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King Lazarus centres around the changing customs and mores of a Bantu tribe under French administration. The year is 1948: the hereditary Chief of the Essazam clan is, to all appearances, dying. As his life has been one long round of eating, drinking, and nocturnal exercises among his twenty-three wives, this is not, perhaps, altogether surprising. But his illness worries the Administration; he is a staunch prop of the European Establishment. An even more dangerous situation is produced when the Chief, against all expectation, very suddently recovers -- and the local Roman Catholic missionary, Le Guen, persuades him to renounce his tribal ways and adopt Christianity.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
This series of Bible Stories for children are written in simple language and contain colourful illustrations which enhance the appeal of the text. The truths of the Bible come alive as one reads these ancient yet timeless stories. It contains stories from the Old Testament and the New Testament and all the stories have lessons to be learnt and they call for a lot of reflection.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
"Beautiful...a last transmission from a dying star." - Time Out One of the last works completed by beloved pop icon David Bowie before his death in early 2016, the otherworldy musical Lazarus is a poignant homage to his legacy. Inspired by the 1963 novel The Man Who Fell to Earth, Lazarus weaves a thrilling rock opera from new compositions by Bowie as well as many of his classic songs.
This story of Jesus’s childhood best friend is “a thrilling meta-novel” and one of Kirkus Reviews’ Best Books of the Year (Maria Semple, author of Where’d You Go, Bernadette). Like most successful men in their early thirties, Lazarus has plans that don’t involve dying. He is busy organizing his sisters, his business, and his women. Life is mostly good until far away in Galilee, without warning, his childhood best friend, Jesus, turns water into wine. Immediately, Lazarus falls ill. And with each subsequent miracle his health deteriorates: a nasty cough develops into an alarming array of afflictions unresponsive to the usual remedies. His sisters think Jesus can help, but the two men haven’t spoken for years. Lazarus is willing to try anything to make himself well, anything, that is, except ask Jesus for help. Lazarus dies. Jesus weeps. Lazarus rises. This part we all know. But Lazarus is about to discover that returning from the dead isn’t easy at all . . . An ingeniously funny and moving novel disguised as biography, Lazarus Is Dead recounts the story of a great friendship lost and regained that unabashedly turns convention on its head. Richard Beard draws on biblical sources, historical detail, art, and contemporary literature to cast a spell that remains unbroken until the final pages of this story about second chances. “Beard’s take on Lazarus is nothing less than astonishing—and he respects the reader by taking religion and religious questions seriously.” —Kirkus Reviews (starred review) “Thoroughly entertaining . . . a brilliant, genre-bending retelling and subversion of one of the oldest, most sensational stories in the western canon.” —Sunday Business Post (Ireland) “Clever and original . . . keeps the reader guessing until the death—and beyond.” —The Financial Times
Book one of the New York Times bestselling All Souls series, from the author of The Black Bird Oracle. “A wonderfully imaginative grown-up fantasy with all the magic of Harry Potter and Twilight” (People). Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has created a universe to rival those of Anne Rice, Diana Gabaldon, and Elizabeth Kostova, and she adds a scholar's depth to this riveting tale of magic and suspense. The story continues in book two, Shadow of Night, book three, The Book of Life, and the fourth in the series, Time’s Convert.
Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.
A fascinating history of socialism and a short, sharp, irreverent rejoinder to right-wing red-baiting “A chilling reminder of how much rich American history has been erased by shallow messaging.” —Naomi Klein, author of The Shock Doctrine During the Cold War, it became a dirty word in the United States, but “socialism” runs like a red thread through the nation’s history, an integral part of its political consciousness since the founding of the republic. In this unapologetic corrective to today’s collective amnesia, John Nichols calls for the proud return of socialism in American life. He recalls the reforms lauded by Founding Father Tom Paine; the presence of Karl Marx’s journalism in American letters; the left leanings of founders of the Republican Party; the socialist politics of Helen Keller; and the progressive legacy of figures like Chaplin and Einstein. Now in an updated edition, The “S” Word makes a case for socialist ideas as an indispensable part of American heritage. A new final chapter considers the recent signs of a leftward sea change in American politics in the face of increasing and historic levels of inequality. Today, corporations—like other rich “individuals”—pay fewer taxes than they did in the 1950s, while our infrastructure crumbles and the seas rise. The “S” Word addresses a nation that can no longer afford to put capital before people.
Volume II, Book II of the Abaddon Trilogy. Laiel Brockade has been found. Fallen down a dark hole for a year, he’s been rescued and brought up into the light once more. But he’s not doing so good. He looks a little chipped around the edges, like a smile with broken teeth. But he’s making his big comeback. And with one of the Devil’s own sons, a ‘Big Comeback’ takes on fantastic, destructive new meaning. His gang’s teeming with monsters and brimming with magic, and they’re out for blood. The problem is, they aren’t wise to the true depths of evil within the man they’re jobbing for. Laiel has some ideas all his own on how exactly to hop, skip, and jump his way to the other side of the checkerboard of darkness. The jester of the Devil’s court, your friend and mine, Mr. Laiel Arturus Brockade, is nearly positioned to shout “King Me!” That, or he’ll flip over the gameboard and shoot his opponent dead. Either way, he’s not just playing to win… He’s cheating. Genres: Occult & Supernatural, Horror, Action & Adventure, Sub/Urban Fantasy, Humor/Satire, Philosophy, Religion, War, Pre/Post-Apocalyptic. Prior Reading: Provoker. Volume I Nocturnal Whispers: Volume I Seducer: Alliance. Volume II:I Further Reading: Seducer: Insurgence. Volume II:III Nocturnal Whispers: Volume II Destroyer: Onus. Volume III:I