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Explores the politics of nineteenth-century British realismOffers a new theory of institutions grounded in temporalityOutlines a transnational theory of British realism that emerges from interpreting Irish realist novelsReassesses the politics of realism and the politics of institutionsContains close-reading of realist novels as well as a new genealogy of British realismAdvances a new understanding of the relationship between realism and colonialismThis book examines anachronisms in realist writing from the colonial periphery to redefine British realism and rethink the politics of institutions. Paying unprecedented attention to nineteenth-century Irish novels, it demonstrates how institutions constrain social relationships in the present and limit our sense of political possibilities in the future. It argues that we cannot escape institutions, but we can refuse the narrow political future that they work to secure.
A nine-year-old boy hooks a twine-held bundle of hay over his shoulder and climbs the harsh steep mountain on a winter morning, with his brother Pat. They trundle upwards against the harsh terrain and elements to fodder the cattle on the hill top. Some 30 years later, Sligo, his adopted town, is in crisis as development tax incentives have expired and three government ministers are refusing to extend those incentives. That young boy emerges in his elder self, strident and resolute, and fights another uphill battle. Another 20 years on, now in Derry, the calling from the mountains of his birth surface within him, urging him to return to regain lost fragments of his soul. His return regenerates and reignites the lost spirit within as voices forgotten in a busy life emerge from the shadowy vibrations of the past to soothe, heal and repair his soul. The journey sees a re-emergence of the people, characters, events and places that formed his character in a rich tapestry of recall.
Patrick James Crane, son of John Crane (1877-1946) and Elizabeth Wilson Malloy (1882-1961), was born in 1900 in Illinois. He married Dorothy Agnes March.