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Trace is young, hot, and used to being the boss. Hunter isn’t looking for any of that. When Trace moved from California to Colorado, it was only business. Raised by great businessmen, everything Trace touches turns to gold. At twenty, he’s the youngest and most successful nightclub owner around. With an uncanny talent of always knowing the hottest trends, Trace has fattened his already bulging pockets. He’s content with focusing on his career. Then he meets Hunter, and nothing feels right anymore. Hunter’s stress has stress. He doesn’t have time for a young, hot, too-much-of-everything guy. In fact, Hunter’s so busy drowning in debt and dealing with his son’s issues, he doesn’t have the energy for anyone. The last thing he needs is sexy, barely-classified-as-an-adult Trace taking over his life. But damn, Trace controls his every thought. Hunter doesn’t know where to go with that. All Hunter knows is, he’d better find a way to let Trace in or lose him forever. Kinky Baby is the first book in a series, Sugar Babies—a collection of May/December M/M romances centered on younger men who take care of their older other halves. It’s a twist on Charity Parkerson’s popular Sugar Daddies series.
Noah just wanted to escape his former life, and his abusive ex-boyfriend. He finds hope in another town far away from those who would hurt him. It is here he discovers a new love interest – Asher. Asher has ambitions. Ascending the ranks within his motorcycle club is his only focus in life. He's all business. Or he used to be. Now he has Noah. But Noah's past has followed him. Now their passion has put two biker clubs at odds. With a rival biker club threatening war, and treachery from within his own, Asher must decide what it is he really desires most. But for Asher there is only one answer. Noah.
Lights. Camera...die. Detective Scarlet Reid has spent the past three months trying to make her alter ego, Ms. December, a ghost of Christmas past. Forced to become the sexy centerfold in a high-stakes undercover assignment, she's spent more time pulling copies of her naked butt off the bulletin boards at the precinct than she has collaring criminals—and it's far from over. A deadly agenda. A gruesome new case has revealed a disturbing trend—one that has placed Scarlet on a list of possible targets. With limited options, she's going to have to resurrect Ms. December—and her old partnership—which means facing the one man who stole more than just a kiss. A love worth fighting for. Federal Agent Roman Kinkaid has some explaining to do. His final assignment with Scarlet changed him, and he's been running from her ever since. But he's ready to make things right—only he's not alone. His partner and lover, Special Agent Aiden Cross, is just as invested and determined as Roman is to claim Scarlet as theirs. And they aren't taking no for an answer, especially when their souls—and Scarlet's life—are on the line. They have three weeks to catch the stalker before Scarlet's time runs out and they lose their one chance at a happy ending.
SELECTED FOR STYLIST'S FICTION YOU CAN'T MISS IN 2022 - 'AN ESSENTIAL READ' NAMED AS A BOOK OF 2022 BY ESQUIRE, STYLIST, SHEERLUXE AND FOYLES 'A stone-cold masterpiece by a shocking new talent' OLIVIA LAING 'Pure delight ... A queer romance novel like no other' TATLER It's four in the morning, and our narrator is walking home from the club when they realise that it's February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago. Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal. At Certain Points We Touch is a story of first love and last rites, conjured against a vivid backdrop of London, San Francisco and New York – a riotous, razor-sharp coming-of-age story that marks the arrival of an extraordinary new talent. 'Lauren John Joseph writes with such wit, glamour, and style! I haven't read a book that so powerfully evokes what it's like to be a wild young artist among other wild young artists since the Bright Young Things' TORREY PETERS, author of Detransition, Baby 'Screamingly funny, scandalously hot, opulent, deep - a devastating torch song of obsession and excess' JEREMY ATHERTON LIN, author of Gay Bar 'Lauren's debut novel is so exciting. The writing is so fresh, funny and gripping - and carries the trademark wit that I have always loved from Lauren' TRAVIS ALABANZA 'The struggle to find ones place in the world as an artist and lover, creating self and culture as you go along - At Certain Points We Touch captures this fleeting, dazzling moment with glamour and heart' MICHELLE TEA
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Short stories and short-short stories about traveling rock musicians that focus on the unseen, less than glamorous side of touring as a struggling rock band—the personal tolls, the grueling poverty, the gnawing hunger for fame, and the small and unlikely moments of redemption. These characters are slowly realizing that their dreams are slipping away, that age and hard living have worn them down, that their funky, rootless, rock & roll lives have not taken on the grandeur they’d envisioned.
“[A] hilarious and disturbing new comedy about all-American violence” and other whip-smart political satires by the Tony Award-winning playwright (Ben Branley, The New York Times). Christopher Durang, who The New York Observer called “Jonathan Swift’s nicer, younger brother,” became one of America’s most beloved and acclaimed playwrights by marrying gonzo farce with incisive social critique. Now collected in Why Torture Is Wrong, and the People Who Love Them and Other Political Plays are Durang’s most revealing satirical plays. Why Torture Is Wrong, and the People Who Love Them is the story of a young woman in crisis: Is her new husband, whom she married when drunk, a terrorist? Or just crazy? Or both? Is her father’s hobby of butterfly collecting really a cover for his involvement in a shadow government? Does her mother frequent the theater for mental escape, or is she just insane? Add in a minister who directs porno, and a ladylike operative whose underwear just won’t stay up, and this black comedy will make us laugh all the way to the waterboarding room. Also included in this volume are: Excerpts from Sex and Longing Cardinal O’Connor The Book of Leviticus Show Entertaining Mr. Helms The Doctor Will See You Now Under Duress: Words on Fire An Alter Boy Talks to God The Hardy Boys and the Mystery of Where Babies Come From
The title play tells the story of a young woman who wakes up to find herself in bed with a man she does not know, and to whom she has apparently got married while drunk the previous night. And to make matters worse, it seems like he might be a terrorist.
Contemporary Caribbean Women's Poetry provides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry.