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This lavishly illustrated, interdisciplinary volume encompasses many aspects of the Chapel’s history from its foundation to the present day. The essays all represent new research, with a particular emphasis on areas that have not been investigated before: Chapel furnishings and art; the architectural engineering of the building and current state of the glass; the history of the Choir and the life of the Chapel, not least in recent centuries. Essays will engage with politics, drama, music, iconoclasm and aesthetics. This will be a serious academic book, but also a visually stimulating and beautiful one. It will contain two hundred and fifty colour reproductions of images of the Chapel - prints, watercolours, oil paintings, photographs, architectural drawings, plans, maps and even postcards, reflecting the many and varied responses that the Chapel has elicited over time.
An examination of how academic colleges commemorated their patrons in a rich variety of ways.
The exquisite sound of a lone chorister singing Once in Royal David’s City amid the candlelit chapel of King’s College, Cambridge, marks the start of the Christmas festivities for millions of people round the globe. Broadcast at 3pm on Christmas Eve, A Festival of Nine Lessons and Carols provides a precious moment of tranquillity amongst the bustle of the festive season. Take a journey through the fascinating history of carols, from the very first - sung by the angels to the shepherds at Bethlehem - to anecdotes from contemporary King's choristers. Learn how carols have evolved from pagan songs to become one of our nation's most sacred treasures. Accompanied by lyrics and music and compiled in conjunction with Radio 4 and King’s College Chapel, Carols From King’s is the official companion for fans of Christmas and carols alike.
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.
‘The Peace of God, which passeth all understanding, keep your hearts and minds in the knowledge and the love of God, and of his Son Jesus Christ our Lord.’ The Book of Common Prayer, with local variations, is still used in churches inside and outside the Anglican Communion in over 50 countries and in over 150 languages. The Rise and Fall of the Incomparable Liturgy is the first study to trace the evolution and reception of the BCP, from the Elizabethan settlement of 1559 to the Royal Commission report of 1906, when work on a new prayer book was begun. Written by a world authority, here is an illuminating and highly readable account of the ascent and decline of a world classic, which still informs our common language as well as much of the great literature of the past four centuries. It will appeal not only to students of liturgy but also to general readers interested in history, literature, theology and cultural studies.
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda
It may seem like a recent trend, but businesses have been practising compassionate capitalism for nearly a thousand years. Based on the newly discovered historical documents on Cambridge’s sophisticated urban property market during the Commercial Revolution in the thirteenth century, this book explores how successful entrepreneurs employed the wealth they had accumulated to the benefit of the community. Cutting across disciplines, from economic and business history to entrepreneurship, philanthropy and medieval studies, this outstanding volume presents an invaluable contribution to our knowledge of the early phases of capitalism. A companion book, The Cambridge Hundred Rolls Sources Volume, replacing the previous incomplete and inaccurate transcription by the Record Commission of 1818, is also available from Bristol University Press.
Accompanying CD-ROM contains ... "images ... [which] can be magnified or compared. The CD-Rom also allows the user to shift back and forth from color image to underdrawing to x-ray, as well as to super-impose one over another."--P. 7.
Building services are often overlooked in the history of architecture and engineering. This volume presents 41 papers presented at the Fifth Annual Conference of the Construction History Society held at Queens' College Cambridge from 6-8 April 2018 which cover a wide variety of topics on aspects of construction history and building services.
'A masterly, vivid and original sketch, not just of the history but of the culture (or cultures) of the Church of England across nearly five centuries.' Rowan Williams, poet and former Archbishop of Canterbury It is hard to comprehend the last 500 years of England's history without understanding the Church of England. From its roots in Catholicism through to the present day, this is the extraordinary history of a familiar but much-misunderstood institution. The Church has frequently been divided between high and low, Evangelical and Anglo-Catholic. For its first 150 years people sacrificed their lives to defend it; the Anglican Church is and has always been defined by its complicated relationship to the state and power. As Jeremy Morris shows, the story of the Church - central to British life - has never been straightforward. Weaving social, political and religious context together with the significance of its music and architecture, A People's Church skilfully illuminates a complex and pre-eminent institution.