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In Kind of Kin by award-winning author Rilla Askew, when a church-going, community-loved, family man is caught hiding a barn-full of illegal immigrant workers, he is arrested and sent to prison. This shocking development sends ripples through the town—dividing neighbors, causing riffs amongst his family, and spurring controversy across the state. Using new laws in Oklahoma and Alabama as inspiration, Kind of Kin is a story of self-serving lawmakers and complicated lawbreakers, Christian principle and political scapegoating. Rilla Askew’s funny and poignant novel explores what happens when upstanding people are pushed too far—and how an ad-hoc family, and ultimately, an entire town, will unite to protect its own.
Your Grandpa is a felon and a Christian. He says he's a felon because he's a Christian. So says Aunt Sweet to her nephew Dustin, when her father, who has been raising Dustin, is arrested for hiding migrant workers. The law that makes harbouring 'illegals' an offence is the brainchild of the ferociously ambitious Oklahoma politician Monica Moorehouse. Aunt Sweet takes Dustin in, but Dustin is bullied by her son Carl Albert, and goes on the run, aided by an illegal the sheriffs didn't find. Meanwhile, Sweet is asked by Dustin's married sister to hide her husband, Juanito, a Mexican without papers. As Grandpa Brown holds fast to his beliefs and Dustin remains missing, Aunt Sweet fights to hold the family together, and to do what seems right. In a gripping and compelling narrative, Kind of Kin lays bare the consequences of a law that exiles workers, turns friends into informers, and tears apart families. It also shows how some - and ultimately a whole town - will unite to protect their own.
Mock tells readers what scientists have discovered about the disturbing side of family conflice in the natural world. He offers a rare perspective on the family as testing ground for the evolutionary limits of selfishness.
Rereads 20th-century American literature as it has portrayed adoption across racial lines, from Faulkner to Kingsolver
A novel by the Bram Stoker Award-winning author of THE TURTLE BOY. On a scorching hot summer day in Elkwood, Alabama, Claire Lambert staggers naked, wounded, and half-blind away from the scene of an atrocity. She is the sole survivor of a nightmare that claimed her friends, and even as she prays for rescue, the killers -- a family of cannibalistic lunatics -- are closing in. A soldier suffering from post-traumatic stress disorder returns from Iraq to the news that his brother is among the murdered in Elkwood. In snowbound Detroit, a waitress trapped in an abusive relationship gets an unexpected visit that will lead to bloodshed and send her back on the road to a past she has spent years trying to outrun. And Claire, the only survivor of the Elkwood Massacre, haunted by her dead friends, dreams of vengeance... a dream which will be realized as grief and rage turn good people into cold-blooded murderers and force alliances among strangers. It's time to return to Elkwood. In the spirit of such iconic horror classics as The Texas Chainsaw Massacre and Deliverance, Kin begins at the end and studies the possible aftermath for the survivors of such traumas upon their return to the real world -- the guilt, the grief, the thirst for revenge -- and sets them on an unthinkable journey... back into the heart of darkness.
Four children embark on a quest for a new land at the dawn of human history Africa, two hundred thousand years ago: Suth and Noli were orphaned the night the murderous strangers came, speaking an unfamiliar language and bringing violence to the peaceful Moonhawk tribe. Determined not to die in the desert, Suth and Noli slip away with Ko and Mana. Suth, the eldest, leads them; Noli’s dreams of the future guide them. Ko gives them courage; Mana gives them peace. Their search for a new Good Place, one of food and safety, will take them across the valleys and plains of prehistoric Africa and bring them together as a tribe and as a family.
In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.
Only seven minutes younger than Rolencia's heir, Byren has never hungered for the throne. He laughs when a seer predicts that he will kill his twin. But the royal heir resents Byren's growing popularity. Across the land the untamed magic of the gods wells up out of the earth's heart. It sends exotic creatures to stalk the wintry nights and it twists men's minds, granting them terrible visions. Those so touched are sent to the Abbey to control their gift, or die. At King Rolen's court enemies plot to take his throne, even as secrets within his own household threaten to tear his family apart. Political intrigue and magic combine in this explosive first book in an exciting new fantasy trilogy.
"With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the "First Indian War" (later named King Philip's War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. In reading seventeenth-century sources alongside an analysis of the landscape and interpretations informed by tribal history, Brooks's pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England."--Jacket flap.
Perfect for readers of Song for a Whale and Counting by 7s, a neurodivergent girl campaigns for a memorial when she learns that her small Scottish town used to burn witches simply because they were different. "A must-read for students and adults alike." -School Library Journal, Starred Review Ever since Ms. Murphy told us about the witch trials that happened centuries ago right here in Juniper, I can’t stop thinking about them. Those people weren’t magic. They were like me. Different like me. I’m autistic. I see things that others do not. I hear sounds that they can ignore. And sometimes I feel things all at once. I think about the witches, with no one to speak for them. Not everyone in our small town understands. But if I keep trying, maybe someone will. I won’t let the witches be forgotten. Because there is more to their story. Just like there is more to mine. Award-winning and neurodivergent author Elle McNicoll delivers an insightful and stirring debut about the European witch trials and a girl who refuses to relent in the fight for what she knows is right.