; to films that changed hands and pulled a U-turn in development, like Steven Spielberg’s planned Oldboy adaptation starring Will Smith; to would-be masterpieces that might still see the light of day, like Guillermo del Toro’s In the Mountains of Madness, Hull discusses plotlines, rumored casting, and more. To help bring these lost projects to life, 50 artists from around the world, in association with the online art collective PosterSpy, have contributed original posters that accompany each essay and give a glimpse of what might have been.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
We discover a new species of life form every day. But, every day, a species also disappears. The fly has 10 chromosomes, the hamster 22, the rat 42, the human 46, the chimpanzee 48, the cow 60, and the butterfly 380. London, 1881. There's something a little eerie about Manon – she's not like the other girls at the orphanage. Maybe it's her red eyes. Maybe it's her silence. Maybe it's the series of violent deaths that seem to follow her. What we do know: someone is hot on her tail. And there's a lot of money at stake in finding out where exactly she comes from – and what exactly she is. Concurrent to Manon's story are letters to Charles Darwin from Professor Humphrey, a scientist who has recently died under mysterious circumstances. Is it true that natural selection left humans at the top of the pyramid of life after all? Or in the process of evolution, was there something elemental that humans lost, something that connected us to the rest of life on earth? Who and what else is out there? In order to stay alive, Manon must untangle the mystery of her origins, and perhaps the origins of humanity as well. From French writer Alice Brière-Haquet and translated by PEN-award winning translator Emma Ramadan comes PHALAINA – the middle grade historical sci fi thriller you won't be able to put down.
This vintage book contains one of Alexandre Dumas's most famous works, 'The Count of Monte Cristo'. Set in early 19th century France during the time of the Bourbon Restoration, it tells the story one man's escape and retribution after being wrongfully imprisoned. It is a wonderfully rich work of romance full of selfishness and betrayal that explores the effects the protagonist's quest for revenge has on those around him. Alexandre Dumas was born in Villers-Cotterts, France in 1802. He became a famous and much-loved author of romantic and adventuring sagas, including 'The Three Musketeers' and 'The Count of Monte Cristo'. Dumas made a lot of money from his writing, but he was almost constantly penniless as a result of his extravagant lifestyle and love of women. His fiction has been translated into almost a hundred languages and has formed the basis for more than 200 motion pictures. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
'Design is One' is a photo and caption sampling of Lella and Massimo's work from 1955 to 2003.
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank contextualizes and reads the work of four influential writers of prose fiction —- Angot, Echenoz, Houellebecq, and Redonnet —- teasing out each one's response to this convergence. She suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, she identifies and critiques the ways in which, on the eve of the twenty-first century, different theoretical and fictional approaches confront the manipulation of crisis discourses. Drawing on a 'long twentieth century' of crisis thinking, Cruickshank counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establ