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*Don’t miss The Stranger in Our Bed... Now a major motion picture starring Samantha Bond, Emily Berrington and Ben Lloyd-Hughes* ‘One of the deadliest female assassins I’ve ever encountered in fiction’ Brendan DuBois, New York Times-bestselling author of The End with James Patterson
‘One of the deadliest female assassins I’ve ever encountered in fiction’ Brendan DuBois, New York Times-bestselling author of The End with James Patterson Killing Eve meets Jason Bourne in this nerve-shredding new thriller series simmering with obsession and espionage...
‘One of the deadliest female assassins I’ve ever encountered in fiction’ Brendan DuBois, New York Times-bestselling author of The End with James Patterson Killing Eve meets Jason Bourne in the explosive second adventure of your new favourite spy thriller series...
AN INSTANT NEW YORK TIMES BESTSELLER! “This Golden Girls meets James Bond thriller is a journey you want to be part of.” -Buzzfeed Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Ian Fleming. John le Carré. Len Deighton. Mick Herron. The brilliant plotting of Herron’s twice CWA Dagger Award-winning Slough House series of spy novels is matched only by his storytelling gift and an ear for viciously funny political satire. “Mick Herron is the John le Carré of our generation.”—Val McDermid At MI5 headquarters Regent’s Park, First Desk Claude Whelan is learning the ropes the hard way. Tasked with protecting a beleaguered prime minister, he’s facing attack from all directions: from the showboating MP who orchestrated the Brexit vote, and now has his sights set on Number Ten; from the showboat’s wife, a tabloid columnist, who’s crucifying Whelan in print; from the PM’s favorite Muslim, who’s about to be elected mayor of the West Midlands, despite the dark secret he’s hiding; and especially from his own deputy, Lady Di Taverner, who’s alert for Claude’s every stumble. Meanwhile, the country’s being rocked by an apparently random string of terror attacks. Over at Slough House, the MI5 satellite office for outcast and demoted spies, the agents are struggling with personal problems: repressed grief, various addictions, retail paralysis, and the nagging suspicion that their newest colleague is a psychopath. Plus someone is trying to kill Roddy Ho. But collectively, they’re about to rediscover their greatest strength—that of making a bad situation much, much worse. It’s a good thing Jackson Lamb knows the rules. Because those things aren’t going to break themselves.
Now a Netflix Feature Film! “A heart-pounding page-turner with an outstanding cast of characters, a deliciously creepy setting, and an absolutely merciless body count.” –Courtney Summers, New York Times bestselling author of Sadie and The Project A New York Times bestseller It’s been almost a year since Makani Young came to live with her grandmother and she’s still adjusting to her new life in rural Nebraska. Then, one by one, students at her high school begin to die in a series of gruesome murders, each with increasing and grotesque flair. As the body count rises and the terror grows closer, can Makani survive the killer’s twisted plan?
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
A MASTERWORK OF INTERNATIONAL INTRIGUE SET IN THE ASHES OF WAR-TORN IRAQ, ITALY, AND AREAS IN BETWEEN. Richard House's The Kills is an epic novel of crime and conspiracy told in four books. It begins with a man on the run and ends with a burned body. Moving across continents, characters, and genres, there will be no more ambitious or exciting novel published this year.
This is the entire series put into one book. Paperback edition.They took too much.Left too little.I had nothing to lose...until him.*****************~Lana~I didn't expect him.I didn't want to fall in love.But I can't let him go.Logan Bennett makes the world a safer place.He's brilliant.He's a hero.He locks away the sick and depraved.But while he's saving lives, I'm taking them. Collecting the debts that are owed to me.Ten years ago, they took from me. They left me for dead.They should have made sure I stayed dead.Now I'm taking from them.One name at a time.I've trained for too long.I've been patient.I can't stop now.Revenge is best served cold...They never see me coming, until I paint their walls red.Logan doesn't know how they hurt me. He doesn't know about the screams they ignored. He doesn't know how twisted that town really is.He just knows people are dying.He doesn't know he's in love with their killer.No one suspects a dead girl.And Logan doesn't suspect the girl in his bed.They're looking for a monster.Not a girl who loves red.Not a girl in love.I'm a faceless nightmare.At least until I tell them the story they've pretended never happened.But in the end, will Logan choose them? Or will we watch them burn together?**Graphic**Adult language**Some triggers could be too much for the easily disturbed reader**Sexual content**Fucked up moral compass; read at your own risk.