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Elisa's love for her husband is absolute--physically intense and emotionally complete. Gilles is blissfully content with his beautiful wife and family. Neither realizes the fragility of their domestic happiness until an affair develops between Gilles and Elisa's younger sister, Victorine. Deprived of the focus of her existence, Elisa enters an interior world of exquisite anguish, a desperation so profound that she can no longer recognize herself.
"A haunting, slim novel which has the mesmeric inevitability of a classical tragedy." --Independent on Sunday La Femme de Gilles tells the story of a fatal love triangle—written on the eve of World War II. Set among the dusty lanes and rolling valleys of rural 1930s Belgium, La Femme de Gilles is the tale of a young mother, Elisa, whose world is overturned when she discovers that her husband, Gilles, has fallen in love with her younger sister, Victorine. Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer. Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
This book deals with the different translations into Old French of Giles of Rome’s De regimine principum, dedicated to Philippe le Bel around 1279, and their readership. First-hand manuscript research has permitted us to understand not only the general context of their production but also the social conditions of their transmission and circulation. This work concentrates on different aspects of the reception of Giles of Rome’s pedagogical ideas by his “translators”, who are by no means passive in this process. This book provides not only a concrete idea of what Giles of Rome’s educational ideas became when mediated for the consumption of a lay public but also how the translators, in their translations, supported the transmission of re-appropriated knowledge.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Cult heroine Zawe Ashton brings us a unique look at life, work and the absurdities of contemporary life Zawe Ashton has been acting since she was six. She has played many different roles, from 'cute little girl' to 'assassin with attitude', Oscar Wilde's Salome to St Trinian's schoolgirl to Fresh Meat's Vod. To stay sane, an actor must tread a high-wire between life and art, keep sight of where a character ends and the real person begins. So she doesn't lose herself completely. In Character Breakdown, Zawe scrolls through a version of her life. Or is it a version of her art? Or something in between. In it, she encounters glamour, horror, absurdity and questions like: is a life spent more on performance than reality any life at all?