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When Necker, in the financial distress of the autumn of 1789, appealed for a voluntary contribution from all landowners, the Order gave him a third of the revenue of its French commanderies, and later it pledged its credit for 500,000 francs to the destitute Louis XVI., to help him in the flight that ended so disastrously at Varennes. This last act put it in definite opposition to the Revolution.
Excerpt from Knights of Malta, 1523-1798 The Hospitallers had realised, as early as 1300, that their former r61e of mounted Knights fighting on land was gone for ever. From their seizure of Rhodes, in 1310, they became predominantly sea men, whose. flag, with its eight-pointed cross, struck terror into every infidel heart. Nothing but a combination of Christian monarchs could cope with the superiority of the Turk on land: by sea he was still vulnerable. The Knights took up their new part with all their old energy and determination: it is but typical that henceforward we never hear of the Knights of Malta fighting as cavalry. After various adventures the fleet found itself united at Messina, whence it proceeded to Baiae. The election to the papacy of the Cardinal de' Medici - one of their own Order - as Clement VIL, gave the Knights a powerful protector. He assigned Viterbo as a residence for the Order till a permanent home had been discovered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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On January 1, 1523, a fleet of fifty vessels put out from the harbour at Rhodes for an unknown destination in the West. On board were the shattered remnants of the Order of St. John of Jerusalem, accompanied by 4,000 Rhodians, who preferred the Knights and destitution to security under the rule of the Sultan Solyman. The little fleet was in a sad and piteous condition. Many of those on board were wounded; all-Knights and Rhodians alike-were in a state of extreme poverty. For six months they had resisted the full might of the Ottoman Empire under its greatest Sultan, Solyman the Magnificent; Europe had looked on in amazed admiration, but had not ventured to move to its rescue. Now they were leaving the home their Order had possessed for 212 years, and were sailing out to beg from Christendom another station from which to attack the infidel once again. The Knights of Rhodes-as they were called at the time-were the only real survivors of the militant Order of Chivalry. Two centuries earlier their great rivals, the Templars, had been dissolved, and a large part of their endowments handed over to the Hospitallers. The great secret of the long and enduring success of the Order of St. John was their capacity for adapting themselves to the changing needs of the times. The final expulsion of the Christians from Syria had left the Templars idle and helpless, and the loss of the outlets for their energy soon brought corruption and decay with the swift consequence of dissolution. All through the history of the great Orders we find the Kings of Europe on the lookout for a chance to seize their possessions: any excuse or pretext is used, sometimes most shamelessly. An Order of Knighthood that failed to perform the duties for which it was founded was soon overtaken by disaster.
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2011 Updated Reprint. Updated Annually. Order of Malta Handbook
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.
The campaigns fought against Napoleon in the Iberian peninsula, in France, Germany, Italy and Russia and across the rest of Europe have been described and analyzed in exhaustive detail, yet the history of the fighting in the Mediterranean has rarely been studied as a separate theater of the conflict. Gareth Glover sets this right with a compelling account of the struggle on land and at sea for control of a region that was critical for the outcome of the Napoleonic Wars. The story of this twenty-year conflict is illustrated with numerous quotes from a large number of primary sources, many of which are published here for the first time.