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Der vorliegende Tagungsband enthält die Referate der siebten Basler Kunstrechtstagung vom 17. Juni 2016. Der erste Teil der Tagung stellte die Thematik der Entwicklung in der Kunst resp. den Umgang mit künstlerischen Vorbildern ins Zentrum der Diskussion. Nach dem Grundsatzreferat von Erik Jayme "Nachahmung oder Transformation: Zweitkunst im Zwielicht des Rechts" wurde das Thema auch aus urheberrechtlicher und kunsthistorischer Sicht beleuchtet. Der zweite Teil der Tagung widmete sich aktuellen kunstrechtlichen Fragen, die sowohl den Handel als auch Sammler interessieren. Nach einem Referat über "Kunsthandel und Geldwäscherei" berichtete eine Praktikerin über die Herausforderungen, welche die zahlreichen rechtlichen Verpflichtungen dem Kunsthandel im Alltag stellen. Es folgte ein Über- und Ausblick im Bereich der rechtlichen Rahmenbedingungen von Kunstmarkttransaktionen. Mit einem Referat über die strafrechtlichen Sanktionen des Kulturgütertransfergesetzes fand die Tagung ihren Abschluss.
This book addresses practical issues in connoisseurship and authentication, as well as the legal implications that arise when an artwork’s authenticity is challenged. In addition, the standards and processes of authentication are critically examined and the legal complications which can inhibit the expression of expert opinions are discussed. The notion of authenticity has always commanded the attention of art market participants and the general art-minded public alike. Coinciding with this, forgery is often considered to be the world’s most glamorous crime, packed with detective stories that are usually astonishing and often bizarre. The research includes findings by economists, sociologists, art historians, lawyers, academics and practitioners, all of which yield insights into the mechanics and peculiarities of the art business and explain why it works so differently from other markets. However, this book will be of interest not only to academics, but to everyone interested in questions of authenticity, forgery and connoisseurship. At the same time, one of its main aims is to advocate best practices in the art market and to stress the importance of cooperation among all disciplines with a stake in it. The results are intended to offer guidance to art market stakeholders, legal practitioners and art historians alike, while also promoting mutual understanding and cooperation.
The glamour and mystery of the art auction, gathering interested buyers from across the globe, makes it one of the most fascinating marketplaces in existence. ‘Sleepers’, artworks or antiques that have been undervalued and mislabelled due to an expert’s oversight and consequently undersold, appear regularly. This fascinating new book provides the first extensive study of the phenomenon of sleepers through an in-depth analysis of the contractual relationships, liability and remedies that arise in the context of auction sales.
This book addresses questions about theories of heritage, its methodologies of research, and where its boundaries lie with tourism, urban development, post-disaster recovery, collective identities, memory, or conflict. This book is a collection of heritage studies from a critical perspective as a product of the 2018 ACHS (Association of Critical Heritage Studies) Conference in Hangzhou, the largest conference of its kind in Asia. The contributors cover a wide spectrum of issues in heritage studies, such as heritage management, accessibility to heritage, heritage conservation and heritage policy, and heritage representation. It also examines the various contexts within which heritage emerges and how heritage is constructed within that context. Analyses are based on not only representations of heritage but also on the performativity. Explorations touch upon community involvement, landscape history, children’s literature, endangered food, architecture, advertisement, allotment garden, and gender and visual art. As heritage has always been a locus of contested verities, the book offers a variegated approach to heritage studies. It provides students and scholars new perspectives on heritage study.
Dieser Tagungsband enthält die Referate der 12. Basler Kunstrechtstagung Kunst & Recht / Art & Law vom 16. Juni 2023. Der Tagungsband wird mit dem Referat vom US-Kunstrechtler Stephen K. Urice über die überraschenden transatlantischen Entwicklungen im Zusammenhang mit der Frage des «Deaccessioning» von Museumsgut eröffnet. Reto M. Hilty behandelt danach die Werkausführung im Auftrag am Beispiel der «Paris Bar» und Niklaus Ruckstuhl geht mit seinen Ausführungen zu Steinstossen als Kulturgut auf die revidierten Bestimmungen im KGTG ein. Ann Demeester, die Direktorin des Kunsthauses Zürich, berichtet in ihrem Referat «Bilder und ihre Biographie – über Chancen und Fallstricke bei musealen Präsentationen» in englischer Sprache. Hiernach widmet sich Rolf Bolwin der Problematik der künstlerischen Verantwortung von Kollektiven am Beispiel der Documenta 22. Den Abschluss des Tagungsbandes bildet das Referat von Sandrine Giroud zu Fragen der Beschlagnahmung und Einziehung von Kulturgut durch Anwendung von internationalen Sanktionen und durch internationale Strafrechtshilfe.
The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
A thrilling, eye-popping look at true crime in the billion-dollar art world. The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud. However, the extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless). The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime includes a chapter on art owned by Donald Trump. It is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.
This Handbook provides a cutting edge study of the fast developing field of international law on the protection of cultural heritage by taking stock of the recent developments and of the core concepts and current challenges. The legal protection of cultural heritage has come under renewed focus from the international community and states since the 1990s. This is evidenced by the adoption of a range of international instruments. Countries are also enacting cultural heritage legislation or overhauling existing laws within their own national territory. Contributions address the protection of immovable and movable, tangible and intangible cultural heritage in peacetime and in the event of armed conflict as well as the interaction between specific regimes of cultural heritage protection with other fields of international law, including international criminal law, human rights and humanitarian law, environmental law, international trade, investments, and intellectual property. The last part of the Handbook covers diverse regional systems of heritage protection.
Der vorliegende Tagungsband enthält die Referate der 8. Basler Kunstrechtstagung Kunst & Recht | Art & Law vom 16. Juni 2017. Der erste Teil befasst sich mit der Thematik der Erhaltung von Kulturgütern respektive der Bekämpfung derer Zerstörung in Kriegszeiten. Prof. Thomas Dreier beschliesst ihn mit einem hochaktuellen Thema, der Darlegung der anwendbaren Grundsätze für den Betrieb des Digitalen Museums. Der zweite Teil ist aktuellen Problemen des Sammelns und des Kunsthandelns gewidmet. Dr. Joëlle Becker erörtert die Problematik des Interessenkonflikts des Auktionshauses als Vermittler zwischen Einlieferer und Käufer. Dr. Yaniv Benhamou legt die Grundsätze dar für die Schöpfung der Posthumous Replication.
Is academic freedom threatened? The book examines current challenges to academic freedom in Europe, focusing mainly on Italy and Germany. The cases discussed demonstrate that research and teaching are under pressure in European democracies: in Hungary and Poland due to political constraints, in other countries due to societal expectations. Considering different interrelated aspects, the four parts of the book explore many real and potential threats to universities, scientific institutions and researchers, ranging from the European dimension of freedom of the arts and sciences to comparative analysis of emerging challenges to academic freedom against the backdrop of the COVID-19 pandemic. They highlight threats to university autonomy from the economic orientation of university governance, which emphasizes efficiency, competition, and external evaluation, and from new rules concerning trigger warnings, speech restrictions, and ethics commissions. Detailed study of these complex threats is intended to stimulate scholarly reflection and elicit serious discussion at European and national level. The volume contributes to the search for a new role of universities and scientific institutions and is addressed to academics and political stakeholders.