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In this book, the authors compare different psychoanalytic thinking and models – all of a rigorously Freudian stamp – on three concepts of great theoretical and clinical importance: language, symbolization, and psychosis.
Sandor Ferenczi, Sigmund Freud's brilliant pupil as well as an innovative psychoanalyst, was silenced by various generations of his contemporaries until, in the past decades, his work began to be rediscovered. Certain aspects of his trauma theory, in fact, had never been thoroughly addressed, particularly, the connection he made between trauma and language. Miguel Gutierrez-Pelaez offers a new reading of Ferenczi by proposing a dialogue between the Hungarian psychoanalyst's work, philosophy, and contemporary psychoanalysis. Among the subjects covered, the book delves into the vulnerability of children and Ferenczi's never-ending search for a cure, the complex issue of war trauma and, more specifically, his anticipatory work in understanding the effects on the human psyche of the horrific experiences in concentration camps during World War II. These issues are raised against the backdrop of captivating figures like Jacques Lacan, Emmanuel Levinas, Giorgio Agamben, Derrida, Nietzsche, and Primo Levi, among others.
Mas alla de los Santos... la historia comienza aqui.. Cuando Santa Esmeralda abre el libro titulado: "BEYOND THE SAINTS" para leerlo a un pequeno oyente, el mundo comienza a sufrir cambios repentinos. Pandemias, desastres naturales, plagas y toda una incertidumbre politica se desata en el mundo en aras de una guerra mundial. Sin imaginar los sucesos que ocurren en el mundo, Santa Esmeralda narra una historia acerca de seis valientes guerreros que pelearan por salvar al mundo, son conocidos como Santos y cada uno posee poderes supernaturales. En el transcurso de su lectura, la dama es interrumpida por un ser que la advierte de lo que ha sucedido por abrir aquel libro y que los Santos de los que ella narra en su historia son reales y que vienen en camino con una premicia; tomar la vida de Santa Esmeralda y con ello evitar el fin del mundo.
Border Killers delves into how recent Mexican creators have reported, analyzed, distended, and refracted the increasingly violent world of neoliberal Mexico, especially its versions of masculinity. By looking to the insights of artists, writers, and filmmakers, Elizabeth Villalobos offers a path for making sense and critiquing very real border violence in contemporary Mexico. Villalobos focuses on representations of “border killers” in literature, film, and theater. The author develops a metaphor of “maquilization” to describe the mass-production of masculine violence as a result of neoliberalism. The author demonstrates that the killer is an interchangeable cog in a societal factory of violence whose work is to produce dead bodies. By turning to cultural narratives, Villalobos seeks to counter the sensationalistic and stereotyped media depictions of border residents as criminals. The cultural works she examines instead indict the Mexican state and the global economic system for producing agents of violence. Focusing on both Mexico’s northern and southern borders, Border Killers uses Achille Mbembe’s concept of necropolitics and various theories of masculinity to argue that contemporary Mexico is home to a form of necropolitical masculinity that has flourished in the neoliberal era and made the exercise of death both profitable and necessary for the functioning of Mexico’s state-cartel-corporate governance matrix.
Examines the importance of Pierrot, as an image of marginality and failure and a symbol of hidden sexuality, in García Lorca's imagery and literary and personal life.