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The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes
The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today
Geometrical figures and hieroglyphic elements: The delightfully unclassifiable work of a master painter Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression. His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee's painting career. Although these paintings still fall under the heading of 'objective, ' they already exhibit indications of his tendency toward abstraction and a language of forms. Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of 'naive' and playful children's painting. In reality, however, Klee's paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
"In the course of his creativity, Klee developed his artistic will slowly, almost hesitantly. His work formed organically. Undogmatic and open to all graphic life, he let himself be inspired by the art of the past and the present. Fairytale lyrics and grotesque satire, tender jesting and real demonism, profound mysticism and sober romanticism live in Klee's work, which always radiates his personal sphere with all its variety. In this monograph, an immensely compressed picture of the artistic as well as the human side of his career evolves by way of the extensive pictorial material and accompanying essays, a picture which gives information about "Klee's contribution to the expansion of artistic articulation"."--Jacket.
A new retrospective survey that reveals the complexities of this popular artist best known for his playful and colorful aesthetic
"Paul Klee (1879-1940) is one of the most influential painters of European modernism. With an oeuvre comprising nearly ten thousand works, numerous solo and group exhibitions of his work have been mounted well beyond his lifetime. To this very day, the intense interest in his work has not waned. And yet there has never been an exhibition that has extensively examined Klee's relationship to abstraction. The show at the Fondation Beyeler--along with the accompanying catalogue, which is "underscored" by insightful texts from well-known authors--is closing this gap. Four groups of themes--nature, architecture, painting, and graphic characters--make up the golden thread through Klee's body of work whose formal repertoire repeatedly oscillates between the semi-representational and the absolute abstract, and which are examined here in separate chapters. Thus one not only gains in-depth insight into Klee's involvement with abstraction--new references to his contemporaries, as well as to artists of later generations, are unveiled."--From the publisher.
"Paul Klee: Philosophical Vision, From Nature to Art is the first exhibition and catalogue to focus on the relationship between philosophy and Klee's prolific artistic oeuvre, and to reveal the broad impact the artist has hadon recent philosophical thought. The catalogue demonstrates how Klee's groundbreaking theories-of nature, words, and music as developed in his writings and lectures-are translated into form, line, and color in his works of art. Paul Klee: Philosophical Vision includes essays contributed by fifteen distinguished philosophers and art historians. It features color reproductions of each work in the exhibition as well as a new translation of Klee's famous lecture, ''On Modern Art.''" -- Publisher's description.
Klee's art appeals to our primary instincts and makes us look beyond the ordinary. A natural draughtsman, master of colour and hugely influential artist, Klee eludes classification, having been variously linked with Expressionism, Cubism, Futurism, Surrealism and Abstraction. Part of a new series of beautiful gift art books, Paul Klee Masterpieces of Art brims with the subtle warmth and humour of a unique artist. With a fresh and thoughtful introduction to Klee's life and art, the book goes on to showcase his key works in all their glory.
Paul Klee, the Swiss German painter influenced by expressionism, cubism and surrealism, also produced a number of etchings in his early years, beginning in 1903. These works, remarkable for their technical proficiency, illustrate his evolution from a traditionalist to one of modern art's most daring masters. Previously published in 1945 and 1947, this third revised edition was issued by the Museum of Modern Art and by Graphic Matter in 2013 in a limited edition of 500, printed and bound by Trifolio, Verona. It beautifully reproduces each of Klee/s prints on fine paper, which are accompanied by original texts and an updated list of plates.
Offering a fresh look at one of the major artists of the 20th century, this book illustrates how Paul Klee’s critical and ironic take on life was evident in every stage of his oeuvre. Known for its whimsy and levity, Paul Klee’s art is often considered gleefully childlike. This groundbreaking volume argues that Klee’s style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee’s youth, his experimentations in Cubism and "mechanical theater," and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee’s oeuvre as a reflection of prevailing styles. It closes with the artist’s final years, in which he was labeled a "degenerate artist" by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe’s seismic political and artistic movements, Klee’s body of work takes on a renewed significance as one of the most critical of its generation.