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Bringing together over 200 colour photographs, this is a beautifully produced source-book on calligraphy found across cities in Egypt.
In the twenty-first century, the widespread integration of computer technologies has brought text-based information into many facets of everyday life. This has caused an ever-growing interest in typography across many fields of visual communication, where text and letterform play a central role in disseminating social trends and reflecting the spirit of the times. Arabic Typography takes the reader through a comprehensive study of Arabic letterforms, starting with a concise historical overview of their development and styles, and proceeding to the latest design and technological advances. It attempts to establish the foundations for Arabic type-design by drawing lessons from past practices and aesthetic conventions, in order to retain the enduring traits that are of relevance for improvement and innovation in future type-design creations. Going beyond the historical facts to discuss current design issues pertaining to the creation and production of letterforms, it presents Arabic typographic design as an essential communication tool that should marry functionality and legibility to aesthetic delight. This book will serve as a valuable reference on Arabic typography, and as an educational guide for design students, professionals and anyone who uses Arabic type and enjoys the visual appearance of this language and its letterforms.
Explores the terms, concepts, personalities, historical events, and institutions that helped shape the history of this religion and the way it is practiced today.
The catalogue for an exhibit at the Museum and travelling to Los Angeles and Harvard through 1999. Presents 71 examples of calligraphy collected by the Turkish businessman and philanthropist, among them exquisitely illuminated Korans and prayer manuals, elegantly decorated albums, and large-scale decorative compositions by renowned Ottoman calligraphers. The text provides information about specific artists and pieces and the tradition and techniques of the genre. A glossary defines Turkish words but does not indicate pronunciation. Annotation copyrighted by Book News, Inc., Portland, OR
Based on interviews and field research, the authors explore the sets of ideas Arab tribespeople from Ras Al-Khaimah had about tribe and community; social and economic networks, and jural contracts for livelihoods and profits; their uses of their environments; the moral relations of credit, debt and labour; ruling; economic and political transformations; and ideas of regional history where conflicts were regarded as disputes over sets of ideas, and informal accounts of tribal and local histories. Their lively descriptions and explanations of life before oil portrayed tribal societies whose relationships were moral rather than political and were between jurally equal persons. All lived from their own resources; 'wealth' was material self-sufficiency; 'riches' the richness of social relationships. Political arenas were decentralised and underpinned by common cultural and moral values. Published sources give a wider context to these ideas and events which show the great complexity and differing perspectives of 'life before oil' in the Gulf.