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Boxed set of 20 booklets of 14 pages, illustrated, on various aspects of Korean culture
The most well-known Korean ceramics are the celadon of the Goryeo Dynasty (918-1392) and the white porcelain of the ensuing Joseon Dynasty (1392-1910). [...] The celadons of Goryeo, their grace and color tinged with feminine beauty, symbolized an aristocratic Buddhist culture, while the white porcelains from the Joseon period are thought to typify the bureaucratic and scholarly Confucian society and were essentially masculine in tone, vigorous and orderly. [...] Korea's traditional ceramic wares serve as a barometer for understanding Korean culture in that they most accurately reflect Korean aesthetics and the Korean worldview.
Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. Elements from the Buncheong idiom were later revived in Japan, where its spare yet sensual aesthetic was much admired and where descendants of Korean potters lived and worked. This innovative study features 60 masterpieces from the renowned Leeum, Samsung Museum of Art in Seoul, as well as objects from The Metropolitan Museum of Art, and presents current scholarship on Buncheong's history, manufacture, use, and overall significance. The book illustrates why this historical art form continues to resonate with Korean and Japanese ceramists working today and with contemporary viewers worldwide.
The ceramic art of Korea stretches back to prehistory when simple brown wares were made and decorated with geometrical incisions. Potters were influenced by ideas and techniques from China and go on to produce their own highly sought-after works, including grey stoneware, celadons or greenware, buncheong ware and white porcelain. The National Museum of Korea collection is world-famous and of great importance in the world of ceramic art. This book catalogues the best and most representative items in the collection.
Pottery has the longest and strongest tradition in Korean ceramics, continuing from prehistoric times to the present. But it has not been given the attention it deserves because the history of Korean ceramics is focused on porcelain. This book takes a close look at pottery, the most commonly used type of vessel in the everyday life of Koreans, dividing it into two major categories: unglazed pottery, from comb-patterned earthenware to modern day puredok and glazed pottery, from the wares of Gurim-ri kiln to onggi. It shows that Korean pottery vessels, though rather overlooked in history, have a simple beauty that makes them valuable works of art.
The Handbook of East and Southeast Asian Archaeology focuses on the material culture and lifeways of the peoples of prehistoric and early historic East and Southeast Asia; their origins, behavior and identities as well as their biological, linguistic and cultural differences and commonalities. Emphasis is placed upon the interpretation of material culture to illuminate and explain social processes and relationships as well as behavior, technology, patterns and mechanisms of long-term change and chronology, in addition to the intellectual history of archaeology as a discipline in this diverse region. The Handbook augments archaeologically-focused chapters contributed by regional scholars by providing histories of research and intellectual traditions, and by maintaining a broadly comparative perspective. Archaeologically-derived data are emphasized with text-based documentary information, provided to complement interpretations of material culture. The Handbook is not restricted to art historical or purely descriptive perspectives; its geographical coverage includes the modern nation-states of China, Mongolia, Far Eastern Russia, North and South Korea, Japan, Taiwan, Vietnam, Cambodia, Laos, Thailand, Burma, Malaysia, Indonesia, the Philippines and East Timor.
A Concise History of Korea emphasizes how Korean history can be understood as part of an interactive sphere that includes three basic areas: China, Japan, and the Manchurian/Central Asian region."--Jacket.
In this comprehensive yet compact book, Michael J. Seth surveys Korean history from Neolithic times to the present. He explores the origins and development of Korean society, politics, and still little-known cultural heritage, showing how this ancient, culturally and ethnically homogeneous society was wrenched into the modern world, ultimately to be arbitrarily divided into two opposed halves after World War II. Tracing the six decades since, Seth explains how the two Koreas, with their deeply different political and social systems and geopolitical orientations, evolved into sharply contrasting societies. Throughout, he adds a rich dimension by placing Korean history into broader global perspective and by including primary readings from each era. All readers looking for a balanced, knowledgeable history will be richly rewarded with this clear and concise book.