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Proceedings of an International Symposium organized by the Greek National Group of IAEG (International Association of Engineering Geology), Athens, Sept. 1988. Papers are in both French and English; for the most part, individual papers are preceded by abstracts in both languages. Acidic paper; no in
Proceedings of an International Symposium organized by the Greek National Group of IAEG (International Association of Engineering Geology), Athens, Sept. 1988. Papers are in both French and English; for the most part, individual papers are preceded by abstracts in both languages. Acidic paper; no in
Publication of volumes 4 and 5 from the June 1997 conference were significantly delayed (the first three volumes were published in 1997). Volume 5 contains general reports and post-symposium proceedings, including late contributions on engineering geology and geomorphological processes, natural and man-made hazards, urban and regional planning, and protections of geological, geographical, historical, and architectural heritage. Also includedd: a report stemming from a field trip to the Sterea Hellas and Corinth Canal, on the geological and geotechnical conditions of those areas; and the opening and closing speeches. There is no subject index. Annotation copyrighted by Book News Inc., Portland, OR
The papers collected in this volume present the depth and scope of recent scholarship in the field, through a wide-ranging overview of the state of the discipline of medieval stone studies. They address such methodological approaches to the study of limestone as the use of neutron activation analysis to determine quarries of origin, issues of labor and transportation, as well as issues faced in the cleaning and conservation of limestone. This volume is the first comprehensive study in English that investigates limestone as an essential component of large-scale medieval artistic production, and as such, it is a valuable resource for both students and scholars in the field.
Richly illustrated, this book investigates human figural sculpture installed in church portals of mid-twelfth century France. Janet Snyder takes a close look at sculpture at more than twenty churches, describes represented ensembles, defines the language of textiles and dress, and investigates rationale and significance in context. She analyzes how patrons employed sculpture to express and shape perceived reality, using images of textiles and clothing that had political, economic, and social significances.