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"Routledge Performance Practitioners" is a series of introductory guides to the key theatre-makers of the 20th century. Each volume explains the background to and the work of one of the major influences on 20th and 21st century performance. These compact, well-illustrated and clearly written books unravel the contribution of modern theatre's most charismatic innovators, through: personal biography; explanation of key writings; description of significant productions; and reproduction of practical exercises.
This compact, well-illustrated and clearly written book offers an essential guide to the complex and contradictory nature of this master of theatre. Routledge Performance Practitioners are a series of introductory guides to key theatre-makers. These compact, well-illustrated and clearly written books will unravel the contribution of modern theatre's most charismatic innovators. This is the first book to combine: - an overview of Stanislavsky's life history - an assessment of his widely read text, An Actor Prepares - detailed commentary of the key 1998 production of The Seagull - an indispensable set of practical exercises for actors, teachers and directors. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.
This third volume examines the development of a character from the viewpoint of three widely contrasting plays.
In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.
The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.