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"Khnum-Ptah to Computer" presents a comparative analysis between a variety of concepts, customs, cosmologies, and practices found in African Cultures to topics related to the field of Computer Science. The African origin of Binary Code, Logic, Computers, Programming, Robotics, Cyborgs, Androids, Virtual Reality, Artificial Intelligence, and Transhumanism are examined using Sound Right Reason to show a relationship between two dichotomies that have more in common than what meets the eye
The Black Phoenix is a novel written by thirteen-year-old Khalif Aziz . In the book, the male protagonist, who takes upon the likeness of the author himself, is a young sorcerer whose age is as old as the pyramids. The 5,672-year-old goes through a form of reincarnation in which he dies in one body and begins a new life in the body of either a direct descendant or a relative. As a sorcerer, he constantly battles the forces of Apep, an evil god that wishes to control not only this universe but all others and let chaos tip the balance that all of these universes rely on. Since Khalifaziz is a human, he must do this in secret while still trying to keep up his cover as a regular human. Cara Marino, the character’s best friend, never learns of her friends’ abilities (she has other friends who have abilities she doesn’t know of as well) until the day that she is attacked by a black Bennu, or a black phoenix. Thus begins an adventure in which both magic and science are large players. Cara is the sister of Phineas Marino, a scientist who worked for the government, working on all sorts of top-secret projects. His most important one, a teleport that sends one into any computer’s cyberspace and even into the Internet’s cyberspace. Knowing that the government would soon want this project, he hid it from everyone except his little sister, Cara. Then another scientist created a virus, and they fused together in order to form Vesteria, an evil being bent on world domination. Cara and Phineas agree to make sure this never happens, seeing as how it was his invention that caused this trouble; however, Phineas can’t fulfill his promise, seeing as he is now dead. Cara then decides to do it all on her own, but then she meets a boy named Khalifaziz, a student of the school built in place of the abandoned laboratory where Phineas worked on his machine in secret. Khalifaziz and his friend Matt decide to help Cara fight Vesteria, leaving out the fact that they are both sorcerers. It turns out that they fight Vesteria better than Cara was ever able to. Unfortunately for them, Apep and Vesteria are sick of losing. One day, after Cara is attacked by the phoenix, Vesteria tries to hack Cara’s computer systems. When Cara, Matt, and Shadoe, princess of an alien people made completely out of chaotic energy, all go inside the computer, it is revealed that everyone’s worst fears have been realized. Vesteria is working for Apep. Suddenly, Khalifaziz and his friends are thrown into a war that they never expected to happen. Now everything has changed. Now they can’t afford to lose. Because this time, Apep has a powerful new ally. A combination of science fiction, Egyptology, physics, and magic, The Black Phoenix joins the ranks of global young adult' and children’s literature.
This volume of collected studies takes stock of most recent developments in Egyptology and the Digital Humanities, considering future directions for the application of new technologies in Egyptology. The book presents the results of an international conference held in 2019 at Indiana University – Bloomington, in which Egyptologists and digital humanists with interest in Egyptology gathered in 2019 to present current projects in 3D modeling, virtual and augmented reality, game technology, digital pedagogy, database projects, computational and corpus linguistics and E-publications. Those projects, along with a selection of others that were not presented in Bloomington, are now described and discussed in this volume.
This book examines the Ptolemaic temples of the island of Philae, in Upper Egypt. The temples were modified and extended during the course of the Ptolemaic dynasty and this detailed study presents the first full publication of the architectural development and relief decoration of this site. Separate chapters address the principles of decoration, the architectural development of the site, the attributes of the Pharaoh and deities, the evolution of the human figure in the reliefs and, finally, artisan work methods. A computer facilitated the recording of the 29 variables associated with each of the 824 offering scenes. This approach, adaptable to other sites, allowed the handling of an otherwise unmanageable amount of information. The computer database is printed in full, with tabulated information gathered from it. The 1274 drawings illustrate all the offerings, crowns, clothing and other attributes depicted in the relief decoration at Philae. The plates illustrate the architectural details, the work methods of the artisans and the changing rendering of the human figure during the course of the Ptolemaic dynasty.
The great civilization that grew up around the Nile River had sophisticated irrigation systems that held back the desert, writing and record keeping that kept track of every event in the region, and some of the greatest architects and engineers the world
The purpose of the book entitled “Supreme Mathematic, African Ma’at Magic†is to show that Mathematics is of African origin; To show relationships between African and Modern mathematical objects, terms, and concepts; To show how African Mathematical methods can be used to solve certain problems not easily solved by modern mathematical methods; and To Show the Importance that Ancient Africans placed on Mathematics to solve problems, establish Truth and Order (Ma’at), and Apply knowledge to create Systems and Technologies needed for survival and well-being. This book is an introductory educational tool for a long term goal and mission of growing, cultivating, nurturing, and promoting African Creativity, and Ingenuity to develop, engineer, innovate, invent, and create any structures, devices, or systems needed. The importance of Mathematics is emphasized in this book to provide Motivation, inspiration, and Insight into the relationship between Ancient African and Modern Mathematics.
Lively prose and wonderful color photographs portray a veteran's passion for British household pottery.
9 E.T.H.E.R. R.E. Engineering teaches the Science, Technology, and Practical Application of the Ancient Fundamental Element known as "Ether" through a synthesis of African Theology and modern Scientific Theories related to Electricity, Thermodynamics, Hydrodynamics, Electromagnetic Radiation, and Resonant Energy.
AFURAKA/AFURAITKAIT - The Origin of the term 'Africa' Numerous scholars over the centuries have attempted to delineate the etymological origins of the name Africa. However, they have failed because of a lack of understanding of Afurakani/Afuraitkaitnit (African) Ancestral Religion, cosmology and culture. Odwirafo Kwesi Ra Nehem Ptah Akhan is the first to elucidate and publish the actual etymological origins of the name Africa demonstrating the name to be derived linguistically and cosmologically from Afuraka/Afuraitkait – the original male and female aspects of the name. This includes showing the actual term written by our Afurakani/Afuraitkaitnit (African) Ancestresses and Ancestors in the medutu (hieroglyphs) of Ancient Kamit (Ancient Egypt) – a discovery which heretofore had never been accomplished. Afuraka/Afuraitkait is an indigenous designation for the continent first propounded by Afurakanu/Afuraitkaitnut (Africans~Black People) prior to the existence of any other people on Earth. The myths put forward by eurasians seeking to locate the origins of the name Africa outside of the continent of Afuraka/Afuraitkait (Africa) and in the greek, latin, sanskrit, arabic, phoenician and other languages, have been shown in this article series to be a deliberate attempt by the non-Afurakanu/non-Afuraitkaitnut (non-Africans/non-Blacks) to misinform Afurakanu/Afuraitkaitnut (Africans~Black People) and dispossess us of our heritage and culture. This is nothing new. We have been and will continue to be at war - culturally, intellectually, spiritually and physically - with the whites and their offspring, their culture and their pseudo-religions (inclusive of all forms of christianity, islam, judaism/hebrewism, hinduism, buddhism, taoism, pseudo-esotericism, etc.) until the whites and their offspring no longer exist in the world. We will always meet the challenge and will emerge triumphant on every level. The proper etymology of the term Africa was first given to us in the 12990s (1990s) by our Nananom Nsamanfo – Akan term for our Honored or Spiritually Cultivated Afurakani/Afuraitkaitnit (African) Ancestresses and Ancestors. It was our Nananom Nsamanfo who would also lead us to the tangible evidence supporting the etymological origins of the term in the languages, cultures and ritual practices of Afuraka/Afuraitkait (Africa) – inclusive of Ancient Khanit and Kamit (Nubia and Egypt). We would subsequently release our publication: KUKUU-TUNTUM The Ancestral Jurisdiction in 13002 (2002), wherein we defined the term Afuraka/Afuraitkait and its cosmological roots in the first section. The release of our article series in 13007-13008 was designed to provide a more detailed analysis of the nature and function of the name Afuraka/Afuraitkait (Africa) as it applies to Black People – and Black People only – and to expose the misinformation which continues to be propagated deliberately by the whites and their offspring, as well as by misinformed Afurakani/Afuraitkaitnit (African~Black) scholars, teachers, authors, etc. This four-part series is the first volume of a greater series. There are numerous manifestations of the term and name Afuraka/Afuraitkait (Africa) all over the continent and in the places we traveled after having migrated away from the continent thousands of years ago for the first time in our trustory. This is an attestation to the ancient spiritual roots of the name Afuraka/Afuraitkait. The information can and will fill many volumes. This is a never-ending project. ©Copyright by Odwirafo Kwesi Ra Nehem Ptah Akhan, 13007, 13008, 13011, 13014 (2007, 2008, 2011, 2014). All rights reserved. www.odwirafo.com
Collects almost five hundred entries that cover the African response to spirituality, taboos, ethics, sacred space, and objects.