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Specifications: 6" x 9" size; 244 + xxvi pages; 40 illustrations; well indexed by surname. Includes Castles in County Kerry; family seats of power; locations; variant spellings of family names; full map of County Kerry, coats of arms, and sources for research. From ancient times to the modern day. First Edition in dust jacket. Author/Editor: Michael C. O'Laughlin. Please remember that the first book in the Irish Families Project, "The Book of Irish Families, great & small" has information on Kerry families not contained in this book.
A selection of ten Irish tales and legends, ancient and urban, simply told, with illustrations and notes. Tales included are The Salt Mill of Dingle, St Lateerin and the Forge, O'Donoghue and his White Horse, The Gate-keeper of Cahernane, McDonnell's Curse A Legend of Pallis Castle, The Earl, the Monkey and the Battle of Callan (a legend of Thomas an Apa FitzGerald, father of the First Earl of Desmond), The Legend of the Colleen Bawn, The Legend of The White Cow, The Ghost of Lough Looscaunagh
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
"This is a lavishly illustrated book with old and contemporary photographs, maps, prints and paintings, the best collection of images of Killarney and the surrounding landscape ever assembled."--BOOK JACKET.