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In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.
Academy Award-winning filmmaker and former private detective Errol Morris examines the nature of evidence and proof in the infamous Jeffrey MacDonald murder case Early on the morning of February 17, 1970, in Fort Bragg, North Carolina, Jeffrey MacDonald, a Green Beret doctor, called the police for help. When the officers arrived at his home they found the bloody and battered bodies of MacDonald’s pregnant wife and two young daughters. The word “pig” was written in blood on the headboard in the master bedroom. As MacDonald was being loaded into the ambulance, he accused a band of drug-crazed hippies of the crime. So began one of the most notorious and mysterious murder cases of the twentieth century. Jeffrey MacDonald was finally convicted in 1979 and remains in prison today. Since then a number of bestselling books—including Joe McGinniss’s Fatal Vision and Janet Malcolm’s The Journalist and the Murderer—and a blockbuster television miniseries have told their versions of the MacDonald case and what it all means. Errol Morris has been investigating the MacDonald case for over twenty years. A Wilderness of Error is the culmination of his efforts. It is a shocking book, because it shows us that almost everything we have been told about the case is deeply unreliable, and crucial elements of the case against MacDonald simply are not true. It is a masterful reinvention of the true-crime thriller, a book that pierces the haze of myth surrounding these murders with the sort of brilliant light that can only be produced by years of dogged and careful investigation and hard, lucid thinking. By this book’s end, we know several things: that there are two very different narratives we can create about what happened at 544 Castle Drive, and that the one that led to the conviction and imprisonment for life of this man for butchering his wife and two young daughters is almost certainly wrong. Along the way Morris poses bracing questions about the nature of proof, criminal justice, and the media, showing us how MacDonald has been condemned, not only to prison, but to the stories that have been created around him. In this profoundly original meditation on truth and justice, Errol Morris reopens one of America’s most famous cases and forces us to confront the unimaginable. Morris has spent his career unsettling our complacent assumptions that we know what we’re looking at, that the stories we tell ourselves are true. This book is his finest and most important achievement to date.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
From the assassination of President William McKinley on September 6, 1901, to the mass killing at Columbine High School on April 20, 1999, the 20th century saw many murderous events that are difficult to contemplate but have become a part of the national history. This reference book is divided into three parts. Part One, arranged chronologically, details 53 of the most famous murder cases of the 20th century in the United States. In Part Two, over 300 entries (alphabetically arranged by criminal) provide descriptions of crimes and are subdivided into male, female, and juvenile murderers; pair and group murderers; hate crime murderers; and school killings. Part Three features crime events related to over 40 selected victims. Cross references guide the reader to additional information. An index is included.
In this, the first book of its kind, Kate Kray, who married gangster Ronnie Kray, peers into the minds of the top twenty worst killers in criminal history and, sparing no detail, reveals the awful truth of their abominable acts. The extreme nature of their violence and their shocking lack of remorse makes for uncomfortable, yet fascinating reading.From obsessive sexual predators and extreme sadists, to cannibals and head hunters, each type of psychopath is examined, their crimes against life told with grim, yet necessary, frankness. Kate offers true insight into the deeply worrying motivations of what come to seem closer to monsters than humans, begging the question of whether such individuals can themselves be viewed as victims of a troubled past, or merely as exponents of pure evil. But be warned, these stories are not for the faint-hearted...
Any murder causes pain and suffering that ripple through families and communities—of both the victims and the perpetrators—but premeditated murders cause the worst kind of damage. The Allure of Premeditated Murder is about the worst kinds of premeditated homicide in which the perpetrator plans an attack over a period of days, weeks, or months, leaving behind massive carnage and unspeakable suffering. Drawing on extensive research and interviews with murderers, sociologists Jack Levin and Julie B. Wiest help readers understand why such vicious murders occur and what we can do to minimize their incidence. Throughout the book, theyexamine why people engage in acts of premeditated murder—planning and implementing terrible violence against others—from the perpetrator’s viewpoint. By juxtaposing the motivations for these hideous homicides against everyday social circumstances, these often-baffling crimes are explained in an easy-to-understand manner that paves the way for promising solutions. In the process of examining the characteristics of premeditated murder, the book also addresses those questions that are commonly asked about this kind of violent crime but usually unanswered. How could a killer have enjoyed his murderous rampage when he committed suicide right afterward? Why do sadistic killers sometimes regard their murders as great accomplishments? What can be done to effectively reduce the likelihood of this kind of homicide? As violence remains such a prominent and troubling topic nationwide, The Allure of Premeditated Murder successfully explores the reasons behind the worst violence as well as the most promising solutions.