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This illuminating study delves into the cultural identity and traditions of the Borok tribe, an indigenous community in Tripura, India, through an in-depth examination of selected Kokborok folktales and contemporary poetry and fiction. The author sheds light on how these writers draw on their cultural myths, folklore, and everyday experiences to challenge mainstream literature’s stereotypes and reclaim their cultural heritage. By analysing these works, the book uncovers the Borok tribe’s historical context, which has been shaped by cultural domination and military struggles for identity preservation. Through a focus on themes of rootedness, cultural loss, and oral tradition, the author offers an insightful analysis of the tribe’s little-known narratives, bringing attention to the continuous suffering of its people amidst socio-economic and political problems. This work offers a significant contribution to understanding the cultural traditions and identity of the Borok tribe in Tripura.
A novel on different aspects of human life.
The novel, Srikanta, depicts the story of a vagabond young man who wandered from one place to another harbouring some inexplicable yearning. He remained a stoic all his life even as he lived among beautiful women. He lived apathetic to worldly pleasures. He was dear to all but belonged to none. An immortal piece of work, the novel was written by globally renowned Bengalee story-teller Sharat Chandra Chattopadhyay.
The poets of North-East India, though belonging to diverse spaces, cultures, languages and religions, share a common bond. It is a sensibility defined by a deep connection with the land; the overarching presence of nature in their lives; the predominance of myths and tribal folklore; and the search for an identity. All this informs their poetry and gives it a unique flavour. Much of the distinctiveness of their work is also the consequence of contemporary events, often marked by violence. Like its title poem The Dancing Earth , the anthology too, is a celebration of this life, in all its unpredictable variety, richness and contradictions. So while Thangjam Ibopishak writes I Want to be Killed By an Indian Bullet and Chandrakanta Murasingh speaks of a minister with neither inside nor outside , there are also Temsula Ao s poems about her stone-people ancestors; Mamang Dai s portraits of swift rivers and primeval forests; and the Shillong poets with their mist-shrouded pine slopes, red cherries and gridlocked streets.
This book talks about ten Indian languages—of the thousand-odd languages spoken in India—and their evolution, transformation and development. These languages are: Tamil Telugu Brahui Santali Khasi Kokborok Manipuri Marathi Punjabi Hindi Karthik Venkatesh traces the long and varied journeys of these languages through time, examining the cultural shifts and political and social influences that have shaped them. He provides a glimpse of their literature, tracks the growth of their scripts and identifies landmark moments that have preserved and reinvented these ten Indian languages.
This book provides a critical account of federal asymmetry in India - its origins, context, forms and functioning - by taking into account the institutional effectiveness of asymmetric institutions in the regions for identity fulfillment, development and governance. It argues that while some asymmetry, de jure/ or de facto, is part of all federations for meeting some special circumstances, in India, which has followed a different path of federation building, asymmetric institutional solutions especially in the border areas have played a crucially important role in accommodating ethno-cultural diversity, ensuring law and order, a level of development and governance in a process that has turned the ‘rebels into stakeholders’. India’s federal asymmetric designs and their working has been a key to holding the peripheries within the Union of India. The book utilizes both archival research and empirical survey data, as well as elite interviews.