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"Khandelwal's Poetic Process" unveils the art of creation through fifty-two meticulously crafted poems that delve into the heart of a poet's journey. With a masterful touch, Khandelwal explores the intricate dimensions of poetry writing, providing a kaleidoscope of perspectives on the poetic process, from the struggle of ink meeting paper to the triumphant birth of verse to the publication pains, inspiring poets to refine their craft. Khandelwal's exploration of themes, employing exceptional use of vivid imagery, is unique in contemporary poetry, offering unexpected angles that evoke emotions through unconventional juxtapositions. What distinguishes this book is that it combines, through engaging, pithy poems, almost all the theory required to be disseminated under one cover. This is a handbook that all poetry writers and readers should possess.
Poetry. South Asia Studies. Translated from the Hindi by Rahul Soni. MAGADH, Shrikant Verma's crowning achievement, was published in Hindi in 1984 and has established itself as one of the key works of late 20th century Indian poetry. Speaking both archly and urgently through unreliable narrators commoners, statesmen, wanderers, people close to power (but never in power) often like a kind of prudent and duplicitous advice for the ears of monarchs, the 56 poems range widely in tone from nostalgic to ironic to bitter to sorrowful. "Twentieth century Indian poetry has seldom been translated well, and very rarely as well as Rahul Soni's rendering of this Hindi classic." Arvind Krishna Mehrotra"
The poets of North-East India, though belonging to diverse spaces, cultures, languages and religions, share a common bond. It is a sensibility defined by a deep connection with the land; the overarching presence of nature in their lives; the predominance of myths and tribal folklore; and the search for an identity. All this informs their poetry and gives it a unique flavour. Much of the distinctiveness of their work is also the consequence of contemporary events, often marked by violence. Like its title poem The Dancing Earth , the anthology too, is a celebration of this life, in all its unpredictable variety, richness and contradictions. So while Thangjam Ibopishak writes I Want to be Killed By an Indian Bullet and Chandrakanta Murasingh speaks of a minister with neither inside nor outside , there are also Temsula Ao s poems about her stone-people ancestors; Mamang Dai s portraits of swift rivers and primeval forests; and the Shillong poets with their mist-shrouded pine slopes, red cherries and gridlocked streets.
From the magic realm of a glass wharf to the sorrows of a community of wastelanders. From the visceral immediacy of filial bonds to memories that haunt, Naiyer Masud s fictional world is an experience. The Essence of Camphor, the first ever English translation of Masud s work, is evidently an example of Masud s unique and original style that is unparalleled.
From the award-winning author of Perfume Dreams, a collection of thirteen short stories following Vietnamese immigrants new to the United States. The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America’s newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past—memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity—is ever present in these wise and compassionate stories. It plays itself out in surprising ways in the lives of people who thought they had moved beyond the nightmares of war and exodus. It comes back on TV in the form of a confession from a cannibal; it enters the Vietnamese restaurant as a Vietnam Vet with a shameful secret; it articulates itself in the peculiar tics of a man with Tourette’s Syndrome who struggles to deal with a profound tragedy. Birds of Paradise Lost is an emotional tour de force, intricately rendering the false starts and revelations in the struggle for integration, and in so doing, the human heart. *Finalist for the California Book Award* “His stories are elegant and humane and funny and sad. Lam has instantly established himself as one of our finest fiction writers.” —Robert Olen Butler, Pulitzer Prize–winning author of Perfume Mountain “Read Andrew Lam, and bask in his love of language, and his compassion for people, both those here and those far away.” —Maxine Hong Kingston, award-winning author of The Woman Warrior