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(Vocal Collection). A delightful collection of musical theatre songs that kids love to perform, from a variety of shows. Using original scores, the songs have been selected and adapted with the ranges and skills of young singers in mind. Included in this collection are short summaries for each of the musicals, a dramatic and character set-up for each song, audition tips, 16-bar cut suggestions, and audio tracks of piano accompaniments. Songs include: All I Do is Dream of You (from Singin' in the Rain ) * Alone in the Universe (Seussical: The Musical) * Be Kind to Your Parents (Fanny) * Big Blue World (Finding Nemo: The Musical) * Consider Yourself (Oliver) * Different (Honk!) * Doll on a Music Box/Truly Scrumptious (Chitty Chitty Bang Bang) * The Girl I Mean to Be (The Secret Garden) * Good Morning (Singin' in the Rain) * Green Eggs and Ham (Seussical: The Musical) * Heart (Damn Yankees) * I Gotta Crow (Peter Pan) * I Just Can't Wait to Be King (The Lion King) * I Want It Now (Willy Wonka and the Chocolate Factory) * It's Possible (Seussical: The Musical) * Johnny One Note (Babes in Arms) * Part of Your World (The Little Mermaid) * Pure Imagination ( Willy Wonka and the Chocolate Factory) * Shy (Once Upon a Mattress) * Supercalifragilisticexpialidocious (Mary Poppins: The New Musical) * When I Get My Name in Lights (The Boy From Oz) * Wouldn't It Be Loverly (My Fair Lady) . Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
(Piano/Vocal/Guitar Songbook). More than 30 songs made famous by kids singing on stage, arranged in piano/vocal/guitar notation. Includes: Castle on a Cloud * Do-Re-Mi * Gary, Indiana * Getting Tall * I Just Can't Wait to Be King * I Whistle a Happy Tune * I Won't Grow Up * It's the Hard-Knock Life * Let Me Entertain You * Little People * So Long, Farewell * Tomorrow * Where Is Love? * You're Never Fully Dressed Without a Smile * and more.
(Vocal Collection). 38 great Disney songs for kids with audio piano accompaniments for practice. Songs include: The Bare Necessities ( The Jungle Book ) * I've Got No Strings ( Pinocchio ) * Part of Your World ( The Little Mermaid ) * We're All in This Together ( High School Musical ) * and more!
(Vocal Collection). 25 more great songs for young singers, with no song duplication from The Teen's Musical Theatre Collection or Musical Theatre Anthology for Teens . The audio includes piano accompaniments for each song. The Young Women's edition includes: Ain't Misbehavin' * Cabaret * I Cain't Say No * Let Me Entertain You * Popular * What I Did for Love * and more.
"A comprehensive collection of 76 songs from musical theatre, movies, folksongs and standards for any budding vocalist!"--Publisher's information.
(Piano/Vocal/Guitar Songbook). Features 18 piano/vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis, sensational color photos, and these tunes: The Ballad of Farquaad * Big Bright Beautiful World * Build a Wall * Don't Let Me Go * Donkey Pot Pie * Finale (This Is Our Story) * Freak Flag * I Know It's Today * I Think I Got You Beat * Make a Move * More to the Story * Morning Person * Story of My Life * This Is How a Dream Comes True * Travel Song * What's Up, Duloc? * When Words Fail * Who I'd Be.
(Vocal Collection). This four-volume series is a giant resource of songs from msucials that appeal to the young singer. Contents: Astonishing (from the Broadway Musical LITTLE WOMEN) * Belle (Reprise) (from BEAUTY AND THE BEAST) * Come To Your Senses (from TICK, TICK...BOOM!) * Everything I Know (from IN THE HEIGHTS) * Find Your Grail (from MONTY PYTHON'S SPAMALOT) * Finding Wonderland (from the Broadway Musical WONDERLAND) * Follow Your Heart (from URINETOWN) * Good Morning Baltimore (from HAIRSPRAY) * Home (from BEAUTY AND THE BEAST: THE BROADWAY MUSICAL) * I Know It's Today (from SHREK THE MUSICAL) * I Know The Truth (from Elton John and Tim Rice's AIDA) * I Speak Six Languages (from THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE) * I'm Not Afraid Of Anything (from SONGS FOR A NEW WORLD) * It Won't Be Long Now (from IN THE HEIGHTS) * The Lamest Place In The World (from the Broadway Musical 13) * Live Out Loud (from A LITTLE PRINCESS) * Maybe I Like It This Way (from THE WILD PARTY) * My New Philosophy (from YOU'RE A GOOD MAN, CHARLIE BROWN) * Once More I Can See (from the Broadway Musical WONDERLAND) * A Part Of That (from THE LAST FIVE YEARS) * Popular (from the Broadway Musical WICKED) * Practically Perfect (from MARY POPPINS) * Show Off (from THE DROWSY CHAPERONE) * So Much Better (from LEGALLY BLONDE) * Start Of Something New (from the Disney Channel Original Movie HIGH SCHOOL MUSICAL) * Tryouts (from BRING IT ON) * Waiting For Life (from ONCE ON THIS ISLAND) * We're Not Done (from BRING IT ON) * Whipped Into Shape (from LEGALLY BLONDE) * Whispering (from SPRING AWAKENING) * The Wizard And I (from the Broadway Musical WICKED)
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.
Shares vocal and piano arrangements for songs from such musicals as "Hairspray," "The Addams Family," "Monty Python's Spamalot," and "Thoroughly Modern Millie."