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Introducción: Lou Charnon-Deutsch. Pensamiento poético y filosofía: María Zambrano, el espacio de la Reconciliación, Amparo Amorós. Thin Lines, Bedeviled Words: Monastic and Inquisitional Texts by Colonial Mexican Women, Electa Arenal, Stacey Schlau. Las mujeres dramaturgas en España: En busca de la identidad, Ursula Aszyk. María de Gevara, Isabel Barbeito Carneiro. Desire In Rosalía de Castro ́s El caballero de la botas azules, Lou Charnon-Deustsh. Chains of Desire: Luisa de Carvajal y Mendoza ́s Poetics of Penance, Anne J. Cruz. Los márgenes anticanónicos de la autobiografía de la pobreza en Hasta no verte Jesús mío de Elena Poniatowska, Lucia Guerra Cunningham. Los auditorios de Isabel de Jesús, Sonia Herpoel. History, Feminist Ideology, and Political Discourse in Arráncame la vida, María Herrera-Sobek. Paulina Luisi: Pensamiento y escritura feminista, Asunción Lavrin. Sor Juana ́s Amor es más laberinto as Mythological Speculum, Frederick Luciani. La poesía de María de San José [Salazar], María Pilar Manero Sorolla. The Novels of Patricia Bins, María Luisa Nunes. Julia Maura: Lark in a Hostile Garden, Patricia W. O ́Connor. Female Voices in the Poetry of Sor Juana Inés de la Cruz, Rosa Perelmuter. Tortura y auto-conocimiento en dos novelas argentinas: La última conquista de El Ángel de Elvira Orphée y Conversación al sur de Marta Traba, Evelyn Picon Garfield. Juana Rodríguez, una autora mística olvidada [Burgos, siglo XVII], Isabel Poutrin. La presencia de Sor Juana en la obra de Rosario Castellanos, Nina M. Scott. Bibliografía de Eva Canel [1857-1932], María Del Carmen Simón Palmer. De una presencia femenina en la vanguardia: El hostigante verano de los dioses de Fanny Buitrago, Daniel Torres. The Social Construction of Sexual Identity in Cherríe Moraga ́s Giving Up the Ghost, Lourdes Torres. La comedia de doña Ana Caro Mallén de Soto, Rina Walthaus.
"For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers--as the prelude to new big questions. Canon/Archive is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book--just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons"--Back cover.
"Drawing on critics ranging from Bakhtin and Curtius to Harold Bloom and Maria Corti, Orphans of Petrarch offers extended discussions of these major poets, and a net exposition of the development of Spanish Renaissance poetics, from the point of view of modern critical theory. Contributing to the discussion about imitation and belatedness, and grounded in both philology and cultural theory, it is the first book to integrate the "Spanish difference" into an understanding of Renaissance lyric as a European phenomenon."--BOOK JACKET.
Emotions in Plato, through a detailed analysis of emotions such as shame, anger, fear, and envy, but also pity, wonder, love and friendship, offers a fresh account of the role of emotions in Plato’s psychology, epistemology, ethics and political theory.
Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
Ángel Rama was one of twentieth-century Latin America's most distinguished men of letters. Writing across Cultures is his comprehensive analysis of the varied sources of Latin American literature. Originally published in 1982, the book links Rama's work on Spanish American modernism with his arguments about the innovative nature of regionalist literature, and it foregrounds his thinking about the close relationship between literary movements, such as modernism or regionalism, and global trends in social and economic development. In Writing across Cultures, Rama extends the Cuban anthropologist Fernando Ortiz's theory of transculturation far beyond Cuba, bringing it to bear on regional cultures across Latin America, where new cultural arrangements have been forming among indigenous, African, and European societies for the better part of five centuries. Rama applies this concept to the work of the Peruvian novelist, poet, and anthropologist José María Arguedas, whose writing drew on both Spanish and Quechua, Peru's two major languages and, by extension, cultures. Rama considered Arguedas's novel Los ríos profundos (Deep Rivers) to be the most accomplished example of narrative transculturation in Latin America. Writing across Cultures is the second of Rama's books to be translated into English.
It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.
Whether in family life, social interactions, or business negotiations, half the people in the world speak more than one language every day. Yet many myths persist about bilingualism and bilinguals. In a lively and entertaining book, an international authority on bilingualism explores the many facets of life with two or more languages.