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In September 2005 one of South Africa’s most eminent mining magnates and businessmen Brett Kebble was killed on a quiet suburban street in Johannesburg. The investigation into the case was a tipping point for democratic South Africa. The top-level investigation that followed exposed the corrupt relationship between the country’s Chief of Police and Interpol President Jackie Selebi and suave Mafioso Glenn Agliotti. A lawless Johannesburg underbelly was exposed – dominated by drug lords, steroid-reliant bouncers, an international smuggling syndicate, a shady security unit moonlighting for the police and sinister self-serving sleuths abusing state agencies. The new paperback edition of the bestselling non-fiction title, Killing Kebble includes: A Postscript that updates the reader on events and people since the publication of the book in April 2011; An extensive author interview that explores the author’s background, the success of the book and people’s reactions to it as well as the impact it has had on Mandy’s life. The additional new material will also be available in a Kindle Single via Amazon – as Postscript to Killing Kebble.
"In September 2005 Brett Kebble, a prominent South African mining magnate, was killed on a quite suburban street in Johannesburg in an apparent 'assisted suicide'. The top-level investigation that followed was a tipping point for democratic South Africa, which implicated an astonishing array of high-profile politicians and public figures as well as illuminating the shadowy depths of Johannesburg's underworld"--Back cover.
Dive back into the gripping underworld of Johannesburg with this bonus material edition to the gripping exposé of South Africa's corrupt underbelly with an exclusive postscript and an engaging author interview. This edition is a follow-up to the bestselling, Killing Kebble and includes a postscript updating readers on events and people since the book's original publication in April 2011, as well as an extensive author interview exploring the author's background, the book's success and impact, and people's reactions to it. The book peeled back layers to expose a web of corruption that once gripped Johannesburg. In September 2005, eminent mining magnate and businessman Brett Kebble was killed on a quiet suburban street in Johannesburg. The investigation into his murder exposed the corrupt relationship between South Africa's Chief of Police and Interpol President Jackie Selebi and suave Mafioso Glenn Agliotti. It revealed a lawless underbelly in Johannesburg, dominated by drug lords, steroid-reliant bouncers, an international smuggling syndicate, a shady security unit moonlighting for the police, and sinister self-serving sleuths abusing state agencies.
As a follow up to the bestselling Killing Kebble: An Underworld Exposed (2010), the new book from Mandy Wiener, Ministry of Crime: An Underworld Explored, examines how organised crime, gangsters and powerful political figures have been able to capture the law enforcement authorities and agencies. These various organisations have been eviscerated, hollowed out and left ineffective. They have been infiltrated and compromised and, as a result, prominent underworld figures have been able to flourish in South Africa, setting up elaborate networks of crime with the assistance of many cops. The criminal justice system has been left exposed and it is crucial that the South African public knows about the capture that has occurred on different levels.
The press called him a drug trafficker and a drug dealer. He was. He'd admitted to these crimes and signed a plea bargain to grass on an associate. He was also known as the Landlord, which made him sound like a mafia boss. He was too a facilitator between those in high places, think Jackie Selebi, and businessmen on the make, think Brett Kebble. He was known as a fixer, the go-to guy who commanded fees of R100 million to organise connections. This is the story of the man who did business in coffee shops and met associates in car parks and underground garages. It is the story of the man who bought shoes for the national commissioner of police. The man accused of the murder of Brett Kebble. This is the story of Glenn Agliotti, one of Johannesburg's sons of the underworld.
In June 2005, Fred van der Vyver, a young actuary and the son of a wealthy Eastern Cape farming family, was charged with murdering his girlfriend, Inge Lotz, allegedly bludgeoning her to death with a hammer as she lay on a couch in her lounge. The case against Van der Vyver seemed overwhelming. His behaviour at the time of the murder appeared suspicious and incriminating, and a letter, penned by Inge on the morning of her death, suggested that the two had been fighting. But it was forensic evidence that seemed to prove his guilt: his fingerprints were found at the scene, one of his shoes was matched to a blood stain on the bathroom floor, and traces of blood were found on an ornamental hammer that had been given to him by the victim's parents. And yet, in one of the most sensational and controversial murder trials in South African legal history, Van der Vyver's lawyers sought to turn the tables on the police, accusing them of fabricating evidence and lying to the judge. In this book prize-winning author Antony Altbeker takes you into the heat of this epic courtroom battle. Altbeker's eye-witness account of the trial presents the reader with all the evidence and testimony of the trial, while also placing it in the context of a society and a justice system that are being stretched to breaking point.
UPDATED EDITION With corruption and fraud endemic in democratic South Africa, whistleblowers have provided an invaluable service to society through disclosures about cover-ups, malfeasance and wrongdoing. Their courageous acts have resulted in the recovery of millions of rands to the fiscus and to their fellow citizens as well as in improved transparency and accountability. But in most cases, the outcomes for the whistleblowers themselves are devastating. Some have been gunned down in orchestrated assassinations, others have been threatened and targeted in sinister dirty-tricks campaigns. Many are hounded out of their jobs, ostracised and victimised. They are pushed to the fringes of society. These are the evocative accounts of South Africa’s whistleblowers, told in their own voices, from across the country. The Whistleblowers also advocates for a change in legislation, organisational support and social attitudes in order to embolden others to have the courage to step up. Photographs by Felix Dlangamandla
In February 2013 the news of successful model Reeva Steenkamp's fatal shooting by her boyfriend and global sporting star Oscar Pistorius stunned the world. Over the ensuing months, as Pistorius appeared in court, applied for bail and was eventually put on trial, every detail that emerged was analysed, debated, justified and digested. The world was haunted by the events as they were repeated and discussed at length. Public perception vacillated from version to version and from hour to hour. Finally, Judge Masipa found him to be not guilty of premeditated murder - but guilty of culpable homicide. Written by Mandy Weiner and Barry Batemen, the go-to journalists on the case for the world's media, Behind the Door is a compelling narrative that meticulously unpacks the evidence that has been so heavily scrutinised on all sides. But more than that, this book seeks to go beyond the facts of the case in search of the wider context behind this shocking tragedy: the back story of the police investigation, the nature of the South African criminal justice system, the culture of violence in South Africa and the need of society to create flawed heroes who are destined to fail. Vivid and gripping, Behind the Door is the most authoritative and insightful account of what really happened behind closed doors that fateful Valentine's morning.
Hitmen for Hire takes the reader on a journey like no other, navigating a world of paid hitmen, informers, rogue policemen, criminal taxi bosses, gang leaders, and crooked politicians and businessmen. Criminologist Mark Shaw examines a society in which contract killings have become commonplace, looking at who arranges hits, where to find a hitman, and even what it is like to operate as a hitman – or woman. Since 1994, South Africa has seen a worrying increase in the commercialisation of murder – and has been rocked by several high-profile contract killings. Drawing on his research of over a thousand incidents of hired assassinations, from 2000 to 2016, Shaw reveals how these murders are used to exert a mafia-type control over the country's legal and illegal economic activity. Contracted assassinations, and the organised criminal activity behind them, contain sinister linkages with the upperworld, most visibly in relation to disputes over tenders and access to government resources. State security actors increasingly mediate relations between the under and upper worlds, with serious implications for the long-term success of the post-apartheid democratic project.
In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot – the mapping and making of social betterment – appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens. This, De Kock argues, is reproduced in much postapartheid writing. And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.