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On a day like any other, Kleinzeit gets fired. Hours later he finds himself in hospital with a pair of adventurous pyjamas and a recurring geometrical pain. Here he falls instantly in love with a beautiful night nurse called Sister. And together they are pitched headlong into a wild and flickering world of mystery ... Kleinzeit. In German that means 'hero'. Or 'smalltime'. It depends on whom you ask. 'Russell Hoban is our Ur-novelist, a maverick voice that is like no other' SUNDAY TELEGRAPH
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.
Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories: * Orpheus, the great musician and his quest to free his wife Eurydice from death * Venus and Adonis, the love goddess and the beautiful youth she loved * Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
Fantasy is one of the most visible genres in popular culture - we see the creation of magical and imagined worlds and characters in every type of media, with very strong fan bases in tow. This latest guide in the successful Bloomsbury Must-Read series covers work from a wide range of authors: Tolkien, Philip Pullman, Terry Pratchett, Michael Moorcock, Rudyard Kipling and C.S Lewis to very contemporary writers such as Garth Nix and Steven Erikson. If you want to expand your range of reading or deepen your understanding of this genre, this is the best place to start.
Renowned scholars in history, sociology, philosophy and anthropology consider seventeenth and twentieth century weapon testing, particle physics, biology and other topics in an account of important and often famous experiments.
Fictional novelists and other author characters have been a staple of novels and stories from the early nineteenth century onwards. What is it that attracts authors to representing their own kind in fiction? Author Fictions addresses this question from a theoretical and historical perspective. Narrative representations of literary authorship not only reflect the aesthetic convictions and social conditions of their actual authors or their time; they also take an active part in negotiating and shaping these conditions. The book unfolds the history of such ‘author fictions’ in European and North American texts since the early nineteenth century as a literary history of literary authorship, ranging from the Victorian bildungsroman to contemporary autofiction. It combines rhetorical and sociological approaches to answer the question how literature makes authors. Identifying ‘author fictions’ as narratives that address the fragile material conditions of literary creation in the actual and symbolic economies of production, Ingo Berensmeyer explores how these texts elaborate and manipulate concepts and models of authorship. This book will be relevant to English, American and comparative literary studies and to anyone interested in the topic of literary authorship.
"Like the fantasies of Tolkien, Thurber, E. B. White, The Mouse and His Child is filled with symbolism and satire, violence and vengeance, tears and laughter." -- The New York Times The images stay with you long after the book is done: the toy mouse and his father, on a journey together joined hand in hand; Manny Rat, the nefarious lord of the junkyard, stalking the toy mice for their clockwork parts; Uncle Frog, spouting wisdom and nonsense from within a glove; and the Bonzo Dog Food dog, repeating himself endlessly on a label, fading away to the last visible dog...Russell Hoban's novel is many things: a stirring adventure story, a sharp-witted comedy, and the moving tale of a father and son struggling to return to a state of grace.Called one of the great works of children's literature of the twentieth century -- but with an audience that spans ages and times -- The Mouse and His Child has been lovingly re-illustrated by Caldecott Medalist David Small for a new generation and a new millennium.
Margaret Mahy is known throughout New Zealand as a brilliant and prolific children's writer. Less widely known but equally remarkable are her commentaries on fiction, writing and the imagination. The sense of delight and careful attention which she brings to the writing of others has germinated many astute and fascinating talks and essays which are collected here for the first time.
How do our ideas about dying influence the way we live? Life has often been envisioned as a journey, the river of time carrying us inexorably toward the unknown country—and in our day we increasingly turn to myth and magic, ritual and virtual reality, cloning and cryostasis in the hope of eluding the reality of the inevitable end. In this book a preeminent and eminently wise writer on death and dying proposes a new way of understanding our last transition. A fresh exploration of the final passage through life and perhaps through death, his work deftly interweaves historical and contemporary experiences and reflections to demonstrate that we are always on our way. Drawing on a remarkable range of observations—from psychology, anthropology, religion, biology, and personal experience—Robert Kastenbaum re-envisions life's forward-looking progress, from early-childhood bedtime rituals to the many small rehearsals we stage for our final separation. Along the way he illuminates such moments and ideas as becoming a "corpsed person," going down to earth or up in flames, respecting or abusing (and eating) the dead, coping with "too many dead," conceiving and achieving a "good death," undertaking the journey of the dead, and learning to live through the scrimmage of daily life fully knowing that Eternity does not really come in a designer flask. Profound, insightful, often moving, this look at death as many cultures await it or approach it enriches our understanding of life as a never-ending passage.