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Unravelling the thought of Alexander Kluge and Oskar Negt Collaborators for more than four decades, lawyer, author, filmmaker, and multimedia artist Alexander Kluge and social philosopher Oskar Negt are an exceptional duo in the history of Critical Theory precisely because their respective disciplines think so differently. Dark Matter argues that what makes their contributions to the Frankfurt School so remarkable is how they think together in spite of these differences. Kluge and Negt's "gravitational thinking" balances not only the abstractions of theory with the concreteness of the aesthetic, but also their allegiances to Frankfurt School mentors with their fascination for other German, French, and Anglo-American thinkers distinctly outside the Frankfurt tradition. At the core of all their adventures in gravitational thinking is a profound sense that the catastrophic conditions of modern life are not humankind's unalterable fate. In opposition to modernity's disastrous state of affairs, Kluge and Negt regard the huge mass of dark matter throughout the universe as the lodestar for thinking together with others, for dark matter is that absolute guarantee that happier alternatives to our calamitous world are possible. As illustrated throughout Langston's study, dark matter's promise--its critical orientation out of catastrophic modernity--finds its expression, above all, in Kluge's multimedia aesthetic.
From December 7, 1941, until the Battle of Midway in June 1942, the war with Japan was a losing one. It was to be the darkest period of the almost four-year war. During those days, no times were more trying than the final hours for the men trapped on Wake Island, Bataan, Corregidor, Hong Kong and Singapore. This book, outlining the bitter end to their ordeals, covers the crucial days and final hours that led to their surrender, a capitulation that would shock the free world.
In ancient Greece, Sparta was unique in having a dual kingship two kings from different clans, the Agiads and the Eurypontids, reigning simultaneously. The institution was already well-developed by the 8th century BC, when Theopompos of the Eurypontid clan emerges as the first recorded Spartan king. At least fifty-seven men held office as Spartan king between Theopompos and the Agiad Kleomenes III who died in 222 BC. For almost all this period the Spartan kingship was primarily a military office, and thus the kings embody much of the military history of Sparta. Wherever Spartas main battles took place, there the kings were. Naturally, the character of the particular king would often determine the outcome of a battle or campaign. Leonidas I at Thermopylai was one example. At the other end of the scale the young and unwar-like Pleistoanax twice declined an encounter with the Athenians when sent against that city.John Carr offers a chronological account of the kings and their accomplishments (or lack thereof), from the founding Herakleidai clan to Kleomenes III and his successor, the dictator Nabis, and the Roman conquest in the middle of the 2nd century BC. The book is not intended to be a complete history of Sparta. It will be a human interest and war story, focusing attention on the kings personal qualities as well as their (or their generals) military accomplishments and, where applicable, their politics as well.
Films about prehistoric animals range in quality from classics like The Lost World (1925), KingKong (1933), and One Million B.C. (1940), to duds like Reptilicus (1962). This book offers critiques and background information on the best and worst in this sub-genre, full cast and production credits for each, and a checklist of lesser films.
Theories of the domestic stemming from the 19th century have focused on the home as a refuge and place of repose for the family, a nurturing environment for children and a safe place for visitors. Under this conception, domestic space is positioned as nurturing and private, a refuge and place of retreat which gave rise to theories of 'home as haven'. While, arguably, some social conditions might suggest this is the case, Domesticity Under Siege exposes a different world, one in which the boundaries of nurturing domesticity collide with both outside and inside agents. Whether these agents are external military forces, psychological trauma or familial violence, they re-position meta-narratives of domesticity, not through identity politics or specialized subgroup experience, but relative to the actions of the world around an inhabited domain. That is, when home is constituted as a private realm, a place where individuals or groups can reside in 'safety and comfort', it is argued as a place in which the individual exercises control or power. However, there are many occasions when forces act upon the home and threaten aspects of safety and comfort, often through such things as ruination, violence, mortality, and infestation. Organised around four thematic sections, 'Microbes, Animals and Insects', 'Human Agents', Wars and Disasters as Agents' and 'Hauntings, Eeriness and the Uncanny', chapters provide a range of approaches to the home which challenge notions of 'haven' and reflect major causes that have played an important role in undermining the modern home. Examples and case studies explore the domestic screen, hoarding, hauntings, violence and imprisonment in the home, wartime interior art, the Hanover Merzbau and Wolfgang Staudte's 1946 film Die Mörder sind unter uns ('The Murderers are Among Us').
Is there an acoustical equivalent to Walter Benjamin’s idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to “hear otherwise,” that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck’s Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge’s films and short texts, where he develops what he calls “sound perspectives,” this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin’s linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies.
A powerful collection of 30 Bible stories about people whose faith in God brought them their finest hour. In today's world, it's easy to fall prey to the approval addiction--seeking the praise of others instead of focusing on pleasing God. In Their Finest Hour, best-selling author R.T. Kendall highlights 30 Bible characters who put their trust in God despite their moments of self-effacing vulnerability. Through these stories, we can learn valuable lessons about faith and trusting God even when it isn't popular or easy to do so. You'll learn the importance of sticking to your convictions, letting God be in control, and trusting His plan for your life through stories of biblical figures, including: Leah, who experienced delayed significance. Rahab, who saw a better future with God's people. Habakkuk, who was willing to wait on the Lord. Their Finest Hour is for ordinary Christians looking to deepen their faith, their understanding of the Bible, and their relationship with God. Relatable stories and personal anecdotes make this book an invaluable resource for pastors, teachers, small groups, and believers seeking inspiration and guidance in their spiritual journey. An enlightening and engaging exploration of moments when ordinary people achieved greatness in the eyes of God, Their Finest Hour will inspire you to seek the true honor that comes from God alone.
Protecting Free Trade is the story of a paradox that both limited and stimulated Hong Kong's post-war economy. In order to preserve its access to open markets, Hong Kong was obligated by international agreements to accept restraints on its exports; and in order to sustain growth, Hong Kong had to subject its largest industry — textiles — to a massive network of restrictions. Protecting Free Trade examines how Hong Kong handled, by negotiation, attempts by developed economies to limit international trade through protective measures. The central argument is that, far from stifling Hong Kong's industry, restrictive international trade agreements became a stimulus for economic success by creating a sellers' market in which Hong Kong was the dominant supplier. The book is also a personal memoir by someone who was deeply involved in policy formulation. Lawrence Mills was deeply involved in many of the critical economic issues that Hong Kong faced in the 50 years leading up to its return to China in 1997. In Protecting Free Trade he tells the inside story of how Hong Kong held on to its vulnerable and volatile role as a global centre of trade, despite the constant pressures to limit its exports, and its sometimes fractious relationships with the UK, the USA, and Europe. He illustrates the political savvy with which negotiators distanced Hong Kong from the UK to gain the support of developing countries as a countervailing force in international trade, but not to an extent that might upset China. He explains why, for the strategic defence of its interests, Hong Kong depended on international trade arrangements and bilateral restraint agreements. Protecting Free Trade also examines the role of the Trade and Industry Departments, which Mills headed, and of their principal advisory boards. It details the bureaucratic systems, including controversial quota controls, that were necessary to give Hong Kong's businessmen stability and room for manoeuvre in fast-evolving markets. Mills also assesses the charge that the department was too close to the constituency that it served.
Since the advent of modernity, art has been associated with freedom, provocation and courage. In 1972, art was to unfold its potential as an emancipatory and creative force as part of the Gesamtkunstwerk of the XX. Olympic Games in Munich—according to the grand vision of its planners. The international avant-garde of the time, including Walter de Maria, Gerhard Richter, Andy Warhol and Dan Flavin, enthusiastically developed revolutionary concepts. Many of these remained in draft-form. After the tragic assassination of Israeli athletes, concepts such as the "Spielstraße" were canceled. This publication is the first to give an impression of the playful, participatory cultural programme of 1972. In the second part of the book, a multitude of voices from all over the world look to the future. International authors and artists use contemporary examples to convey the importance of the arts in shaping the democratic society of the future.