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Nira. Astrum Industries' newest charted planet. Freshly discovered. Wholly unexplored. But that won't be the case for long. Led by Captain Alec Hamlin, a team of explorers make an emergency landing and are soon confronted by their first Niran native. A huge male Kríe packed with muscle and bearing small, black horns and fangs. Fortunately, he's friendly. Or so he lets them believe. With the help of his pack, the Kríe takes Alec's team captive, intending to sell them for profit. But these Nirans aren't just shrewd, they're arrogant and domineering. And most of all, extremely sexual. Which explains why, on their journey to peddle their new wares, they feed Alec's team a powerful aphrodisiac. Nothing like some decadent entertainment on the side. Soon the team finds themselves feverishly trying to resist the growing urge to get physical with their captors. But as passion prevails and unexpected bonds form, so much more is suddenly at stake. With no time left, will a shift in Kríe perspective be enough to change the fate of Alec's team? Warning: Contains mild dub/con elements, and explicitly scorching gay sex with exotic and shamelessly kinky males of otherworldly descent.
Emergency landing. Uncharted planet. Erotic captivity of epic proportions. Right when Captain Alec Hamlin thinks it can't get any crazier, his team is sold to their captors' mighty sovereign. King Zercy of the Kríe. Ruler of the planet's most formidable species. Man, is he imposing. So regal and larger than life. And way too savagely handsome for Alec's liking. From the first moment he laid eyes on him, he knew the Kríe was trouble, knew he needed to steer clear of him at all costs. But when Zercy chooses Alec to be his personal pet, all plans to dodge the male fall by the wayside. Alec is forced to spend each evening in the alluring king's company, each night bound to the seductive king's bed. Wholly at his mercy. Utterly defenseless, in his own mind and most especially his restless body. His struggle is real. Because the more Alec gets to know Zercy, the more he realizes two things. The Kríe king is damaged-unstable, not right, making him unpredictable and highly dangerous. But he is also innately kind beneath the raging storm that torments him. Kind and genuine, with a sad but beautiful soul. Something Alec fights with all he is, not to acknowledge. He can't fall for Zercy. Zercy is the enemy. The captor of both Alec and his team. Which means Alec needs to get them out of there, before it's too late. Before emotions overthrow logic and take control of the wheel. If only his body didn't crave Zercy so fiercely, and his heart didn't want him just as badly. With Search and Rescue due any day, and Alec's team getting antsy, Alec is forced to make a decision. He can't have it both ways. Is he the captain of his men, bound to obligation, or is he a man in love with a Kríe? Warning: Erotic romance. Contains explicitly scorching gay sex with exotic and shamelessly kinky males of otherworldly descent.
Nira. Astrum Industries' newest charted planet. Freshly discovered. Wholly unexplored. But that won't be the case for long. Led by Captain Alec Hamlin, a team of explorers make an emergency landing and are soon confronted by their first Niran native. A huge male Kríe packed with muscle, bearing small, black horns and fangs. Fortunately, he's friendly. Or so he lets them believe. With the help of his pack, the Kríe takes Alec's team captive, intending to sell them for profit. But these Nirans aren't just shrewd, they're arrogant and domineering. And most of all, extremely sexual. Which explains why, on their journey to peddle their new wares, they feed Alec's team a powerful aphrodisiac. Nothing like some decadent entertainment on the side. Soon the team finds themselves feverishly trying to resist the growing urge to get physical with their captors. But as passion prevails and unexpected bonds form, so much more is suddenly at stake. With no time left, will a shift in Kríe perspective be enough to change the fate of Alec's team?Warning: Erotic fiction. Contains mild dub/con elements, and explicitly scorching gay sex with exotic and shamelessly kinky males of otherworldly descent.
One straight college senior chilling at a frat party. One unlucky round of high-stakes poker. Now, to pay his dues, Tad must spend an hour in the basement of his victors' physical trainer, Scott, who happens to be a part-time Dom as well. Playful and sexy, he introduces Tad to his flogger. Despite Tad's efforts to remain unaffected, Scott wrenches his dark pleasure higher. Raw, kinky lust. Forbidden need. Then mind-blowing, out-of-this-world sex. When Tad finally touches down from his scandalous high, his world looks completely different. Because now he can't get Scott out of his system, and Scott seems to feel the same way. Unfortunately, his hesitancy wears heavy on Scott's heart and now Tad risks losing him forever. Experience Tad's journey of erotic self-discovery as, time and again, he seeks out the man who's upended his world... and his heart. Warning: Erotic romance, containing graphic gay sex. Intended for mature audiences only.
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
This handbook is an excellent reference for materials scientists and engineers needing to gain more knowledge about these engineering materials. Following introductory chapters on the fundamental materials properties of titanium, readers will find comprehensive descriptions of the development, processing and properties of modern titanium alloys. There then follows detailed discussion of the applications of titanium and its alloys in aerospace, medicine, energy and automotive technology.
"Captivity" is a novel by Margaret Leonora Eyles, an English novelist, feminist, and memoirist. In her works, the author attacked and suggested ways of averting women's social, economic, and sexual subjugation. Captivity, created in 1922, has been described by critics as her strongest fictional expression of the chains that bind women's bodies and souls.
Emergency landing. Uncharted planet. Erotic captivity of epic proportions. Right when Captain Alec Hamlin thinks it can't get any crazier, his team is sold to their captors' mighty sovereign. King Zercy of the Kríe. Ruler of the planet's most formidable species. Man, is he imposing. So regal and larger than life. And way too savagely handsome for Alec's liking. From the first moment he laid eyes on him, he knew the Kríe was trouble, knew he needed to steer clear of him at all costs. But when Zercy chooses Alec to be his personal pet, all plans to dodge the male fall by the wayside. Alec is forced to spend each evening in the alluring king's company, each night bound to the seductive king's bed. Wholly at his mercy. Utterly defenseless, in his own mind and most especially his restless body. His struggle is real. Because the more Alec gets to know Zercy, the more he realizes two things. The Kríe king is damaged--unstable, not right, making him unpredictable and highly dangerous. But he is also innately kind beneath the raging storm that torments him. Kind and genuine, with a sad but beautiful soul. Something Alec fights with all he is, not to acknowledge. He can't fall for Zercy. Zercy is the enemy. The captor of both Alec and his team. Which means Alec needs to get them out of there, before it's too late. Before emotions overthrow logic and take control of the wheel. If only his body didn't crave Zercy so fiercely, and his heart didn't want him just as badly. With Search and Rescue due any day, and Alec's team getting antsy, Alec is forced to make a decision. He can't have it both ways. Is he the captain of his men, bound to obligation, or is he a man in love with a Kríe? Warning: Erotic romance. Contains explicitly scorching gay sex with exotic and shamelessly kinky males of otherworldly descent.
"[An] engrossing study, told mainly by the subjects themselves... a valuable addition to POW literature and unique for its positive view of wartime captivity." —Publishers Weekly "Lieblich has skillfully integrated oral histories to produce a compelling story." —Library Journal "The minutes of the meetings recorded hereby are an excerpt of the lives of ten men, who had spent all their days and nights together. Each one observed the other in his grief and joy.Each one, according to his ability and sensitivity, saw it as his duty to contribute to the general welfare, to save our boat from sinking....In fact, we managed to keep afloat most of the time, and if we erred here or there, at least we had the best intentions." —From a secret collective diary kept by ten POWs A national bestseller when it first appeared in Israel, Seasons of Captivity is a story of human survival and hope that documents the experience of ten Israeli prisoners of war who shared a single jail cell in Egypt for more than three years. The engrossing chronicle of the prisoners' ordeal is told in their own words—from their capture in 1969, through six months of interrogation, torture, and isolation, to their movement to a common room. A watershed event, their transfer to shared living quarters enabled them to forge a community and an almost utopian social system. They held weekly meetings, kept a common diary, started study classes, and, among other projects, translated The Hobbit into Hebrew. The narrative goes on to describe the re-entry of the POWs into family and social roles upon their release and return to Israel in 1973. An exploration of the personal impact of the experience on the wives of the married prisoners introduces the women's own stories of separation and reunion. Some of them had suddenly found themselves, in effect, single mothers—yet their husbands were alive. Their husbands found stronger, more independent women in place of the traditional ones they had left behind. One of the women remarks, I thought [my husband] had been angry at me, in part unconsciously, for being so strong and competent in his absence...I had managed, well, almost effortlessly. This dramatic and moving account illustrates the resilience of the human spirit in the face of the most dehumanizing circumstances.