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“A powerfully told story of family, honor, love, and truth . . . the beautiful and haunting stories told in this book transcend policy and politics.” —Beto O’Rourke A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Born in Bonn into a highly cultured German-Jewish family, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. After fleeing Germany in 1933, Kurt and his second wife, Helen, founded Pantheon Books in a small Greenwich Village apartment. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile.
Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.
A compelling Holocaust memoir by a concentration camp survivor, who returns, twenty years later, to recollect the horror.
Karl Mannheim's thought cuts across much of twentieth-century sociology, politics, history, philosophy, and psychology. This enlarged anthology convincingly demonstrates his centrality to present-day interpetive social and political theory. The posthumous publication of Structures of Thinking and the full text of Conservatism have made From Karl Mannheim more relevant than ever. It demonstrates his self-awareness and self-critical rhetoric, his sensitivity to cultural contexts, his experimental approach to systems of ideology, his recognition of multiple modes of knowing, and other features of his unfinished theorizing. There is a strong affinity between Mannheim and contemporary interest in problems of cultural interpretation. New sensitivity to the issue of relativism in both social and cultural studies also depends heavily on Mannheim. The recent demise of communism in Eastern Europe and Russia has focused attention once more on relations between intellectuals in politics, and Mannheim is arguably the most influential thinker who placed this relationship at the center of informed discussion. The range and variety of the articles in this volume reveal him, once again, as a formidable experimental and innovative thinker. This expanded edition includes Mannheim's brilliant essay 'The Problem of Generations." In a new substantial introduction, Volker Meja and David Kettler analyze previously unpublished writings by Mannheim. From Karl Mannheim is essential reading for social and political theorists, as well as for psychologists. As Emory S. Bogardus noted: "Mannheim's life-work is seen as an important, far-reaching and thoughtful complement to the work of sociologists who concentrate their research in terms of behavioral science."
A woman’s true account of eighteen years as a Soviet prisoner: “Not even Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich matches it.”—The New York Times Book Review In the late 1930s, Eugenia Ginzburg was a wife and mother, a schoolteacher and writer, and a longtime loyal Communist Party member. But like millions of others during Stalin’s reign of terror, she was arrested—on trumped-up charges of being a Trotskyist terrorist counter-revolutionary—and sentenced to prison. With sharp detail and an indefatigable spirit, Ginzburg recounts her arrest and the eighteen harrowing years she endured in Soviet prisons and labor camps, including two in solitary confinement. Her memoir is “a compelling personal narrative of survival” (The New York Times Book Review)—and one of the most important documents of Stalin’s brutal regime. “Deeply significant…intensely personal and passionately felt.”—Time “Probably the best account that has ever been published of…the prison and camp empire of the Stalin era.”—Book World Translated by Paul Stevenson and Max Hayward
Kurt Wolff (1887-1963) was a singular presence in the literary world of the twentieth century, a cultural force shaping modern literature itself and pioneering significant changes in publishing. During an intense, active career that spanned two continents and five decades, Wolff launched seven publishing houses and nurtured an extraordinary array of writers, among them Franz Kafka, Lou Andreas-Salomé, Boris Pasternak, Günter Grass, Robert Musil, Paul Valéry, Julian Green, Lampedusa, and Anne Morrow Lindbergh.
Su"ender and catch: give so you can receive, where the giving is your whole self, in a total experience. This is scarcely new on the American scene, and it is ancient knowledge, East and West. The fears of total surrender, the fears of self-revelation and of total abandon, although genuine, are likewise not new. Yet Kurt H. Wolff does attempt something new here, an epistemologi cal essay with the help of this old idea: his subtitle is 'experience and inquiry today'. He tries to formulate an integrated view which incorporates in the theory of total experience not only the accepted component- esthetics, religion, the recent American experience - but also a metaphysics, a phenomenology, a theory of perception, a social philosophy and a methodology of the social sciences, even a philosophy of history and psychopathology. Phenomenology (especially Alfred Schutz), the critical Frankfurt school (especially Adorno and Marcuse), sociology (especially Georg Simmel), and existentialism (especially Camus) are tied in together. It all looks topsy-turvy at first. We have here scraps of a diary, fragments of correspondence, a stray adolescent love letter, notes on notes on field work, and notes and comments on tutorial seminars plus long excerpts from students' essays, a stray paper in a learned journal summarizing the core of the book, comments piled on comments and a web of self-references, literary criticisms, and pieces of poetry, plus a rich scholarly apparatus.
Jacques Schiffrin changed the face of publishing in the twentieth century. As the founder of Les Éditions de la Pléiade in Paris and cofounder of Pantheon Books in New York, he helped define a lasting canon of Western literature while also promoting new authors who shaped transatlantic intellectual life. In this first biography of Schiffrin, Amos Reichman tells the poignant story of a remarkable publisher and his dramatic travails across two continents. Just as he influenced the literary trajectory of the twentieth century, Schiffrin’s life was affected by its tumultuous events. Born in Baku in 1892, he fled after the Bolsheviks came to power, eventually settling in Paris, where he founded the Pléiade, which published elegant and affordable editions of literary classics as well as leading contemporary writers. After Vichy France passed anti-Jewish laws, Schiffrin fled to New York, later establishing Pantheon Books with Kurt Wolff, a German exile. Following Schiffrin’s death in 1950, his son André continued in his father’s footsteps, preserving and continuing a remarkable intellectual and cultural legacy at Pantheon. In addition to recounting Schiffrin’s life and times, Reichman describes his complex friendships with prominent figures including André Gide, Jean-Paul Sartre, Peggy Guggenheim, and Bernard Berenson. From the vantage point of Schiffrin’s extraordinary career, Reichman sheds new light on French and American literary culture, European exiles in the United States, and the transatlantic ties that transformed the world of publishing.