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How four of Europe’s most mysterious and fascinating writers shaped the modern mind. Dostoevsky, Kierkegaard, Nietzsche, and Kafka were all outsiders in their societies, unable to fit into the accepted nineteenth-century categories of theology, philosophy, or belles lettres. Instead, they saw themselves both as the end products of a dying civilization and as prophets of the coming chaos of the twentieth century. In this brilliant combination of biography and lucid exposition, their apocalyptic visions of the future are woven together into a provocative portrait of modernity. “This small book has a depth of insight and a comprehensiveness of treatment beyond what its modesty of size and tone indicates. William Hubben…sees the spiritual destiny of Europe as one of transcending these masters. But to be transcended, their message must first be absorbed, and that is why the study of them is so important to us now.” —William Barrett, The New York Times
Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use of the gospels and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism. In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works such as The Landlady and A Little Boy at Christ's Christmas Tree.
A Modern pilgrim explores the spiritual wanderings of Augustine, Blake, Pascal, Tolstoy, Bonhoeffer, Kierkegaard, and Dostoevsky. Based on an acclaimed TV series, this illuminating collection of portraits brings to life seven men in search of God, seven maverick thinkers whose spiritual wanderings make for unforgettable reading.
The book brings together the philosophy of Søren Kierkegaard with that of another prominent proto-existentialist thinker, Fyodor Dostoevsky. Asking the question: "What constitutes an authentic Christian life?", the book explores the answer given by both authors, which is that one should rid oneself of selfish inclinations and strive for a life of faith that revolves around the virtues of humility and non-preferential love. However, as we learn from Dostoevsky and Kierkegaard, becoming an authentic individual is no easy task, and the book goes on to examine the obstacles that lie in the path of individual existential self-development. The book then examines the ways in which the various characters and pseudonymous authors who populate Dostoevsky's and Kierkegaard's books struggle in their attempts to become authentic ethical and religious individuals. The examination of this struggle, termed existential entrapment and defined as the inability to progress on the path of one's existential self-development, forms the core of the book and helps to map out the ethical-religious landscape of Dostoevsky’s and Kierkegaard’s thought.
Editors Mark Husbands, Roger Lundin and Daniel J. Treier present ten essays that explore a Christian approach to beauty and the arts. The visual arts, music and literature are considered as well as the theological meaning and place of the arts in a fallen world redeemed by Christ.
After more than a century, the urgency with which the writing of Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is undiminished. Nietzsche explicitly acknowledged Dostoevsky’s relevance to his work, noting its affinities as well as its points of opposition. Both of them are credited with laying much of the foundation for what came to be called existentialist thought. The essays in this volume bring a fresh perspective to a relationship that illuminates a great deal of twentieth-century intellectual history. Among the questions taken up by contributors are the possibility of morality in a godless world, the function of philosophy if reason is not the highest expression of our humanity, the nature of tragedy when performed for a bourgeois audience, and the justification of suffering if it is not divinely sanctioned. Above all, these essays remind us of the supreme value of the questioning itself that pervades the work of Dostoevsky and Nietzsche.
Existentialism is perhaps the most misunderstood of modern philosophic positions-- misunderstood by reason of its broad popularity and general unfamiliarity with its origins, representatives, and principles. Existential thinking did not originate with Jean Paul Sartre. It has prior religious, literary, and philosophic origins. In its narrowest formulation it is a metaphysical doctrine, arguing as it does that any definition of man's essence must follow, not precede, an estimation of his existence. In Heidegger, it affords a view of Being in its totality; in Kierkegaard, an approach to that inwardness indispensable to authentic religious experience; for Dostoevsky, Kafka, and Rilke the existential situation bears the stamp of modern man's alienation, uprootedness, and absurdity; to Sartre it has vast ethical and political implications. This book contains only complete selections or entire works by the major thinkers.--From publisher description.
In 'All Things Are Possible', Jewish Russian philosopher Lev Shestov challenges the notion of fate and necessity by embracing the philosophy of possibility and freedom. Translated by the renowned author D.H. Lawrence, Shestov's work offers a unique perspective on what it means to be human, and the struggles we face against limitations and determinisms. Shestov's rigorous examination of the human experience takes readers on a journey of self-discovery and faith, as he explores the infinite potential of the human psyche and the possibility of a new, liberating ideal.
Edited and with an Introduction by Gordon Marino Basic Writings of Existentialism, unique to the Modern Library, presents the writings of key nineteenth- and twentieth-century thinkers broadly united by their belief that because life has no inherent meaning humans can discover, we must determine meaning for ourselves. This anthology brings together into one volume the most influential and commonly taught works of existentialism. Contributors include Simone de Beauvoir, Albert Camus, Fyodor Dostoevsky, Ralph Ellison, Martin Heidegger, Søren Kierkegaard, Friedrich Nietzsche, Jean-Paul Sartre, and Miguel de Unamuno y Jugo.
Arnold Come draws on Kierkegaard's major works, journals, and papers to reveal the humanist dimensions of his thought, highlighting the importance of the self as the central theme of all his writings.