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Originally published in 2007 and out of print since 2012, this volume was the first complete history of L. E. Smith, made possible by unprecedented access to factory records, catalogs, photographs, and the company "morgue" - thousands of sample pieces from 100 years of production. It is now available from the Glass Flakes Press, scanned from the original work with minor updates and corrections. In addition to the extensive history, it includes sections identifying all production and many experimental colors, including carnival glass, milk glass, and other opaque colors. Approximately one third of the book is devoted to the major patterns, including Mount Pleasant, Heritage (including many reproductions from the McKee -Tec patterns), Dominion, Simplicity (Smith's answer to Viking's Epic), Moon and Star, Hobnail, Daisy and Button, and many more. The remainder of the book covers specialized products: ruby-stained souvenir ware, candy containers, bedroom and bathroom glassware, animals and covered animals dishes, candlesticks, and punch bowls. A general index, pattern number index, and visual index are included.
Knowledge of Pressed Ware: Trademarks, Labels, and Logos on U.S.A. Glass Companies By: George Huemmer Knowledge of Pressed Ware is a collection of the different glass manufacturers and who made what glassware. The logos, trademarks, and labels have lots of information. If you love everyday glassware, this book is a great tool full of knowledge for you!
Green was a popular color for glassware made during the Depression and its popularity among collectors is very evident today. This book includes examples of forty-six patterns and brief histories of the glass companies, along with a chapter of incidental pieces from such firms as Anchor Hocking, Bartlett-Collins, Federal, Hazel-Atlas, Imperial, L. E. Smith, U. S. Glass and others. An indispensable guide for all who collect Depression Era glass and enjoy the beauty of green glassware.
Vols. 24, no. 3-v. 34, no. 3 include: International industrial digest.
The Pittsburgh region, while well known for steelmaking, was likewise an important glass manufacturing center in this country's history. This book provides detailed accounts of the region's glassmakers from the first factory dating to 1795 through 1910. Glassmaking started out modestly with small glasshouses in Pittsburgh and up the Monongahela River in New Geneva during the final few years of the 18th century. By the close of the 19th century, the Pittsburgh region was producing more than half of all domestic window glass and the lion's share of most other forms of glass in the United States. The original purpose of this manuscript was to assemble and record as accurately as possible the history of all of the glassworks and the glass manufacturers that operated them in Pittsburgh and the immediate surrounding region. This book was designed to be a reference guide for anyone who is interested in the history of glass in western Pennsylvania. The years companies were operating, where the glassworks were located, what types of glass and specific glass items did they make, and what marks did they use is just some of the information that can be found in this book. There are hundreds of individual companies and name changes listed in this volume. It contains as much information about each company that could practically be included. Even the most minor name or address change was recorded exactly as noted by contemporary sources. As much as possible, contemporary reference sources, such as city directories, early newspapers, maps, and journals were used to provide accurate and complete histories of the glasshouses. Generally, the better-known companies will have much more of their history available. However, every known glassmaker and glasshouse was included, regardless of how little information about them could be found. This book is intended to aid researchers in the determination of the age and the origin of marked pieces as well as narrowing down potential manufacturers of unmarked objects. The liberal reproduction of original advertisements and maps as well as the photographs of glass marks were included to complement and augment the narrative. The format of this book was established to facilitate its use as a reference guide.
‘A page turner...and then some!’ Chris Evans ‘An absorbing memoir.’ Classic Rock Magazine ‘A very enjoyable rock-n-roll memoir that is not just for fans, but for anyone interested in this classic era of the British rock scene’ The Afterword