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"GHOSTS AREN'T REAL, DUMMY!"That's what former con-man and paranormal investigator Clark Vandermeer kept saying. Then his friends disappeared through a creepy and mysterious doorway. Desperate for answers (and cash!), he teams up with Zeke Silver, ghost-puncher. They're hired to join dozens of other ghost-hunting misfits on the biggest paranormal investigation of all time as they search for proof of the supernatural at the dreaded Oswald Academy. But will they survive the Black Eyed Kids? The Undead School Teacher? The psychotic ex-Marine? The mix tape forged in the pits of Hell itself?
The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question. The night David Hilligiest didn't come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they'd list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.
From award-winning journalist David Kushner, a reported memoir about family, survival, and the unwavering power of love—and the basis for the podcast Alligator Candy. David Kushner grew up in the early 1970s in the Florida suburbs. It was when kids still ran free, riding bikes and disappearing into the nearby woods for hours at a time. One morning in 1973, however, everything changed. David’s older brother Jon biked through the forest to the convenience store for candy, and never returned. Every life has a defining moment, a single act that charts the course we take and determines who we become. For Kushner, it was Jon’s disappearance—a tragedy that shocked his family and the community at large. Decades later, now a grown man with kids of his own, Kushner found himself unsatisfied with his own memories and decided to revisit the episode a different way: through the eyes of a reporter. His investigation brought him back to the places and people he once knew and slowly made him realize just how much his past had affected his present. After sifting through hundreds of documents and reports, conducting dozens of interviews, and poring over numerous firsthand accounts, he has produced a powerful and inspiring story of loss, perseverance, and memory. Alligator Candy is searing and unforgettable.
Their chocolates are to die for—but things aren’t so sweet when a real killer comes to town, in this debut mystery perfect for fans of Joanne Fluke and Laura Childs. Identical twin sisters Alex and Hannah are the owners of Murder and Mayhem, a mystery bookshop that sells their famous poison-themed Killer Chocolates. But now, there’s a real killer in their midst. Shortly before Christmas, their septuagenarian neighbor, Jane, confides to Alex that a murderer from a true-crime show has taken up residence in the village. Unfortunately, she’s also shared her suspicions with town gossip Netta. The next morning, Alex shows up at Jane’s house to watch the show, but instead discovers Jane's body, with a box of Killer Chocolates nearby. The sheriff quickly zeroes in on two suspects: Alex, a beneficiary in Jane’s will, and Zack, a handyman who was seen leaving the crime scene. But Alex maintains her innocence and sets out to draft a list of other potential suspects—townsfolk who’d recently been seen arguing with Jane. When Alex gets hold of Jane’s journal, she begins to understand the truth. But a bearer of ill tidings is arriving early this year—and Alex just might not make it to Christmas.
A wide-ranging collection of essays on millennial American culture that “marshals a vast pop vocabulary with easy wit” (The New York Times Book Review). From the far left to the far right, on talk radio and the op-ed page, more and more Americans believe that the social fabric is unraveling. Celebrity worship and media frenzy, suicidal cultists and heavily armed secessionists: modern life seems to have become a “pyrotechnic insanitarium,” Mark Dery says, borrowing a turn-of-the-century name for Coney Island. Dery elucidates the meaning to our madness, deconstructing American culture from mainstream forces like Disney and Nike to fringe phenomena like the Unabomber and alien invaders. Our millennial angst, he argues, is a product of a pervasive cultural anxiety—a combination of the social and economic upheaval wrought by global capitalism and the paranoia fanned by media sensationalism. The Pyrotechnic Insanitarium is a theme-park ride through the extremes of American culture of which The Atlantic has written, “Mark Dery confirms once again what writers and thinkers as disparate as Nathanael West, Fyodor Dostoyevsky, Sigmund Freud, and Oliver Sacks have already shown us: the best place to explore the human condition is at its outer margins, its pathological extremes.” “Dery is the kind of critic who just might give conspiracy theory a good name.” —Wired
Everyone at Pritchett High wants an invitation to the Senior Scavenge. In 2020, Violet Warren and her friends are the lucky ones. Eight girls will break into the Poison Apple Carnival after hours for a scavenger hunt, then at sunrise they'll gather for a celebration in honor of their upcoming senior year. But someone else has another game planned. Minutes after the girls sneak into the carnival, a madman in a rubber mask begins slashing his way through the group and Violet quickly realizes his motives are personal. As she watches her friends die in a series of increasingly bizarre attacks, she must fight to survive while trying to answer the question: What could she have done to earn a fast-pass for a roller coaster ride straight to hell?
Those who knew Houston's 'Candy Man' Dean Corll all described him the same way - well-mannered, considerate, quiet, neatly groomed, and cheerful. He could usually be found in one of the more affluent communities within Houston, entertaining young boys at a small candy factory owned by his mother - the boys would pop in to watch as the pieces of candy came off the assembly line, and they all got along well with Dean.But some boys saw a completely different side of the Candy Man.From December 13, 1970 to July 25, 1973, 28 boys between the ages of 13 and 20 vanished from a neighbourhood just west of downtown Houston. The young men had all been tortured, then killed, by Dean Corll - who was, at that time, America's most prolific serial killer.
For most Americans, candy is an uneasy pleasure, eaten with side helpings of guilt and worry. Yet candy accounts for only 6 percent of the added sugar in the American diet. And at least it's honest about what it is—a processed food, eaten for pleasure, with no particular nutritional benefit. So why is candy considered especially harmful, when it's not so different from the other processed foods, from sports bars to fruit snacks, that line supermarket shelves? How did our definitions of food and candy come to be so muddled? And how did candy come to be the scapegoat for our fears about the dangers of food? In Candy: A Century of Panic and Pleasure, Samira Kawash tells the fascinating story of how candy evolved from a luxury good to a cheap, everyday snack. After candy making was revolutionized in the early decades of mass production, it was celebrated as a new kind of food for energy and enjoyment. Riding the rise in snacking and exploiting early nutritional science, candy was the first of the panoply of "junk foods" that would take over the American diet in the decades after the Second World War—convenient and pleasurable, for eating anytime or all the time. And yet, food reformers and moral crusaders have always attacked candy, blaming it for poisoning, alcoholism, sexual depravity and fatal disease. These charges have been disproven and forgotten, but the mistrust of candy they produced has never diminished. The anxiety and confusion that most Americans have about their diets today is a legacy of the tumultuous story of candy, the most loved and loathed of processed foods.Candy is an essential, addictive read for anyone who loves lively cultural history, who cares about food, and who wouldn't mind feeling a bit better about eating a few jelly beans.
When the remains of her husband's friend Evan are found in a trunk opened by a catapulting pumpkin, Lucy Stone must invesigate to prove her husband innocent and find the real murderer.
The disappearance of fabulously rich Chicago candy heiress Helen Brach and the suspicious deaths of a string of champion racehorses are linked in a celebrated scandal that has reverberated through every level of the glamorous enclaves of thoroughbred horse breeding. When widowed heiress Helen Brach suddenly disappeared on the morning of February 17, 1977, after a visit to the Mayo Clinic, she left behind a lavender Rolls-Royce, Cadillacs in red, pink, and coral, an eighteen-room mansion, and a fortune now estimated at $75 million. She also left behind a mystery that would tantalize investigators for years. When Assistant US Attorney Steven Miller assigned himself the challenge of solving the Brach case, he never imagined an investigation of the horse world would lead to a charming gigolo named Richard Bailey who made a career of romancing wealthy women out of huge sums of money, a shadowy figure called The Sandman who made his living by killing priceless horses so that their owners could collect insurance, and the ghastly murder of three children in 1955.