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This long-awaited bibliography of recent books about theatre architecture, scenography and costume, published with the support of Belgian Ministry of Culture and the «Théâtre & Publics» Association, has been prepared in collaboration with experts in five languages: English, French, German, Italian and Russian. This extensive bibliography, which meets the demands of the International Theatre Institute organizations and the International Organization of Scenographers, Theatre Architects and Technicians, will prove useful to theatre practitioners as well as to confirmed or young theatre scholars. Cette bibliographie rassemble un choix d'ouvrages sur le théâtre et l'architecture, la scénographie, le costume. Elle a bénéficié de la collaboration d'experts internationaux (anglais, français, allemands, italiens et russes). Répondant à la demande de l'IIT (Institut international du théâtre) et de l'OISTAT (Organisation internationale des scénographes, techniciens et architectes de théâtre), cette bibliographie en cinq langues est un précieux outil pour tout praticien et théoricien du théâtre.
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).
'Staging and Stage Décor: Perspectives on European Theater 1500-1950' is a compendium of essays by an international array of theater specialists. The Introduction provides an overview of theater décor and architecture from ancient Greece through the Renaissance and beyond, while the articles that follow explore a variety of topics such as the development of lighting techniques in early modern Italy, the staging of convent theater in Portugal, performance spaces at Versailles, the reconstruction of the Globe theater, and Shrovetide plays in Germany. This volume also offers insight into little-studied subjects such as the early productions of Brecht and the spread of Russian theater to Japan. The focus on performance and performance space across centuries and continents makes this a truly unique volume.
Includes its Report, 1896-19 .