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Based on the myth of the beautiful captive, this novel, first published in 1975 and reprinted with a critical essay, takes its themes from the paintings of the French surrealist, constructing a dream-like narrative suffused with eroticism, playfulness, and subversion.
"It begins with a stone falling, in the silence, vertically, immobile. It is falling from a great height, a meteor, a massive, compact, oblong block of rock, like a giant egg with a pocked, uneven surface." The opening sentence of La Belle Captive introduces a dreamworld where the conventions of the traditional novel have been overthrown. Objects move through space without regard to laws of nature, characters move through the text in a maddening complex of events. Published in 1975, Alain Robbe-Grillet's nouveau roman is illustrated with 77 paintings by Ren� Magritte. Robbe-Grillet uses Magritte's paintings as pretexts for the novel, letting them generate themes for an imaginary discourse that parallels their imagery, glosses them, contradicts them. Simultaneously, he comments on Magritte's paintings while taking advantage of them to parade his own favorite themes: play, eroticism, subversion. Robbe-Grillet gives us a plot that frustrates expectations yet shares his pleasure with the mysterious and poetic in Magritte's art, and with the cultural myths that painter and novelist both parody. The book includes a critical essay by novelist and translator Ben Stoltzfus on the pictorial and linguistic affinities between Magritte and Robbe-Grillet. Stoltzfus explores the image of the beautiful captive not only in her mythical and erotic dimensions, but also as a metaphor for the artistic process.
Interviews with Alain Robbe-Grillet
Examines the fascinating ties between Surrealist artist René Magritte and the cinema. Cinemagritte: René Magritte within the Frame of Film History, Theory, and Practice investigates the dynamic relationship between the Surrealist modernist artist René Magritte (1898–1967) and the cinema—a topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film. While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinema—both fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as Blue Cinema (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realism—which ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract, and many more. Cinemagritte brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.
Written by J.M. DeMatteis Art and cover by Kent Williams One of the most beautiful artistic achievements in comics is collected again! Telling the richly metaphorical tale of Blood, a young vampire, BLOOD: A TALE follows the endless cycle of life and death to find the seeds of redemption in a fever-dream of a dying king, love eternal, and a life of bloodlust.
The adventurous woman nicknamed La Belle Créole is brought to life in this book through the full use of her memoirs, contemporary accounts, and her intimate letters. The fascinating María de las Mercedes Santa Cruz y Montalvo, also known as Mercedes, and later the Comtesse Merlin, was a Cuban-born aristocrat who was years ahead of her time as a writer, a socialite, a salon host, and a participant in the Cuban slavery debate. Raised in Cuba and shipped off to live with her socialite mother in Spain at the age of 13, Mercedes triumphed over the political chaos that blanketed Europe in the Napoleonic days, by charming aristocrats from all sides with her exotic beauty and singing voice. She married General Merlin in Napoleon's army and discussed painting with Francisco de Goya. In Paris she hosted the city's premier musical salon where Liszt, Rossini, and great divas of the day performed for Rothschilds, Balzac, and royalty. Celebrated as one of the greatest amateur sopranos of her day, Mercedes also achieved fame as a writer. Her memoirs and travel writings introduced European audiences to 19th-century Cuban society and contributed to the debate over slavery. Mercedes has recently been rediscovered as Cuba's earliest female author and one who deserves a place in the canon of Latin American literature.
The Battle of Reichenfels has been fought and lost. The army is in flight. The enemy is expected to arrive in town at any moment. A soldier, carrying a parcel under his arm, is wandering through an unknown town. All the streets look the same, and he cannot remember the name of one where he was supposed to meet the man who had agreed to take the parcel. But he must deliver the parcel or at least get rid of it... A brilliant work from one of the finest exponents of the Nouveau Roman, In the Labyrinth showcases an inventive, hypnotic style which creates an uncanny atmosphere of déjà vu, yet undermines the reader's expectations at every turn.
A provocative novel by the most influential living French writer, Recollections of the Golden Triangle is a tour de force: a literary thriller constructed of wildly diverse elements--fantasy and dream, erotic invention, and the stuff of popular fiction and movies taken to its farthest limits. A secret door that is opened slightly by an electronic device, a beautiful hanged factory girl, a pale young aristocrat whose blood apparently nourishes his vampiric lover, the evil Dr. Morgan who conducts his experiments in "tertiary dream behavior," the beautiful and sinister women from the world of horror films, and the investigating police, who are not all what they seem to be, are just some of the ingredients of this intriguing new novel by the French master of the intellectual thriller, whose novels and films have effectively changed the way we can look at the "real" world today. Recollections of the Golden Triangle challenges the reader to find his own meaning in its descriptions, clues, and contradictions, and to play detective by assembling the pieces of the fictional puzzle.
Mathias, the voyeur, returns to the island of his birth and wanders about for several days. When a thirteen-year-old girl is found drowned, murder is suspected. Did Mathias do it?
Among the many upheavals in North America caused by the French and Indian War was a commonplace practice that affected the lives of thousands of men, women, and children: being taken captive by rival forces. Most previous studies of captivity in early America are content to generalize from a small selection of sources, often centuries apart. In Setting All the Captives Free, Ian Steele presents, from a mountain of data, the differences rather than generalities as well as how these differences show the variety of circumstances that affected captives’ experiences. The product of a herculean effort to identify and analyze the captives taken on the Allegheny frontier during the era of the French and Indian War, Setting All the Captives Free is the most complete study of this topic. Steele explores genuine, doctored, and fictitious accounts in an innovative challenge to many prevailing assumptions and arguments, revealing that Indians demonstrated humanity and compassion by continuing to take numerous captives when their opponents took none, by adopting and converting captives into kin during the war, and by returning captives even though doing so was a humiliating act that betrayed their societies' values. A fascinating and comprehensive work by an acclaimed scholar, Setting All the Captives Free takes the study of the French and Indian War in America to an exciting new level.