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"They've sent a mere boy to fight against me!" roared the giant Goliath, as he caught sight of David across the valley. "Am I just a dog?" Things did not look good for David, yet wasn't the Lord on his side? This book describes what happened next, plus the many other great events in the life of this shepherd boy who became a warrior, a hero, a fugitive, a king, and the ancestor of Our Lord.
David's remarkable life, insights, and achievements inspire us today. David's story is compelling, exciting -- with "chance" encounters, narrow escapes, beautiful women, and a warrior who carves out an empire. David is a singer-songwriter, whose body of work is revered by millions of fans three thousand years after his death. His character encourages us, his weaknesses speak to us, his faith moves us. He is the king of Israel's Golden Age and points us to his great descendant, the Son of David, Jesus Christ the Lord. This book is designed to aid your study of David's life, with a special emphasis on what we can learn as Jesus' disciples today. Twenty maps and charts help you understand his family, as well as the geography of his sojourns, escapes, battles, and conquests. The historical background and geopolitical context will help you to appreciate David in his own world and grasp his internal complexity. Classes and small groups will find this a helpful curriculum guide to their study of 1 and 2 Samuel, with links to free participant handouts as well as thorough preparation for the leader. Thought-provoking questions will stimulate many insightful discussions. Preachers and teachers will find a great deal of their research done for them. Lessons are heavily footnoted for those who want to dig deeper, but are optional for the general student. According to Paul, "David ... served God's purpose in his own generation." Your understanding of David's life and faith will help you to live out God's plan for you in your own generation.
A selection of psalms, retold, chosen because they reflect David's life and faith.
From award-winning comedian, director, writer, and producer David Steinberg comes the totally original, utterly blasphemous, and hysterically funny memoir of a young man who emerged from a traditional Jewish childhood to become an international star—all because, it seems, he kept God in stitches. David Steinberg was raised in Winnipeg, Canada, by parents who expected little from him. And no wonder. Instead of studying Talmud in order to become a rabbi, he chose to major in Martin and Lewis with a minor in basketball. As David imagines the story of his life (since his success otherwise makes no sense), God one day spotted him on the playground and decided that this young man with no ambition could go far with His help. Sure enough, God soon had David on network TV and Broadway, and selling out nightclubs across the country—as well as being pursued by hot starlets. The Book of David is David Steinberg's hilarious trip down memory lane, assuming that the lane has a biblical address. This wild riff on the Old Testament is guaranteed laughter.
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. This paperback edition contains minor corrections, while retaining the maps of the original hardback edition as spreads.
Why do we like music? What does it do for us? How has it become part of our being? Questions about the origin and relevance of human musicality have fascinated many of the greatest thinkers in history, including Confucius, Plato, Rousseau, and Darwin. This book is a novel approach to the subject. The text is built around brief biographies, or 'profiles, ' of thirty musicians from the distant past. These musicians lived between approximately 2500 BCE and 1500 CE at locations that span half the globe. They came from a variety of social classes, and the group includes both men and women. The biographies provide a unique glimpse into the geographical spread and variety of ancient musical life. They form the basis for an exploration of the 'why, ' 'what, ' and 'how' of our attraction to music. As described in this book, ancient musical activities resembled those of the present: The Mesopotamian princess Enheduanna composed hymns to her gods. The Greek composer Pindar sold songs about athletes. The Roman emperor Nero got an ego boost by singing on stage. The Arabian songstress Jamila performed erotic music for her ecstatic fans. The European troubadour Marcabru used music to criticize upper-class immorality. The blind Japanese lutenist Akashi no Kakuichi composed a massive and influential musical war epic. Present-day musicians carry out a number of social, political, religious, entertainment, and other functions in society. Information from the profiles demonstrates that ancient musical practice involved carrying out the same musical functions as at present. To the author's knowledge, this is the first time that such a conclusion has been based on firm historical evidence. This evidence of constancy through different historical stages adds support to the view that human musicality is a genetically determined trait, rather than a characteristic that is acquired from the individual's cultural context. The text reviews and comments on evolutionary theories concerning the acquisition of musicality. 'Musical entrainment, ' which has recently received a great deal of attention from evolutionary scientists, is singled out for special attention. Examples taken from the profiles and elsewhere help to clarify this rather obscure concept. The book is introduced by an historical overview of the ideas expressed by philosophers, scientists, and others about music. Appendices to the text establish the relation of this study to traditional ethnomusicology and describe the anthropological framework that has been employed. More than 400 bibliographic references and a detailed index complete the presentation.
Our Lord has wisely given the Psalms, the songbook of the Bible, for the benefit of the church. But for many people, the Psalms' contents are mysterious because they no longer have a place of prominence in the church's worship. Author J. V. Fesko hopes to awaken the church to the majesty, beauty, and splendor of the Psalms through a devotional exploration of Psalms 1 8, a "grand Christ hymn," in which David, as the suffering king, prefigures the king of kings, Jesus Christ. To encourage readers to come to a greater appreciation for the Psalms, the author includes with each chapter questions for further reflection and study and a metrical version of each psalm. He also recommends Internet resources that provide digital files of the tunes. Author J.V. Fesko is an ordained minister in the Orthodox Presbyterian Church, and is also academic dean and associate professor of systematic theology at Westminster Seminary California. Endorsements "Christians know they need instruction not only to pray but also to sing. By tracing the narrative of Christ in the opening eight psalms of the Psalter, this book helps me pray while I sing and sing while I pray. I learn not only to hear Christ in each psalm but I also begin to sing under the aegis of Christ, the chief musician. Those who have sung these psalms from their earliest days as well as those who have joined the Psalter choir only recently will find, with the Spirit's blessing, deeper and fuller sound." Gerald M. Bilkes, professor of New Testament and biblical theology, Puritan Reformed Theological Seminary, Grand Rapids, and author of Memoirs of the Way Home: Ezra and Nehemiah as a Call to Conversion