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This book is about an eleven year old girl named Kristen that completes a forty day Rites of Passage Program which educates her on how to start a business, produce a product for that business, and invest the money earned in the revitalization of abandoned real estate properties within the community. Her goal at the beginning of forty days was to initiate a business. We named our new business Jonestown Publishing, LLC. She has aquired the knowledge to start a publishing company, co-authored a book, and created a product to sell online which will generate wealth to buy the real estate properties for her and our non-profit organization. Our purpose is to educate young adults on how to rebuild their communities, by completing our forty day Rites of Passage Program outlined in this book.
Examines the figure of the cannibal as it relates to cultural identity in a wide range of literary and cultural texts.
On August 9, 1965, 53 men died in the impoverished hills of rural Arkansas. Their final breaths came in a government facility deep underground while their loved ones were at home expecting their return. The incident at Launch Complex 373-4 remains the deadliest accident to occur in a U.S. nuclear facility. The 53: Rituals, Grief, and a Titan II Missile Disaster analyzes the event. It looks at causes but more importantly at how the mishap has affected daughters and sons for nearly six decades. It gives new sociological insight on technological disasters and the sorrow following them. The book also details how surviving family members managed themselves and each other while benefiting from the support of friends and strangers. It describes how institutions blame the powerless, and how powerful organizations generate distrust and secondary trauma. With an analysis of the event and post-disaster life, their children share stories on what went wrong and how they keep moving forward.
Even though shes not quite a teenager, Gabriella Gigliotti is a computer wizard; shes so good with technology that her friends call her Gig, and she helps her father in his electronics repair shop. Her family lives in a rough neighborhood, though, and sometimes there are gang fights. Her mother, a police officer, works hard to protect the area, but theres only so much she can do. When Gabriella learns that one of her friends may be involved with a local gang, the Cobras, she springs into action. She discovers a portal to police records, and Gabriellas investigative instincts kick in. The more she looks into events surrounding her friend and a missing local girl, the more trouble she finds. But as she gets closer to the truth about one of the toughest gangs in the city, she might run into more danger than she could ever imagine. This novel tells the story of a young computer genius who uses her skills to help track down the truth about her citys worst gangs.
This book considers fantasy film and its relationship to myth, legend and fairytale, examining its important role in contemporary culture. It provides an historical overview of the genre and its evolution, contextualising each fantasy film within its socio-cultural period and with reference to relevant critical theory.
What makes a film a teen film? And why, when it represents such powerful and enduring ideas about youth and adolescence, is teen film usually viewed as culturally insignificant? Teen film is usually discussed as a representation of the changing American teenager, highlighting the institutions of high school and the nuclear family, and experiments in sexual development and identity formation. But not every film featuring these components is a teen film and not every teen film is American. Arguing that teen film is always a story about becoming a citizen and a subject, Teen Film presents a new history of the genre, surveys the existing body of scholarship, and introduces key critical tools for discussing teen film. Surveying a wide range of films including The Wild One, Heathers, Akira and Donnie Darko, the book's central focus is on what kind of adolescence teen film represents, and on teen film's capacity to produce new and influential images of adolescence.
This book presents interdisciplinary perspectives on Netflix’s Chilling Adventures of Sabrina, situating the series within contemporary discourses of genre, form, historical place, ideology, and aesthetics. The essays in this collection argue that the series’ unique blend of horror, the Gothic, and melodrama offers a compelling approach to the coming-of-age narrative and makes CAoS a significant part of the teen television canon.
The Kaleidoscope of Gender: Prisms, Patterns, and Possibilities provides an accessible, timely, and stimulating overview of the cutting-edge literature and theoretical frameworks in sociology and related fields in order to understand the social construction of gender. The kaleidoscope metaphor and its three themes—prisms, patterns, and possibilities—unify topic areas throughout the book. By focusing on the prisms through which gender is shaped, the patterns which gender takes, and the possibilities for social change, the reader gains a deeper understanding of ourselves and our relationships with others, both locally and globally. Editors Catherine Valentine, Mary Nell Trautner and the work of Joan Spade focus on the paradigms and approaches to gender studies that are constantly changing and evolving. The Sixth Edition includes incorporation of increased emphasis on global perspectives, updated contemporary social movements, such as #BlackLivesMatter and #MeToo, and an updated focus on gendered violence.
San Diego and Tijuana are the site of a national border enforcement spectacle, but they are also neighboring cities with deeply intertwined histories, cultures, and economies. In Unequal Neighbors, Kristen Hill Maher and David Carruthers shift attention from the national border to a local one, examining the role of place stigma in reinforcing actual and imagined inequalities between these cities. While the details of the book are particular to this corner ofthe world, the kinds of processes it documents offer a window into the making of unequal neighbors more broadly. The dynamics at the Tijuana border present a framework for understanding how inequalities that manifest in cultural practices produce asymmetric borders between places.