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"The Encyclopaedia of Judaism provides a full and reliable account of Judaism, beginning in ancient Israelite times and extending to our own day. About Judaism, the religion, its diverse history, literature, beliefs past and present, observances and practices, and place in the context of society and culture, this is what we know. All principal topics required for the systematic description of Judaism as a religion the world view, way of life, theory of the social entity constituted by the faithful are addressed here. "The Encyclopaedia of Judaism provides a definitive account of contemporary Judaism and a reliable picture of a tradition of nearly four thousand years. A full and detailed index provides ready-reference for facts, and the systematic articles set forth highly readable accounts of the entire range of Judaic systems of belief and behavior put forth over time and in our own time. It is written for people from all backgrounds, scholars and general readers alike. When the editors completed the initial three volumes of "The Encyclopaedia of Judaism, they found satisfaction in having covered the more than one hundred topics. But they also realized that many other important topics remained to be set forth in a systematic way. This led to new inquiries into the history, practices, and theology of the religion, Judaism. Specialists in all these fields were found and the result is more than ninety new studies, of which the first thirty-two are in the present volume. Supplement Two is anticipated for 2003, and Supplement Three, for 2004. Published by Brill Academic Publishers, Leiden & Continuum, New York. Please note that this title is available to customers in North Americaexclusively through Continuum, New York (www.continuumbooks.com) "From the contents of Supplement One: Aggadah in the Halakhah Ancient Judaisms-Modern Syntheses Astrology and Magic in Medieval Jewish Thought Biology and the Law of Judaism China, Practice of Judaism in Cloning Codification of Jewish Law-Medieval Codification of Jewish Law-Modern Conversos in Medieval Spain Dialectics in Judaism Disabilities, Judaism and Diseases in Jewish Sources Ecology in Ancient Judaism Election of Israel Ethiopia, Judaism in Genetic Engineering God, Image of Greece, Practice of Judaism in Josephus, Biblical Figures in Judaism, the Second Half of the Twentieth Century Karaite Judaism Khazars and Judaism Mishnah, Analogical-Contrastive Reasoning in Morocco, Practice of Judaism in Phenomenology of Judaism Rabbinic Judaism, Social Teaching of Rabbinic Literature, Logics of Sermons in Medieval and Early Modern Judaism Superstition in Judaism Surrogate Motherhood Tradition in Judaism Women in the Judaism of the Dual Torah
A fascinating and revelatory introduction to the Talmud discusses the Talmudic mind, its conceptions of God, and its thoughts on social ethics, personal morality, law, and general human wisdom. Original.
This Is A New Release Of The Original 1899 Edition.
Fantazus Mallare is a tortured artist who is slowly descending into madness. In a search for a muse and aided by a dwarf-monster, Goliath, Mallare tries to make sense of the world of reason versus that of insanity. Since its publication in 1924 and being banned in 1928 by the US Government, the book has achieved a cult status that strips the veneer of sanity, religion, lust and art. Musaicum Books presents to you the meticulously edited book with all the original black and white illustrations which earned it both its notoriety and praise. Excerpt: "FantaziusMallare considered himself mad because he was unable to behold in the meaningless gesturings of time, space and evolution a dramatic little pantomime adroitly centered about the routine of his existence. He was a silent looking man with black hair and an aquiline nose. His eyes were lifeless because they paid no homage to the world outside him. When he was thirty-five years old he lived alone high above a busy part of the town. He was a recluse. His black hair that fell in a slant across his forehead and the rigidity of his eyes gave him the appearance of a somnambulist. Twenty-twoHe found life unnecessary and submitted to it without curiosity. His ideas were profoundly simple. The excitement of his neighborhood, his city, his country and his world left him unmoved. He found no diversion in interpreting them. A friend had once asked him what he thought of democracy. This was during a great war being waged in its behalf. Mallare replied: "Democracy is the honeymoon of stupidity."
Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
P.185-186; Short account of the help of Aborigines in shipwreck Peruvian; p.266; Black tracker in Bimerah district; p.285-286; Welford district said to be haunted because of savage fights; p.297; Corroboree in Comongin district.