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This is the first book-length study of the legacy and memory of the main military orders in Britain, the Templars and Knights of St. John. It provides a survey from the late 18th to the early 20th centuries using hitherto neglected sources and identifies areas for further research and analysis. The volume first examines the historiography of the Orders, delving past the standard histories to examine their authors, readership, accessibility, advertisements. and reviews. It then discusses the material memory of the Orders, from the Temple Church in London and St. John’s Gate at Clerkenwell to archaeological discoveries and romanticised stained-glass depictions. Turning next to the revival and reinvention of the Order of St John after the loss of Malta in 1798 and the foundation of the British Order based at Clerkenwell, it unravels fact from fiction in the claims of continuity with the medieval knights made by the Masonic Knights Templars. For many, memory was shaped by popular fiction as well as history, so the final part considers various literary interpretations of the Orders’ history. This book will interest scholars and students of the Military Orders and Crusades, as well as general readers of the history of memory and reception.
In popular imagination few phenomena are as strongly associated with medieval society as knighthood and chivalry. At the same time, and due to a long tradition of differing national perspectives and ideological assumptions, few phenomena have continued to be the object of so much academic debate. In this volume leading scholars explore various aspects of knightly identity, taking into account both commonalities and particularities across Western Europe. Knighthood and Society in the High Middle Ages addresses how, between the eleventh and the early thirteenth centuries, knighthood evolved from a set of skills and a lifestyle that was typical of an emerging elite habitus, into the basis of a consciously expressed and idealised chivalric code of conduct. Chivalry, then, appears in this volume as the result of a process of noble identity formation, in which some five key factors are distinguished: knightly practices, lineage, crusading memories, gender roles, and chivalric didactics.
The relationship between medievalism and reception explored via a rich variety of case studies. At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools. This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. Individual topics examined include the cultural impact of Robin Hood; the Tulsa rase massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones. As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.
Crusades covers the seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources - narrative, homiletic and documentary - but studies and interpretative essays are welcomed too. Crusades also incorporates the Society's Bulletin. The editors are Professor Benjamin Z. Kedar, Hebrew University of Jerusalem, Israel; Professor Jonathan Phillips, Royal Holloway, University of London, UK; Nikolaos G. Chrissis, Democritus University of Thrace, Greece; and Iris Shagrir, The Open University of Israel.
This book explores the connections between history and fantasy in George RR Martin's immensely popular book series 'A Song of Ice and Fire' and the international TV sensation HBO TV's Game of Thrones. Acknowledging the final season's foregrounding of the cultural centrality of history, truth and memory in the confrontation between Bran and the Night King, the volume takes full account of the TV show's conclusion in its multiple readings across from medieval history, its institutions and practices, as depicted in the books to the show's own particular medievalism. The topics under discussion include the treatment of the historical phenomena of chivalry, tournaments, dreams, models of education, and the supernatural, and the different ways in which these are mediated in Martin's books and the TV show. The collection also includes a new study of one of Martin's key sources, Maurice Druon's Les Rois Maudits, in-depth explorations of major characters in their medieval contexts, and provocative reflections on the show's controversial handling of gender and power politics. Written by an international team of medieval scholars, historians, literary and cultural experts, bringing their own unique perspectives to the multiple societies, belief-systems and customs of the 'Game of Thrones' universe, Memory and Medievalism in George RR Martin and Game of Thrones offers original and sparky insights into the world-building of books and show.
Paige Crutcher, author of the “mystical, magical, and wildly original”* The Orphan Witch, weaves a spellbinding tale of contemporary fantasy, romance, and Irish mythology as a woman torn out of time faces a dangerous coven, otherworldly creatures, and a seductive demi-god to save the souls of a cursed island in The Lost Witch. 1922. The town of Evermore off the coast of Ireland is under the protection of a Goddess. She has bestowed power upon village healer Brigid Heron to ensure the heart of magic within the Lough of Brionglóid—the lake of dreams—remains untouched. For the witches of Knight want to absorb its powerful energies and release the Damned from the Otherworld. Brigid has devoted her whole life to being Evermore’s guardian, immersing herself in witchcraft, and sacrificing her own dreams. Until Luc Knightly, a trickster god with his own claim on the lough, offers Brigid her heart’s desire in exchange for betraying her Goddess’s trust. 2022. A century later, Evermore is under siege. The witches of Knight wield chaos magic, opening the rift between the island and the Otherworld wider every day. Beings born from folklore nightmares prey on the villagers, consuming their very humanity. Ophelia Gallagher, Brigid’s descendent, and her fellow witch Finola McEntire do their best to keep the monsters and mayhem at bay. Brigid awakens in this world with no memory of how she traveled into the future, and why Evermore has been cursed. To seal the lough and stop the witches of Knight, she must work with Ophelia and Finola to help her remember the events of a hundred years ago. But the knowledge she seeks lies with Luc Knightly himself--mysterious, handsome, and powerful--and the one who once upon a time granted Brigid her dearest wish—a daughter. To save Evermore, Brigid may have to lose her daughter—again...