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California popular culture has deeply impacted the world throughout the 20th century, and the East/West dialog provides inexhaustible ground for inspiration. Today, the cultural stylizations of hot rod and kustom kulture are part of a nostalgic mystique that is being adopted by a growing number of young people in Japan, who see Kustom Kulture as transcendent, powerful, and most importantly, defining. The Japanese visionaries represented in this book continue to embrace, digest, perfect and transform powerful sub- and mainstream realms of expression. Mike McCabe (TM)s photographs and words are a fresh and amazing testament to this process of reinvention. * Bilingual English and Japanese
Car culture - pinstriping, customising and cartooning - is nearly synonymous with Southern California culture. Kustom Kulture tells the story of the revved-up legends of the custom car cult of the 1950s, 60s and 70s in Los Angeles. Features art work by Robert Williams, Von Dutch and Ed |Big Daddy| Roth. Hot rod art at its best by three masters of the form.
(from the book) The year was 1978 and I was sitting in the back booth of the Pizza Hut in Mulvane, Kansas, splitting a deep pan with my good friend, Darryl Starbird. Our friendship was close, and I had always respected his opinion on just about anything to do with the automobile, and especially the “kustom” vehicle. Not only is Darryl a champ at building kustom creations, he is also one of the top auto show producers in the U.S. For some 21 years I had been in the shadow of this high-energy, often unbelievable, man helping him build cars and produce car shows–a schooling that isn’t available in any six-month course or college anywhere. I had cruised with him on the high roads, and crashed with him on the low shoulders. Believe me, auto show producing is not for the weak or conservative. But my interest was up, boosted by a recent writeup on ‘49-’51 Mercs, and front cover spread of a chopped ‘51 Mercury, by Street Rodder magazine, which at the time was predominantly a “pre-’48” street rod magazine. Someone shared an interest I felt I might be the[...]”